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A Turkish Delight of musings on languages, deflations of metaphysics, vauntings of arcana, and great visual humor.
From Our Abecedarian Blog . . .

Today — November 14, 2018

Hindpsych: Erstwhile Conjectures by the Sometime Augur of Yore (permalink)
Intrigued by our new publication about esoteric computations one can perform on the spot, The Pencil Witch, alphabet diviner Jim Girouard scattered letters into a grid to see what message might be hidden there.  In the scan of his reading, the very bottom shows the list of words he saw in the letters (including "Hollywood," so is a film adaptation in our future?) and the very top shows the sentences he formed:  
Oddfellow writes new booklet Pencil Witch.  It is a wonderful writ full of really great ideas and expressions and sigils.  The professor of single letter phenomena lit the fire under our imaginations with playful rolypoly anagrams and animated characters and spellcraft images.  Professor Oddfellow meets our expectations at the crossroads of perception and regal oracle that breathes life into the blank space of boredom which detours from problems and extends the imagination of the here and now.  For Oddfellow the eagle has landed on the eternal timeline of timeless expression.
. . . read more from Hindpsych: Erstwhile Conjectures by the Sometime Augur of Yore . . .


Yearbook Weirdness (permalink)
You've heard of the turtle that holds up the world, but that's just mythology -- it's actually two bunnies.  It obviously has to be long-eared animals, for balance.  From Duke's library, in the yearbook of 1933.

*For some unbelievably weird yearbook imagery, see our How to Hoodoo Hack a Yearbook.

. . . read more from Yearbook Weirdness . . .


Restoring the Lost Sense (permalink)
From Lustige Blätter, 1915.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Restoring the Lost Sense (permalink)
From Le Journal Amusant, 1909.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Restoring the Lost Sense (permalink)
"The legion all unseen."  From The Judge, 1918.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Restoring the Lost Sense (permalink)
From L'Assiette au Beurre, 1911.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Restoring the Lost Sense (permalink)
From Krokodil, 1924.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Restoring the Lost Sense (permalink)
From Kladderadatsch, 1926.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


This May Surprise You (permalink)
The heroic collie who saved someone every week in TV Land had some help from on high.  Lassie and Her Guardian Angel by Charlotte Dean, 1884.  Actually, this particular Lassie isn't a canine, but if it's true that "all dogs go to heaven," then Lassie likely did have angelic assistance while saving Timmy from the well.
. . . read more from This May Surprise You . . .


Restoring the Lost Sense (permalink)
From Fliegende Blätter, 1931.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Restoring the Lost Sense (permalink)
From Fairy Tales and Stories, translated by H. W. Dulcken, 1882.


[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Restoring the Lost Sense (permalink)
From Kladderadatsch, 1940.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Restoring the Lost Sense (permalink)
"The sultan stood upon the bank of the lake, beholding the fish with admiration."  From The Arabian Nights Entertainments, 1899.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Images Moving Through Time (permalink)
INSTRUCTIONS: Click to activate the hair restoration formula. From Judge's Library, 1903.

From Judge's Library, 1903
. . . read more from Images Moving Through Time . . .


Restoring the Lost Sense (permalink)
From Le Journal Amusant, 1920.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Restoring the Lost Sense (permalink)
From Les Hommes du Jour, 1913.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Restoring the Lost Sense (permalink)
From Lustige Blätter, 1907.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Restoring the Lost Sense (permalink)
From Le Journal Amusant, 1876.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .


Yesterday's Weather (permalink)
From Reportorio dos tempos o mais copioso que ate agora faio a luz, conforme à noua reformaçao do sancto Papa Gregorio XIII, 1590. 
*Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out.
. . . read more from Yesterday's Weather . . .


Restoring the Lost Sense (permalink)
The spirit of 1887 won't let you off yourself.  From Le Courrier Français, 1887.
[Inexplicable images from generations ago invite us to restore the lost sense of immediacy.  We follow the founder of the Theater of Spontaneity, Jacob Moreno, who proposed stringing together "now and then flashes" to unfetter illusion and let imagination run free.  The images we have collected for this series came at a tremendous price, which we explained previously.]
. . . read more from Restoring the Lost Sense . . .



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