by Raf Artista
How to Create Sublime Colors
What color is so awe-inspiring, so out-of-this-world that it elevates viewers to new heights of wonderment? The quest for the sublime color is as old as pigment and likely older still. Imagine the first humans to witness a majestic sunrise. They’d have had a transcendental experience, in that sublime colors open a window into a realm of grandeur beyond mere human experience. Imagine the first artists experimenting with dyes like alchemists in search of the Philosopher’s Stone, driven to discover the secret of sublime color and to possess the power to turn the ordinary into something extraordinary.
Sublime colors are commonly described as being:
- incomparably beautiful
- natural (sunrise, clouds, rainbows, mountains, or sea, for example)
- lofty, divine (in that they foster a spiritual experience)
Ultraviolet and deep indigo are often called sublime, and black more so. Color expert Benjamin Jan Kouwer notes that Western culture once hailed yellow as a sublime color with a favorable symbolic meaning (Colors and Their Character, 1949). Color mixers usually discover sublime beauty by accident, but art teacher Gabriel Boray suggests that artists can hone their sense of the sublime through careful practice.
Boray developed a system for sublime color mixing. Through his system, colorists learn to feel when a color is “singing.” Boray instructs the colorist to begin with two complementary colors of the same temperature (such as a warm yellow and a warm ultramarine). “Mix 5 variations between them, from yellow-green to blue-green, paying careful attention to separating them enough to be recognized as a unique variation.” By adding a tiny amount of blue into the yellow, then a bit more, and more again, each variation will be distinct. “After you have 5 clear color variations between those two, create one in between each (there may be many more than one), until you have 10 variations. Now look at those colors. Are they clean and unique? They should be singing. If they aren’t singing, you are to immediately find the correct light to see the variations properly, or rush outside, close your eyes, and take 10 deep breaths while telling yourself you are a master of color! If the colors exist—and an infinite amount of colors exist—then you can identify them.”
Boray assures that “When you open your eyes you will see nature as you may never have before. Return to your exercise, choose two more colors and continue. Combine as many pairs of colors, creating 5, then 10, or more variations. Gradually you will begin to feel the changes in your blood. Go outside again and look at something in nature. Make a ring with your thumb and forefinger and look as if through a magnifying glass. See the infinite variations. The same colors you see are available to you for painting. There is no barrier between your mind and your brush.”
[Read the entire article in my guest blog