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Images Moving Through Time |



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The following are examples of general properties: • being square • being self-identical • being identical with something • being next to someone • being next to a square • being a square which is larger than any other square — Gary S. Rosenkrantz, Haecceity: An Ontological Essay, 1993
Anna Halprin , Circle the Earth, Dancing with Life on the Line, 1989 photo courtesy of Musee d'Art Contemporain de Lyon, image by Paul Fusco Via Yerba Buena Center for the Arts
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 Update on my " Spooky Pagoda" color palette: The artist Reverbe explains how "Spooky Pagoda" inspired the " Spooky Xmas Tree" palette: Prof. Oddfellow's excellent Spooky Pagoda palette lit a fire in my brain as I struggled to remember a spooky pagoda I've seen before. Then I remembered: there's always a fantastic light display in the local botanical garden at Christmastime; unfortunately, in the Japanese themed garden, they forgo the Christmas lights and use large red and green floodlights instead. The result is creepy as all get out. Seeing a bare-limbed Japanese maple under blinding red light gives one the idea what the shrubbery in hell must be like. Anyway, thanks to Prof. Oddfellow for reminding me that interesting colors can be found in creepy photos and not just the "beauty shots."
Re: the "Spooky Pagoda" palette, moonlight and lanterns illuminate the tiles, woods, and metal work of the oldest structure in Los Angeles—the pagoda at the pool of the Hollywood Hills Hotel below the Yamashiro restaurant. This night shot I took inspired the Spooky Pagoda color palette at ColourLovers.com.
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Moonlight and lanterns illuminate the tiles, woods, and metal work of the oldest structure in Los Angeles: the pagoda at the pool of the Hollywood Hills Hotel below the Yamashiro restaurant. This night shot I took inspired the Spooky Pagoda color palette at ColourLovers.com.
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The Presence of AbsenceRich Haswell poses an intriguing question: When spoken, the word "silence" contradicts its meaning. Gomringer's concrete poem [below left] creates a new and better word for "silence": the void in the middle. That space, that absence, is now filled with an eloquent presence. So then what is the better representation of a dead person, a photograph displayed or no photograph available?
 The full size of this illustration is here. Also of interest, the artistry of Mark Mumford: "Nothing Ever Happened Here," 2002. Paper, ink, stainless steel, and vinyl.
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