SELECT THE LEGITIMATE SYNOPSIS FROM THE LIST BELOW
Berlin, Symphony of a Great City (1928):
An impressionistic view of life in Berlin. Most of the film was shot using cameras concealed in vans and suitcases to get realistic effects. Many of the sequences are metaphorical: the crowds and cattle, the legs of dancers, two pairs of legs going to a hotel, a montage of legs, a sleeping man compared to an elephant, people going to work, children to school, businessmen eating in fine restaurants, workmen eating out of paper bags.
Berlin, Symphony of a Great City (1928):
This short wordless travelogue is an early experiment into color film. Featuring scenes of Berlin to the sound of Ravel's
La Valse
, producers were hoping to improve on the success of Al Jolson's 1927 talkie
The Jazz Singer
by using music and a fledgling colorizing technology. While the process did not stand the test of time and indeed corroded portions of the original film, the remaining sections reveal a lively city in action.
Berlin, Symphony of a Great City (1928):
Forced by Irving Berlin's agent to put his name at the beginning of their title, producers are plagued by misconceptions that their symphony is about a German city.
Berlin, Symphony of a Great City (1928):
Two poor American songwriters desire so much to see the world that they sell all they have to buy tickets for Europe. They are welcomed in Berlin by a motley crew of gamblers, prostitutes and vagabonds and they get the inspiration they seek. Suffering from lack of food, strange visions inspire the writers.
Berlin, Symphony of a Great City (1928):
This travelogue from 1928 is a priceless record of vanished treasures from another time. The so-called symphony itself, however, is in actuality performed by a jazz quartet and will disappoint viewers hoping for an orchestral score.
Berlin, Symphony of a Great City (1928):
An early Nazi propaganda film focusing on high society in Berlin at the tail end of the roaring 20's. The film is infamous for a rare, almost split-second appearance by a very young Eva Braun working as a cocktail waitress. It is rumoured that she in fact first met Adolf Hitler the very night that her appearance was filmed.
None of the synopses above could possibly be legitimate!
I give up! What is the answer?
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