CRAIG CONLEY (Prof. Oddfellow) is recognized by Encarta as “America’s most creative and diligent scholar of letters, words and punctuation.” He has been called a “language fanatic” by Page Six gossip columnist Cindy Adams, a “cult hero” by Publisher’s Weekly, a “monk for the modern age” by George Parker, and “a true Renaissance man of the modern era, diving headfirst into comprehensive, open-minded study of realms obscured or merely obscure” by Clint Marsh. An eccentric scholar, Conley’s ideas are often decades ahead of their time. He invented the concept of the “virtual pet” in 1980, fifteen years before the debut of the popular “Tamagotchi” in Japan. His virtual pet, actually a rare flower, still thrives and has reached an incomprehensible size. Conley’s website is OneLetterWords.com.
An illustration from Oh Mary, Be Careful! by George Weston (1917). The caption reads: "'Oh, dear!' she thought in sudden alarm, 'what's he doing that for?'"
An illustration from Philo Gubb, Correspondence School Detective by Ellis Parker Butler (1918). The caption reads: "Mr. Winterberry did not seem to be concealed among them."
An illustration from Carrageen and Other Legends by K. M. Loudon (1892), drawn by Edith Scannell. The caption reads: "In another moment they would have seen him."
Ruined castles are actually the bones of once vibrant creations, not only alive but kicking. (You've surely heard of flying buttresses.) Our illustration of "a real live castle" is from Our Boys in Ireland by Henry Willard French, 1891.
An illustration from Peg Woffington by Charles Reade (1868). The caption reads: "Oh, yes! you are beautiful, you are gifted, and the eyes of thousands wait upon your every word and look."
We learn in the BBC series The Mighty Boosh that "there are over seventeen mirrors in the mirror world." We find a precursor in The Century of Louis XIV by Frances Cashel Hoey, 1896.
An illustration from Gentlemen All and Merry Companions by Ralph Wilhelm Bergengren (1922). The caption reads: "There was a long, white flash in the moonlight."
An illustration from The Bachelors Club by Laurel Zangwill (1891). The caption reads: "Again the voice came from the centre of the curling rings, 'I am your father's ghost.'"
The text reads: "If one's portentous shadow precedes, the unknown future into which one advances will dread one's arrival. —John Cowper-Powys, Porius (paraphrased)"
An illustration from In the Sweet and Dry by Christopher Morley and Bart Haley (1919), illustrated by Gluyas Williams. The caption reads: "'Hush,' said Quimbleton nervously. 'Someone may be watching us. ... You see I water the flowers with champagne.'"