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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"They never saw their child again." From Simple Hans and Other Funny Pictures and Stories, 1854.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I there wi' something did forgather / That put me in an eerie swither." From The Poetical Works of Robert Burns, 1871.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The entrance to 'Hell,'" from Bohemian Paris of To-day by William Chambers Morrow, 1899.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hallowe'en Festivities by Stanley Schell, 1903.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Chronicles of Crime by Camden Pelham, 1841.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Hans howled again, finishing off with a fiendish laugh," from The Kloof Bride by Ernest Glanville, 1898.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The cabaret of Hell," from Bohemian Paris of To-day by William Chambers Morrow and illustrated by Édouard Cucuel, 1899.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Q: " How long does it take for a voice to emerge from another voice?" —William KecklerA: No time at all. The phenomenon has been called "ghost voice," "third voice," and "implied harmony." "When two people sing loudly at slightly different picthes, the frequencies can mix, causing a different tone, or third pitch" ( Paul W. Zitzewitz, The Handy Physics Answer Book).
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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"Water is almost nothing, after all. It is conspicuously different from air only in its tendency to flood and founder and drown, and even that difference may be relative rather than absolute." —Marilynne Robinson, HousekeepingSimilarly:
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A skeleton key isn't complete without a skull. From The Stiles Family in America by Henry Reed Stiles, 1895.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Destined Maid by George Chetwynd Griffith Jones, 1898.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Macramé meets the macabre in Wien im Jahre 1683 by Victor von Renner, 1883.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Did you know that a jack-'o-lantern named "The Chew-Chew Man" watches how you devour shredded wheat? "He'll get you if you don't watch out," from Rod and Gun, 1898. |
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From Le Paris des Enfants by Georges C. Fath, 1869.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"A lean shape with a shrunken head leapt out into the passage after him." From Ghosts, Being the Experiences of Flaxman Low by Kate O'Brien Prichard and illustrated by B. E. Minns, 1899.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Ingoldsby Legends by Thomas Ingoldsby, 1881.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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Here's sheet music for "Sounds from the Cemetery," a precursor to novelty Halloween albums, from Rhyme and Reason by Lewis Carroll (1884).
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A drawing by Dorothy J. Hamilton from St. Nicholas maagzine, 1903.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| * There is a vast world of reality into which science can no more enter than an elf can be Santa Claus. We regret to observe that rather than face it, and confess its inability to measure it, science turns its back upon it. Life is not always every-day life, and the insolvable mysteries are correlated not to formal rules but to spirit and inspiration. Are bits of wisdom liable to dwarf the subject? Indeed — and rightly! James Howell described the ingredients of a good proverb to be "sense, shortness, and salt." May Howell's cry resound through this present collection of maxims on believing in one's elf.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ghosts, Being the Experiences of Flaxman Low by Kate O'Brien Prichard and illustrated by B. E. Minns, 1899.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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An illustration from Every Day Characters by Winthrop Mackworth Praed (1896). Illustration by Cecil Charles Windsor Aldin.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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One is reminded of the old game, "Which number comes next in this sequence?":
1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 100, 1000, 10000 ...
This sequence is actually a Shinto breath-counting meditation, using the traditional Japanese numbers of "hi, fu, mi, yo, i, mu, na, ya, koto, tari, momo, chi, yorozu" (as explained in The Essence of Shinto: Japan's Spirtual Heart). But here's what no one else will tell you:
- This sequence is a precursor to permanently erasing files from a computer by overwriting portions of the drive with numbers. This is a meditational technique for overwriting "thought trash."
- This sequence could be likened to the opposite of Zeno's Paradox. Instead of making less and less progress (like Zeno's arrow that never reaches its mark), one makes more and more progress, exponentially.
- This sequence illustrates how radically different Shinto is from Buddhism and other philosophies that seek nothingness. With each zero added, Shinto sees not less but more — greatly more. In its progressive optimism, Shinto uses the concept of zero to expand rather than obliterate.
- Each of the ten zeroes stands for the fact that Shinto has no founder, no orthodox canon of sacred literature, no doctrines or precepts or commandments, no explicit code of ethics, no idols, no need for a building, no ritual of membership or conversion, no holiest place for worshippers, no defined set of prayers, and no organization or central authority.
So yes, basically.
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We celebrate how Webster's dictionary used to be truly practical — back when it covered (counterclockwise from the top left) tritons, phrenology, the zodiac, the Colossus of Rhodes, satyrs, dragons, unicorns, Pan, and Atlas (the Greek god, not the maps). Here's to Webster's Practical Dictionary, 1906, for covering topics to which we daily devote ourselves.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Pink Fairy Book by Andrew Lang, 1897.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ghosts: Being the Bxperiences of Flaxman Low by Kate O'Brien Prichard and illustrated by B. E. Minns, 1899. The caption reads, "Eyes were looking down into his own, dark eyes full of hatred and despair."
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Prof. Oddfellow's sketchbook:
Q: How do comic hats float?
A: To create levity, we must make light.
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If it's true that "New ciphers develop when the existing ones have been broken" (Katelyn Callahan, "The Impact of the Allied Cryptographers on World War II"), then just where does said development take place? In cypher incubators, or course. Our graphic is from an entire catalog of incubators for cyphers (1899).
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The piper hurls the witch's hood into the stream," from The Casquet of Literature, 1895.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"For now, though, the A's move forward." —Jane Lee
(Our illustration appears in Rush-Bearing by Alfred Burton, 1891.)
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"When the rope burns close to his toe, he will wake up quickly enough," from St. Nicholas magazine, 1877.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"And the only fool is the one who can prove that death is a blank nothing or something less than life." —Helga Sandburg, A Great and Glorious Romance: The Story of Carl Sandburg (1978)
(Our blank page appears in The Family Bible, 1861.)
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I never expected to see two Harriets!" From Dicks' English Library of Standard Works, 1884.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The bean-pot comet," from The Argonauts of California by Charles Waldo Haskins, 1890.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The wondrous effect of a piper's pipe of tobacco," from Dicks' English Library of Standard Works, 1884.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Pen hears himself in print," from The Oxford Thackeray. Indeed, print is not only a visual medium.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| This Terrible Problem That Is the Sea |
(permalink) |
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,( ,( ,( ,( ,( ,( ,( ,(
`-' `-' `-' `-' `-' `-' `-' `-' ` "The sea is a cruel mistress. Yet again the sea has behaved unconscionably. It's time to address this terrible problem that is the sea." —Captain Neddie, from the hilarious BBC series Broken News |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"With what grace she pumped," from Dicks' English Library of Standard Works, 1884.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The silver lining." From The Bashful Earthquake by Oliver Herford (1899).
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The Gentleman Who Vanished: A Psychological Phantasy by Fergus Hume, 1890. Also very much of interest: The Young Wizard's Hexopedia.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Not pictured, yet his presence is implicit." —Thembisa Waetjen, Workers and Warriors
Here's a portrait of a certain Mr. Gudge by John Leech (some of his subtlest work), from The Struggle and Adventures of Christopher Tadpole by Albert Richard Smith, 1897.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Whistling past the graveyard, hair standing on end. From St. Nicholas magazine, 1877.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Pink Fairy Book by Andrew Lang, 1897.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| * There is a vast world of reality into which science can no more enter than an elf can be Santa Claus. We regret to observe that rather than face it, and confess its inability to measure it, science turns its back upon it. Life is not always every-day life, and the insolvable mysteries are correlated not to formal rules but to spirit and inspiration. Are bits of wisdom liable to dwarf the subject? Indeed — and rightly! James Howell described the ingredients of a good proverb to be "sense, shortness, and salt." May Howell's cry resound through this present collection of maxims on believing in one's elf.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Don't call it a hunch, or a spooky sensation. Call it reality."
—Simon Spurrier, The New Pulp
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"A man-trap and the skeleton of a man," from Dicks' English Library of Standard Works, 1884.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"'What an abominable day!' I said crossly, by way of pleasantly opening the conversation." From As In a Looking Glass by Francis Charles Philips, 1889.
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The harvest fairies from New Pictures in Old Frames by Gertrude M. Bradley, 1894. This should also be of interest: How to Believe in Your Elf.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Confessions of a Caricaturist by Oliver Herford, 1917.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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There is a "time of awkward silences," as Suzanne Brockmann has noted in Tall, Dark and Dangerous. Our illustration appears in St. Nicholas magazine, 1898.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"And he felt so well only just now!" From Dicks' English Library of Standard Works, 1884.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I converse with them at least fours hours every day," from Gulliver's Travels, via Dicks' English Library of Standard Works, 1884.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Pink Fairy Book by Andrew Lang, 1897.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We learn that "There isn't anything beyond Wales — only a lot of sea" (sorry, Ireland!) in the "Roots" Christmas special of Are You Being Served?
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"(there's sometimes a fine line between a weed and a coveted side dish)" —Jennifer A. Jordan, Edible Memory (2015)
"Edible Cobblestones (with growth)" by Omid Tavallai.
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Here's a man in the moon with a Mona Lisa smile, from St. Nicholas magazine, 1898. Recall our previous proof that the Mona Lisa's facial features correspond to the lunar landscape.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"O Queen of Earth and Heaven! O Peerless among Women, the dreaded day hath dawned!" From The Eye of Istar by William Le Queux, 1897.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The sorceress divines Faustine's fortune by poisoning a young slave girl," from Dicks' English Library of Standard Works, 1884.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a drop of beer magnified, from The World's Temperance Reciter by Joseph Malins, 1890.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The king of shadows loves a shining mark." From A Practical Grammar by Stephen Watkins Clark, 1847.
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Early models of the "bicycle built for two" betrayed a hierarchy of wealth and power. From St. Nicholas magazine, 1877.
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"He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me." From Frankenstein by Mary Shelley, via Dicks' English Library of Standard Works, 1884.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Pink Fairy Book by Andrew Lang, 1897.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"And crawled beneath the sofa in despair!" From The Bashful Earthquake by Oliver Herford (1899).
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a precursor to David Copperfield's talking necktie illusion, from The Last of the Nine, 1890. The caption reads, "'Don't touch that woman!' said a voice, 'It is the command of the black tie!'"
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| If you have a strange dream to share, send it along! |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a banshee from The World of Romance, 1892.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The thing everybody was worried would happen, happened!" A still from Zyuden Sentai Kyoryuger episode 45 (top) and a collage from Arrested Development (bottom).
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"'A miracle! A miracle!' they cried." From Dicks' English Library of Standard Works, 1884.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| * There is a vast world of reality into which science can no more enter than an elf can be Santa Claus. We regret to observe that rather than face it, and confess its inability to measure it, science turns its back upon it. Life is not always every-day life, and the insolvable mysteries are correlated not to formal rules but to spirit and inspiration. Are bits of wisdom liable to dwarf the subject? Indeed — and rightly! James Howell described the ingredients of a good proverb to be "sense, shortness, and salt." May Howell's cry resound through this present collection of maxims on believing in one's elf.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a classic sheet ghost from Buffalo Bill's Rough Riders, 1890.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The Milky Way, from Finland in the Nineteenth Century by Leopold Henrik Stanislaus Mechelin, 1894.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Flowery Republic, written and illustrated by Frederick McCormick, 1913. (For those intrigued by Janus-faced deities, after a decade out of print, our Oracle of the Two-Fold Gods is finally available again, and the first 57 pages are viewable here. [Note that the preview may take a few moments to load.])
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Fear and doubt, the twin cats that scratch their way into the hearts of the weak, and abide there forever." —Out West magazine, 1901
Our illustration of twin cats appears in Woodland Romances by Clara L. Matéaux, 1877.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Pink Fairy Book by Andrew Lang, 1897.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Hey up the chimney! Hey after you!" An illustration by George Cruikshank from Dicks' English Library of Standard Works, 1884.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"His face was full of hate as he leered down at them," from Thrilling Life Stories for the Masses, 1892.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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You knew that everything is just a little bit better in Scandinavia, but here's why: How "No. 1" Became "1 1/2" in Norway by J. Maitland Stuart, 1891. Now it becomes clear — when Norwegians "turn it up to eleven," it's a bigger deal.
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"(Apropos of nothing, I suppose, I feel that I should report that in some buildings, the walls are a full four feet thick.)"
—Charles House, One with the Fox
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Here's a lion's wish fulfillment dream from St. Nicholas magazine, 1904. The caption reads, "Red lion! Red lion! Come out of your den."
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a starry-eyed wizard from an ad in Canadian Grocer, 1910. Also very much of interest: The Young Wizard's Hexopedia.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The ghost's narrative," from The Lazy Tour of Two Idle Apprentices, 1890.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Dry haze," from Tropical Nature, 1876.
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| *Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out. |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Tomato soup cans in pop art? Here's one from 20 years before Andy Warhol's famous example. From The Ladies' Home Journal, 1948.
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"I'll let you feel my foot if you don't look out," from Home-Theatricals Made Easy, or, Busy, Happy, and Merry by Frances Elizabeth Callow, 1891.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We made an animated gif of these smiles and frowns from Crickety Cricket, written and illustrated by Douglas Moffat, 1897.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Isn't it delightful to be sitting on an American stump of one's very own?" From A Social Departure by Sara Jeannette Duncan, 1890.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Scholar Doug Howick has pondered the mysterious dots in the Scale of Miles on the blank map in Lewis Carroll's The Hunting of the Snark. Howick writes, "The sequence of dots on the scale has always intrigued me. The original has a '22132' arrangement, but I have been unable to make anything of that. I've also wondered whether it was a message in Morse code, which had been invented by Samuel Morse in 1844. If so, it would spell 'IIESI,' which doesn't make any sense to me either." We might suggest that the dots are "blind spots" indicating the "forgetfulness of antecedent spatial configurations," the "discrepancies and approximations" which cannot be obliterated (as per José Rabasa's critical reading of Mercator's 17th-century Atlas). And/or, the scholar of silliness and its metaphysics, Nina Lyon, writes of how a place inevitably becomes a metaphor, " an elastic description of its describable characteristics as required to illustrate a point plucked from the mind's ether." She writes about how the bumps of a terrain's anatomy become apparent "only with movement" as one repositions oneself in time and space so as to perceive "the multiplicity of it. The many bits of detail, those many geographical features marked out in contour lines and dots of scree on maps, all unfold from the single furrowed surface of the earth upon which your feet continue to move, with slow determined pace. ... The features exist for as long as you can see them, and then you keep on moving and they fall back into where they were before, into the mass again. What seem to be individual entities all fall back into one thing in the end. They are merely attributes of it. The one is ontologically prior to the many." Yes.
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From The Blue Poetry Book by Andrew Lang and illustrated by Lancelot Speed, 1891.
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| If you have a strange dream to share, send it along! |
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You've heard of "a little night music," but here's how it's properly notated. From Очеркъ тысячелѣтней борьбы Балтійско-Полабскаго Славянства съ Нѣмцами до возрожденія Сербо-Лужицкаго племени, 1897.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Let no bell toll—lest her sweet soul should catch the note" and drift into the afterlife. From Dicks' English Library of Standard Works, 1884.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Thanks to poet William Keckler for saying, " Craig Conley's web incarnation , with its meta-dance moves, can always take me from a blue funk to a pink tipsiness in a matter of minutes."
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Q and U are associated through a mentor/protege contract, as we learn in St. Nicholas magazine, 1877.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It turns out that the man in the moon is actually a little girl called Hippety-Hop (who suffered from what we now call nervous leg syndrome) who just kept going. From St. Nicholas magazine, 1876. To our eye, the little girl transformed into a Kanji character.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"As I never turned from the living, the dead shall never turn me from my path." From Montebello the Magnificant, 1890.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The following quotation does not [technically] relate to the diagram: "The goal is to let the sense lines sing themselves by letting them ride on a line of breath that does not die out before the end of the thought has been reached. Imagine an arrow of breath that you are directing to that target" (Kathleen A. Harmon, The Ministry of Cantors, 2004). The diagram appears in Health in Home and Town by Bertha Millard Brown, 1912.
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Here's a precursor to the horror film The Others, from Hughes High School's annual, 1918. The caption reads, "There were •others•." (For some unbelievably weird yearbook imagery, see our How to Hoodoo Hack a Yearbook.)
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 You've heard that when you're in love, the whole world is Jewish. Meanwhile, " In the middle of the night, we are all Fellini" (Barbara Kantrowitz, "What Dreams of Made Of").
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Here's an L crossing a waterfall, from Seen in an Old Mirror by Mary Bathurst Deane, 1891.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Here is a pin; stick it into this wax, man." From Dicks' English Library of Standard Works, 1884. Also very much of interest: The Young Wizard's Hexopedia.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"He divined of a sudden, my magic lore," from The Bashful Earthquake by Oliver Herford (1899).
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The artist of this blank map, David Waywell (a.k.a. Stan Madeley), admits that " some people might say that it's a bit obscene." Almost by way of apology, he notes "how much skill was involved in drawing licorice with white ink."
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| If you have a strange dream to share, send it along! |
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"There are negatives and positives to every move, but hopefully they will settle into a realistic acceptance that everything will work out just fine." —Sammie Stevenson
Our illustration is from The Decorative Periods by Chandler Robbins Clifford, 1906.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"'Help me, somebody!' said I, taking up a large fish." From Dicks' English Library of Standard Works, 1884. As Lioness Magazine says, "Be careful how much you take on."
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"From this eyrie, in the warm night, one hears the heart of Calcutta beating." From The City of Dreadful Night and Other Places by Rudyard Kipling, 1899.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| * There is a vast world of reality into which science can no more enter than an elf can be Santa Claus. We regret to observe that rather than face it, and confess its inability to measure it, science turns its back upon it. Life is not always every-day life, and the insolvable mysteries are correlated not to formal rules but to spirit and inspiration. Are bits of wisdom liable to dwarf the subject? Indeed — and rightly! James Howell described the ingredients of a good proverb to be "sense, shortness, and salt." May Howell's cry resound through this present collection of maxims on believing in one's elf.
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