I Found a Penny Today, So Here’s a Thought |
|
 |
 |
 |
Rorschach inkblots are designed to uncover hidden feelings and emotions. Here's a fun test: How would you characterize this inkblot's grin? (Choose one.) - Lustful
- Smutty
- Perverted
- Wicked
- Predatory
- Up to no good
- Antisocial
- Depraved
- Guilty
- Ingratiating
- Benevolent
- Kindly
- Knowing
|

 |
|
 |
 |
 |
We only just discovered this interesting review our eccentric guide to Portmeirion, Wales. We've bolded our favorite bits: Prisoner fans are frequently accused of "reading too much into" the little details and nuances of our favourite series. Here at last is a book that does the same for the programme's location. By turns weird, wonderful, and then even weirder, Puzzling Portmeirion is a strange, but oddly satisfying, companion to the more esoteric aspects of the village (few, if any, of which can have been Clough's original intention). The analysis of the spatial trickery and trompe l'oeil effects is quite well addressed, "treasure hunts" based on various details are included, and the whole book has a rather childlike innocence – reading it reminded me rather of how I felt (or at least what I can remember feeling) when I first saw Portmeirion at the age of nine. The book also wanders off down some very odd mythical and mystical paths which I found less convincing (do fairies really live on toasted cheese in the Portmeirion woodlands? Craig Conley seems pretty sure they do), but one can view Puzzling Portmeirion as an off the wall, artistic response to an off the wall, artistic place, with something, at least, of interest for almost any reader. Potential purchasers with more esoteric interests than mine will also be interested, and very probably charmed, by the two sets of tarot cards using Portmeirion landmarks and details, which are also available from the same source. —Gareth Hughes, The Unmutual Reviews
|

 |
|
 |
 |
 |
"Other, seemingly more profound, thoughts took over his brain, thoughts such as, To what extent would a given quantity of catnip have affected quantum mechanics in Schrodinger’s theoretical catbox? and Why was C selected to symbolize the speed of light when Z is obviously the fastest letter in the alphabet?" —Tom Robbins, Fierce Invalids Home From Hot Climates, 2000
|

 |
|
 |
 |
 |
Our colorful friend DJ Misc has a fun collection white-space "rivers"—typographic columns of gaps in a text. This one, for example, has a delightful em-dash "bridge" crossing the river of white space. Here and here are two more dramatic examples. Joining in the fun, we discovered a deliciously ironic river of white space, in a text on how the White River area of the Black Hills region was affected by "rapid weathering and vigorous erosion." DJ Misc has added it to his collection.
|


 |
|
 |
 |
 |
"I mean, who wears ties these days? Come home at night, take this noose off, and my neck looks like I've been the guest of honor at a lynching." — Richard Marinick, Boyos (2004)
|

 |
|
 |
 |
 |
Southwest Airlines was envisaged not with a paper airplane (as Hollywood might lead you to believe) but rather on the back of a napkin. (See this BusinessWeek article for a picture of the doodle.) It could be said (though it won't be) that the napkin's flexibility has "rubbed off" on the company, not to mention elegance, durability, absorbability, and stain resistance. Speaking of napkins in Hollywood, it appears that an uncanny look-alike of former Senator John Edwards has written a book about napkin doodling. (Surprisingly, and some might say disappointingly, the book is printed on regular paper.) This is all simply to say that literary scalawag Jonathan Caws-Elwitt envisions celebrity-quality napkins in cocktail and dinner sizes, strong enough to guarantee the longevity "required by the demands of immortality." See Jonathan's proposal here.
|


 |
|
 |
 |
 |
"We can rediscover the continuity of time only in the novels of that period when time no longer seemed stopped and did not yet seem to have exploded, a period that lasted no more than a hundred years." — Italo Calvino, If On a Winter's Night a Traveler (the masterpiece)
|








 |
|
 |
 |
 |
  by Adventure AddictColors for Life with Tattoo InksColors inserted into the skin's dermis are known as tattoos or dermal pigmentation. A practice traced back to Neolithic times, tattooing remains popular worldwide for body decoration, initiatory rites, religious observance, love vows, and identification, to name but a handful of uses. Tattoo inks come in nearly unlimited variations, the most popular being red, green, yellow, blue, and white, which is used as a tint (source). Tattoo inks comprise of a variety of pigments in carrier solutions. The pigments may be organic-based, mineral-based, or plastic-based. The plastic-based pigments offer the most vibrant colors. "The inks used in tattoos and permanent makeup (also known as micropigmentation) and the pigments in these inks are subject to FDA regulation as cosmetics and color additives. However, FDA has not attempted to regulate the use of tattoo inks and the pigments used in them and does not control the actual practice of tattooing. Rather, such matters have been handled through local laws and by local jurisdictions. . . . Although a number of color additives are approved for use in cosmetics, none is approved for injection into the skin. Using an unapproved color additive in a tattoo ink makes the ink adulterated. Many pigments used in tattoo inks are not approved for skin contact at all. Some are industrial grade colors that are suitable for printers' ink or automobile paint" (source). How permanent are tattoo pigments? Even severe burning often fails to obliterate them. However, tattoo pigments can fade over time, especially red and yellow. Lighter tattoo colors, such as pink, fade more quickly than darker ones. Tattoo colors typically fade with sun exposure, so sunscreen is recommended to keep them looking vivid. Over time, tattoo pigments drift deeper into the dermis, blurring their detail. "At present, no one laser can remove all tattoo colors well. Black, blue, and green inks are all well absorbed by red and infrared light lasers," says dermatologist Randall Roenigk. "Red inks are not well absorbed by red or infrared light lasers, but are well absorbed by green light lasers. . . . Purple, yellow, and orange pigments are often more difficult to eradicate and respond variably well to green, red, and infrared light lasers" (Roenigk & Roenigk's Dermatologic Surgery, 1996). 
Tattoo inks carry the risks of allergic reactions and toxicity triggered by sunlight exposure and heavy metals. [Read the entire article in my guest blog at ColourLovers.com.]
|



 |
|
 |
 |
 |
  by Liza with a ZColoring By Hand: The American Sign Language SpectrumOf all the ways to talk about color, sign language must be the most expressive. If you don't already speak sign language, color words are a fun place to start. You'll learn that it doesn't take a palate to discuss a palette. Orange: This color sign pantomimes squeezing an orange fruit. In front of your mouth, form the letter "c" with your right hand (make a "c" shape by curving your fingers toward your thumb, as if you're grasping a can). Then squeeze your hand into a tight fist. Repeat this squeezing and inflating motion several times. Blue: Form the letter "b" (fingers extended and held tight, thumb tucked against the palm) with your right hand, to the right of your body. Slightly shake your hand to the right from the elbow, without bending the wrist.  The sign for "blue" in American Sign Language.
by Vertigo25
Red: Touch your lips with the tip of your index finger. (All other fingers are gathered toward the palm.) With a downward motion, glance the top lip, then the bottom. This motion is performed once, though sometimes people double it. Brown: Form the letter "b" with your right hand (fingers extended and held tight, thumb tucked against the palm). Move your hand down the side of your right cheek, from your nose to the bottom of your mouth. Gold: Touch your right ear with your right index finger. As you move your hand away, form the letter "y" (thumb and pinkie outstretched, other fingers tucked into the palm). Then shake your hand slightly. Silver: Touch your right ear with your right index finger. As you move your hand away, form the letter "s" (a tight fist). Then shake your hand slightly. Yellow: Form the letter "y" (thumb and pinkie outstretched, other fingers tucked into the palm) with your right hand, to the right of your body. Gently shake your hand to the right from the wrist. White: Touch your chest with all the fingers and thumb of your slightly curved right hand. Move your hand away (about eight inches) while closing the fingers. Black: Form the letter "d" with your right hand (index finger extended, middle finger and thumb touching). Touch your forehead with your index finger, then move it toward the right, across the tops of your eyebrows. Gray: Spread the fingers of both hands. Move your hands in opposite directions, passing the fingers through the open spaces of each hand. Green: Form the letter "g" with your right hand (index finger and thumb extending as if to pinch, other fingers tucked into the palm). Slightly shake your hand up and down from the wrist. Pink: Form the letter "p" with your right hand (index and middle fingers extended, palm facing toward you). Draw your hand down your lips. Purple: Form the letter "p" (index and middle fingers extended, palm facing toward you) with your right hand, to the right of your body. Move it from side to side. For photos of color signs in action, see Dr. William Vicars' tutorial. For illustrations of color signs, see ASL tutor Joanne Mikola's website. [Read the entire article in my guest blog at ColourLovers.com.]
|

Page 160 of 169

> Older Entries...

Original Content Copyright © 2025 by Craig Conley. All rights reserved.
|