CRAIG CONLEY (Prof. Oddfellow) is recognized by Encarta as “America’s most creative and diligent scholar of letters, words and punctuation.” He has been called a “language fanatic” by Page Six gossip columnist Cindy Adams, a “cult hero” by Publisher’s Weekly, a “monk for the modern age” by George Parker, and “a true Renaissance man of the modern era, diving headfirst into comprehensive, open-minded study of realms obscured or merely obscure” by Clint Marsh. An eccentric scholar, Conley’s ideas are often decades ahead of their time. He invented the concept of the “virtual pet” in 1980, fifteen years before the debut of the popular “Tamagotchi” in Japan. His virtual pet, actually a rare flower, still thrives and has reached an incomprehensible size. Conley’s website is OneLetterWords.com.
Note the word "dirt" in the cloudy reaches of this as-is scan from the Internet Archive. It recalls the Hermetic maxim, "As above, so below." From St. Nicolas magazine, 1873.
Here's the "outraged husband" trick from Mysteries and Miseries of America's Great Cities, Embracing New York, Washington City, San Francisco, Salt Lake City, and New Orleans by James William Buel, 1883.
An illustration from Poems Via the Author, Third Series, Political (1888). The caption reads: "But here you shall more secrets gain, / And never need be fooled again. ... Explanation of the Colours."
Here's a precursor to Gary Barwin's Yiddish for Pirates (Random House Canada, 2016), a novel narrated by a parrot. The caption reads, "The very parrot was a participator." From Annals of the Parish and the Ayrshire Legatees by John Galt and illustrated by Charles Edmund Brock, 1895.
An illustration from A Social Departure by Sara Jeannette Duncan (1890). The caption reads: "But the young Baboo sat in the drawing-room and waited a long time for his ice."