CRAIG CONLEY (Prof. Oddfellow) is recognized by Encarta as “America’s most creative and diligent scholar of letters, words and punctuation.” He has been called a “language fanatic” by Page Six gossip columnist Cindy Adams, a “cult hero” by Publisher’s Weekly, a “monk for the modern age” by George Parker, and “a true Renaissance man of the modern era, diving headfirst into comprehensive, open-minded study of realms obscured or merely obscure” by Clint Marsh. An eccentric scholar, Conley’s ideas are often decades ahead of their time. He invented the concept of the “virtual pet” in 1980, fifteen years before the debut of the popular “Tamagotchi” in Japan. His virtual pet, actually a rare flower, still thrives and has reached an incomprehensible size. Conley’s website is OneLetterWords.com.
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November 20, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Vanity Fair, 1913:

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November 18, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Death by Theory, by Adrian Praetzellis:

***
It is probably unnecessary to say much about Eugenia Rubicon-Bott, the late founder of Summerfield.

***
[I like Professor Praetzellis's sly allusion to his godlike role as author.]

It was with a sense of foreboding that Hannah began to stretch for her early morning run.

And who could blame her? On both of the previous two mornings she had encountered some kind of weird scenario. It was almost as if she were being manipulated into these bizarre situations by an all-powerful force.
***

Bonuses:
1. The author refers to "a flurry of buildings" that appear as the protagonists progress over a hill toward a settlement.
2. In the intro to this new edition, the author discusses taking some feedback to heart, indicating, for example, that he revised passages that supported one reader's perception that he'd "swallowed a dictionary."
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November 15, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From "The Lost Tragedy," by Denis Mackail:

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November 11, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From "Bang!" by Denis Mackail:

[Just two fictitious show names to report here: White Whiskers; and Stuff and Nonsense!]
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November 8, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From "An Artist in Crime," by Denis Mackail"

***
"Oh, blank! Oh, asterisk!"

***
Beyond occasionally swearing in the most complicated manner, he was unable to settle on any course of action whatsoever.
***
#swearing
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November 6, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From The Prophet of Berkeley Square, by Robert Hichens:
I recommend this comic novel from 1901, about a young gentleman with a telescope who gets caught in an increasingly farcical mess involving his long-suffering grandmother, a pompous bully of an astronomer (who speaks of himself in the third person), a pair of self-conscious but insistent astrologers (one of whom frequently speaks in broken Latin), and an enthusiastic mischief maker who has intentionally embarked on a double life as a "silly" person because she was frustrated with being thought of as a "sensible" young woman. You'll meet a secret-mail librarian (at an establishment called Jellybrand's) who quibbles pedantically at every figure of speech; an affable Drones Club-type idiot who thinks Thackeray and his contemporaries are the latest thing; and a lady's companion named Mrs. Fancy Quinglet, who ends many of her speeches with "I can’t speak different nor mean other," and has refused to say the name of a dog called Beau after learning it's not spelled "Bow." I know Wodehouse was already active by this time, by I think Hichens was ahead of him in terms of this sort of ridiculously but cleverly entangled plot, its fashionable-London setting, and some of the characterizations--and here and there are some impressively Wodehousian paragraphs, stylistically speaking. (And just wait until you see what Hichens does with spates of telegrams, in chapter X!) Hichens also has a gift for some positively cartoonish descriptions of physical antics.

Here's a link; snippets below, if you want a preview or a shortcut or snippets only.

https://www.gutenberg.org/files/2463/2463-h/2463-h.htm#link2HCH0001

***
A grandmother’s clock pronounced the hour of ten in a frail and elegant voice

***
He was a neatly-made little man of fashionable, even of modish, cut, spare, smart and whimsical, with a clean-shaved, small-featured face, large, shining brown eyes, abundant and slightly-waving brown hair, that could only be parted, with the sweetest sorrow, in the centre of his well-shaped, almost philosophical head, and movements light and temperate as those of a meditative squirrel.

***
As he spoke he threw his black overcoat wide open, seated himself on the edge of one of the chairs in a dignified attitude, and crossed his feet—which were not innocent of spats—one over the other.

***
[One Letter Word dept.]
"Sagittarius Lodge on the river—the river—what river did you say—?”
“The River Mouse,” rejoined Malkiel in a muffled voice, and shaking his head sadly.
“Exactly—on the River Mouse at Crompton—”
“Crampton.”
“Crampton St. Peter total—”
“N.!”
“What?”
“Crampton St. Peter. N. That is the point.”
[...]
“I ask you what does en mean? I am, I fear, a very ill-informed person, and I really don’t know.”
“Think of an envelope, sir,” said Malkiel, with gentle commiseration. “Well, are you thinking?”
The Prophet grew purple.
“I am—but it is no use. Besides, why on earth should I think of an envelope? I beg you to explain.”
“North, sir, the northern postal district of the metropolis. Fairly simple that—I think, sir.”
“N.!” cried the illuminated Prophet. “I see. I was thinking of en all the time. I beg your pardon. Please go on. N.—of course!”

***
The young librarian helped the fatigued-looking wine into the two glasses, where it lay as if thoroughly exhausted by the effort of getting there.

***
The torrent of knocks roared louder, slightly failed upon the ear, made a crescendo, emulated Niagara, surpassed that very American effort of nature, wavered, faltered to Lodore, died away to a feeble tittup like water dropping from a tap to flagstones, rose again in a final spurt that would have made Southey open his dictionary for adjectives, and drained away to death.

***
The venerable astronomer was already very stout in person and very inflamed in appearance. But at this point in the discourse he suddenly became so very much stouter and so very much more inflamed, that his audience of three gazed upon him rather as little children gaze upon dough which has been set by the cook to “rise” and which is fulfilling its mission with an unexpected, and indeed intemperate, vivacity. Their eyes grew round, their features rigid, their hands tense, their attitudes expectant. Leaning forward, they stared upon Sir Tiglath with an unwinking fixity and preternatural determination that was almost entirely infantine. And while they did so he continued slowly to expand in size and to deepen in colour until mortality seemed to drop from him. He ceased to be a man and became a phenomenon, a purple thing that journeyed towards some unutterable end, portentous as marching judgment, tragic as fate, searching as epidemic, and yet heavily painted and generally touched up by the brush of some humorous demon, such as lays about him in preparation for Christmas pantomime, sworn to provide the giants’ faces and the ogres’ heads for Drury Lane.
“Don’t!” at last cried a young voice. “Don’t, Sir Tiglath!”
A peal of laughter followed the remark, of that laughter which is loud and yet entirely without the saving grace of merriment, a mere sudden demonstration of hysteria.
“Oh, Sir Tiglath—don’t!”
A second laugh joined the first and rang up with it, older, but also hysterical—Mrs. Merillia’s.
“No, no—please don’t, Sir Tig—Tig—”
A third laugh burst into the ring, seeming to complete it fatally—the Prophet’s.
“Sir Tiglath—for Heaven’s sake—don’t!”
The adjuration came from a trio of choked voices, and might have given pause even to a descending lift or other inflexible and blind machine.
But still the astronomer grew steadily more gigantic in person and more like the god of wine in hue. The three voices failed, and the terrible, united laughter was just upon the point of breaking forth again when a diversion occurred. The door of the drawing-room was softly opened, and Mrs. Fancy Quinglet appeared upon the threshold, holding in her hands an ice-wool shawl for the comfort of her mistress. It chanced that as the phenomenon of the astronomer was based upon a large elbow chair exactly facing the door she was instantly and fully confronted by it. She did not drop the shawl, as any ordinary maid would most probably have done. Mrs. Fancy was not of that kidney. She did not even turn tail, or give a month’s warning or a scream. She was of those women who, when they meet the inevitable, instinctively seem to recognise that it demands courage as a manner and truth as a greeting. She, therefore, stared straight at Sir Tiglath—much as she stared at Mrs. Merillia when she was about to arrange that lady’s wig for an assembly—and remarked in a decisive, though very respectful, tone of voice,—
“The gentleman’s about to burst, ma’am. I can’t speak different nor mean other.”
Upon finding their thoughts thus deftly gathered up and woven into a moderately grammatical sentence, Mrs. Merillia, Lady Enid and the Prophet experienced a sense of extraordinary relief, and no longer felt the stern necessity of laughing. But this was not the miracle worked by Mrs. Fancy. Had she, even then, rested satisfied with her acumen, maintained silence and awaited the immediate fulfilment of her prediction, what must have happened can hardly be in doubt. But she was seized by that excess of bravery which is called foolhardiness, and driven by it to that peculiar and thoughtless vehemence of action which sometimes wins V.C.‘s for men who, in later days, conceal amazement under the cherished decoration. She suddenly laid down the ice-wool shawl upon a neighbouring sociable, walked up to the phenomenon of the astronomer, and remarked to it with great distinctness,—
“You’re about to burst, sir. I know it, sir, and I can’t know other.”
[a little later]
He began to expand once more, but Mrs. Merillia perceived the tendency and checked it in time.
“Pray, Sir Tiglath,” she said almost severely, “don’t. With my sprained ankle I am really not equal to it.”

***
There are moments when the mere expression in another person’s eyes seems to shout a request at one. The expression in the Prophet’s eyes performed this feat at this moment, with such abrupt vehemence, that Lady Enid felt almost deafened.

***
The Prophet glanced towards Lady Enid. She was looking almost narrow and not at all pleased. She, and all her family, had a habit of suddenly appearing thinner than usual when they were put out.

***
“Sir Tiglath is really, as an old man, what everybody thinks I am, as a young woman. D’you see?”
“You mean?”
“The opposite of me. And in this way too. While I hide my silliness under my eyebrows, and hair, and smile, and manner, he hides his sensibleness under his. When people meet me they always think—what a common-sense young woman! When they meet him they always think—what a preposterous old man!”
“Well, but then,” cried the Prophet, struck by a sudden idea, “if that is so, how can you live a double life as Miss Minerva Partridge? You can’t change your eyebrows with your name!”

***
“Here’s a go, Gustavus,” remarked Mr. Ferdinand a moment later as he entered the servants’ hall.
“Where, Mr. Ferdinand?” replied Gustavus

***
On the left side of her pelisse reposed a round bouquet of violets about the size of a Rugby football.

***
So saying the Prophet hurried away, leaving Mr. Ferdinand almost as firmly rooted to the Turkey carpet with surprise as if he had been woven into the pattern at birth, and never unpicked in later years.

***
An eight-day clock, which was carefully and lovingly wound up by the prudent Mrs. Fancy Quinglet every morning and evening, snored peacefully in a recess by the hearth.

***
To say that Mr. Ferdinand ceased from looking through the telescope for the Lord Chancellor’s second-cook at this juncture would, perhaps, not convey quite a fair idea of the activity which he could on occasion display even at his somewhat advanced age. It might be more just to state that, without wasting any precious time in useless elongation, he described an exceedingly rapid circular movement, still preserving the shortened form of himself which had so deceived and startled his master, and brought his eye from the orifice of the telescope to a level with the Prophet’s knees exactly at the moment when the Prophet rebounded from the plate chest into the centre of the apartment.

***
[Being Confused by a Horse dept.]
“I beg your pardon. I—the horse confuses me.”

***
“You’re worse than I am! It’s splendid!”
“Worse!”
“Why, yes. You’re foolish enough to think your silly acts sensible. I wish I could get to that.”

***
Lady Enid and the Prophet discovered the astronomer sitting there tete-a-tete with a muffin.

***
"Madame is possessed of a magnificent library, sir, encyclopaedic in its scope and cosmopolitan in its point of view. In it are represented every age and every race since the dawn of letters; thousands upon thousands of authors, sir, Rabelais and Dean Farrar, Lamb and the Hindoos, Mettlelink and the pith of the great philosophers such as John Oliver Hobbes, Locke, Hume and Earl Spencer; the biting sarcasm of Hiny, the pathos of Peps, the oratorical master-strokes of such men as Gladstone, Demosthenes and Keir Hardie; the romance of Kipling, sir, of Bret Harte and Danty Rossini; the poetry of Kempis a Browning and of Elizabeth Thomas Barrett—all, all are there bound in Persian calf."

***
“What have I always said! All prophets are what they call outsiders—hors d’oeuvres, neither more nor less.”

***
He began to steal, like a shadow, across the hall, and, impressed by his surreptitious manner, his old and valued friends instinctively followed his example. All three of them, then, with long steps and theatrical pauses, were stagily upon the move, when suddenly the door that led to the servants’ quarters swung open and Mrs. Fancy Quinglet debouched into their midst, succeeded by Mr. Ferdinand, who carried in his hand a menu card in a silver holder. At the moment of their appearance the Prophet, holding his finger to his lips, was taking a soft and secret stride in the direction of the library door, his body bent forward and his head protruded towards the sanctum he longed to gain, and Madame and Mr. Sagittarius, true to the instinct of imitation that dwells in our monkey race, were in precisely similar attitudes behind him. The hall being rather dark, and the gait of the trio it contained thus tragically surreptitious, it was perhaps not unnatural that Mrs. Fancy should give vent to a piercing cry of terror, and that Mr. Ferdinand should drop the menu and crouch back against the wall in a hunched position expressive of alarm. At any rate, such were their actions, while—for their part—the Prophet and his two old and valued friends uttered a united exclamation and struck three attitudes that were pregnant with defensive amazement.

***
“I am an outside broker. I swear it. My dress, my manner proclaim the fact. Sophronia, tell the gentleman that I am an outside broker and that all Margate has recognised me as such.”
“My husband states the fact,” said Madame, in response to this impassioned appeal. “My husband brokes outside, and has done for the last twenty years."

***
[Pathetic Fallacy with Ice Cream dept.]
Mr. Ferdinand, who was trembling in every limb at having to assist at such a scene in his dining-room, which had hitherto been the very temple of soft conversation and the most exquisite decorum, advanced towards Madame, clattering the flat silver dish, and causing the frozen delicacy that the cook had elegantly posed upon it to run first this way and then that as if in imitative agitation.

***
“Mrs. Eliza Doubleway!” shouted the footman.
“Mrs. Eliza!” cried Mr. Sagittarius, in great excitement. “That’s the soothsayer from the Beck!”
“Madame Charlotte Humm!” yelled the footman.
“Madame Humm!” vociferated Mr. Sagittarius, “the crystal-gazer from the Hill!”
“Professor Elijah Chapman!” bawled the footman.
“The nose-reader!” piped Mr. Sagittarius. “The nose-reader from the Butts!”
[...]
“Dr. Birdie Soames!” interposed the vibrant bass of the footman.
“The physiognomy lady from the Common!” said Mr. Sagittarius, on the point of breaking down under the emotion of the moment.

***
From all sides rose the hum of comment and the murmur of speculation. Pince-nez were adjusted, eyeglasses screwed into eyes, fingers pointed, feet elevated upon uneasy toes.

***
Mittens, too, were visible covered with cabalistic inscriptions in glittering beadwork.

***
[Disguised as Oneself dept.]
“I know!” she cried, after a moment’s thought. “I’ll masquerade to-night as myself.”
“As yourself?”
“Yes. All these dear silly people here think that I’ve got an astral body.”
“What’s that?”
“A sort of floating business—a business that you can set floating.”
“What—a company?”
“No, no. A replica of yourself. The great Towle—”
“He’s here to-night.”
“I knew he was coming. Well, the great Towle detached this astral body once at a séance and, for a joke—a silly joke, you know—”
“Yes, yes.”
“I christened it by my real name, Lady Enid Thistle, and said Lady Enid was an ancestress of mine.”
“Why did you?”
“Because it was so idiotic.”
“I see.”
“Well, I’ve only now to spread a report among these dear creatures that I’m astral to-night, and get Towle to back me up, and I can easily be Lady Enid for an hour or two. In this crowd Sir Tiglath need never find out that I’m generally known in these circles as Miss Partridge.”

***
"I suddenly began to feel astral just as I was going to eat a sandwich."

***
“The old astronomer does not know the meaning of the word—fear.”
Exactly as he uttered these inspiring words the hall clock growled, like a very large dog, and struck two. Sir Tiglath started and caught hold of Gustavus, who started in his turn and shrank away. The Prophet alone stood up to the clock, which finished its remark with a click, and resumed its habitual occupation of ticking.

the_silly_life

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November 4, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From "The Lost Cocktail," by Denis Mackail:

[This piece was like something straight out of early Wodehouse. (Mackail was a good friend and, of course, admirer of PGW.)]

***
[This follows a long-winded rhetorical question on the part of the narrator.]
And when we put a question in that particular tone of voice, you should know quite well that we haven't the smallest intention of waiting for any answer.

***
"A very pleasant young lady, sir, if I may--"
"Pleasant!...My dear Francis, if you call Miss Melbury pleasant, you'd call Methuselah middle-aged.

***
"I worship the very air she walks on, and the ground she breathes."

***
"My uncle and old Melbury are both what's-its-names. You know. Not shop-walkers, but--"
"Churchwardens, sir?"
"That's it."
***

Bonus: a character called Miss Pansy Pocock
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November 1, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From "Bradsmith Was Right," by Denis Mackail:

[This short piece merely offers a presumably nonexistent stage show called Oh, Angeline! written by lyricist Reginald Gooch and composer Otto Klinck.]
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October 28, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From "As You Dislike It," by Denis Mackail"

***
[Someone is trying to get someone else's attention.]

"Oy!" he shouted. "Yow-oo!  Hi-yi!"[....]
"Whoops!" he added, rather more loudly. "Hoy-oy! I say!"[....]
"Loo-loo-loo!" be bellowed this time. "Hi-hi-hi! Worry-worry-worry! Yoy!!"

***
The main point was that Icelandic Steam Laundries Preferred had gone up seven points this afternoon.
***
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October 25, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From What Next? by Denis Mackail:

***
[Mr. Cash is a solicitor]
The thought of this for some reason caused him to smile, which was so unheard-of a thing to occur in Mr. Cash's room that that gentleman stopped abruptly in the middle of the word "backwardisation" and said, "I beg your pardon, perhaps I am not quite clear?"

***
[Mis-finished Sentences dept.!]
"Besides I should miss all your--"
"Proposals," suggested Jim hopefully....
"Nonsense. 'Racing tips' was what I was going to say."

***
Ergo, what the dickens and everything else am I to say?
[I guess "and everything else" is a sort of blank map of maledicta, eh?]

***
[Parenthetical!]
"Let the explanatory and parenthetical Muse descend and address the reader."
[See full passage attached. And then the sequel attachment, in which the narrator really sells the idea that his story is happening in real time.]

***
This "but------" was the curse of Jim's existence. The riddle of the sphinx and the problem of squaring the circle left him cold.

***
At about ten o'clock Mr. Cash, in illustrating a mannerism of the female mandrill, knocked over a bottle of brandy.

***
[On the Port Club's "magic" port wine, which can be deeply indulged with nary a hangover.]
Oh unsurpassable and unequalled Port Club Port, two bottles of which will be but a pleasant memory to Messrs. Cash and Grant in the morning! Oh rare grape! Oh skilled bottler! Oh peerless vintage!--how I wish I had ever met you in real life!

***
He bent still further forward, and his eyeglasses fell off his nose and spun wildly on the end of the curly cord. [Wildly!]

***
"I was a professor of never mind what at a university in the North of England."

***
It is well known that once a reader starts skipping he never stops, but takes longer and wilder leaps each time.

***
One leg of his trousers had formed itself into a kind of spiral knickerbocker and barely descended below his knee. [The rare singular "knickerbocker."]

***
[Laughing in Turkish Baths dept.]
He might, for instance, have a Turkish bath; that wouldn't cost much; but then he hated Turkish baths really. It was so difficult not to laugh in them.

***
...before you, or anyone else for that matter, could say "Robinson and Cleaver."
[I had to look up "Robinson and Cleaver," which turns out to be a once-famous Victorian-era Belfast department store. And of course I appreciate the narrator's thoroughness in specifying that you or anyone else couldn't say it fast enough.]

***
"I've got to meet Father at half-past three at platform something-or-other."
[It's none of my business, but I think this may be taking genericization too far for comfort!]

***
Jim had at all times the gift of the sort of sleep that no outward physical disturbance could arouse. From his earliest youth cold sponges had, so to speak, left him cold.

***
[See attached. In which the narrator defends his depiction of the protagonist to a hypothetical, indignant reader.]

***
[When you can't be bothered to do your own cussing.]
"Damn!" said Lush.
"Ditto," said Jim.

***
"Damn and blast!" roared Jim....
"Blast and damn!" he repeated, and was on the point of adding further words of a similar nature....

***
A torrent of quite unspeakable though silent oaths was radiating from Jim as from some raging high-powered wireless station. [Oh, if only this book were illustrated!]

***
the first night of the fifth edition of "Muffins and Crumpets"

***
[Wait for the epilogue! (attached)]
***

Bonus: A passing reference in this book to the delightful surname Snelgrove was my first encounter with it. Eager to make up for lost time, I visited Wikipedia to become Snelgrove-aware. There I discovered (Missed Opportunity Dept.) that the Canadian coffee chain Timothy's could have been called Snelgrove's! Goodness gracious, I have done business at Timothy's on, I think, multiple occasions, never knowing there was an implicit Snelgrove lurking!
https://en.wikipedia.org/wiki/Timothy%27s_World_Coffee#Origin_and_background




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October 21, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From "The Story of a Laugh," by Denis Mackail:

***
Professor Gumm has done this. So has Dr. McOstrich. So has Herr Doktor-Professor Rumpelbach."
***

Bonus (not that one necessarily needs a bonus, after "Dr. McOstrich"): "wisecracks or nifties"
[I think "nifty" as a term for a bon mot is new to me]
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October 18, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From "The Right Word for It," by Denis Mackail:

***
If thoughts are radiations, as some say they are, the entire expanding universe, I should imagine, is crammed with the ends of these [unfinished] sentences. Perhaps this accounts for the weather that we have been having lately....Unfinished sentences, I should say, have formed part of the dream for hundreds and thousands of years.
***
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October 16, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From "The Other Day," by Donald Ogden Stewart:

"He was an inventor," he replied, "and his name was legion in inventing circles."
"How can you invent circles?"
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October 14, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From "Answers to Correspondents," by Denis Mackail:

***
You even sent a telegram, after returning [the proofs], to point out that on p. 178, in the big scene at the inquest, the word should be "coroner" and not "crooner."
***

Bonuses:
Nonexistent book dept.: The Eternal Hat-Stand
Silly names dept.: Homer Q. Klawhammer (an American, of course)
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October 11, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From House Party, by Virginia Rowan:

***
["Rabadab" is an ultra-"modern" New York architectural firm.]
All Rabadab buildings looked like banks of file cabinets with the doors open.

***
[A series of off-stage character names. We've seen better, but I feel there's a certain humorous strength in numbers.]
Mrs. Laura Romeyne Gray Richardson Anderson
Mrs. Mary Arnold Sykes Cahan
Mrs. Louise Frith Stickney Tanner
Mrs. Barbara Fargo Clayton Hooton

***
Elly's secret was that she didn't have a secret.

***
[This refers to an antique car.]
The oddest thing of all was that the roof--no, there were *two* roofs--seemed to flap up and down and back and forth and an invisible dog was barking wildly.
***
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October 7, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From a collection of Round the Horne scripts:
***
[From the commentary]
[RTH]...invited listeners almost to provide their own joke.

***
The compere...went through his routine to howls of hysterical apathy from the audience.

[Trivia: In that sketch, presumably co-written by Marty Feldman, the corny comedian uses the "walk this way" talcum-powder joke.]

***
"I'm afraid I haven't got any silver on me--"
"Oh, don't worry. You can cross me hand with a Diners Club card."
[Diners Club!]

***
[A meta-gag re. bandleader Edwin Braden, any mention of whose name usually resulted in Kenneth Williams saying "great hairy fool."]
WILLIAMS: Great hairy catchphrase.

***
But if you want your party to go with a swing, here are some dos and don'ts--Do do do--don't don't don't.

***
WILLIAMS: We are at your command, me and my trusty paloyourno.
HORNE: Palomino.
WILLIAMS: Well, any paloyourno is a palomino.

***
"Ah, my old friend Alistair Chitwitherington-Ponsonby-Fitzpasture-Macmurdoch."
"No, I'm Jones, actually."

***
PADDICK: What ad are you doing?...It could be...you know, Before and After.
WILLIAMS: Before and after? He looks more like "Instead."
***

Bonus: I think I neglected to mention, after reading RTH writer Barry Took's memoir some months ago, how his earlier writer partner (on Beyond Our Ken), Eric Merriman, was a sourpuss--making "Merriman" an inaptonym.
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October 4, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Jump Cut! by Arthur Schneider:
***
One day, Gary Owens wanted to visit the editing room....I explained to Gary the basics of what we were doing. After the explanation, he looked at me and exclaimed, "This show gives me such a headache, I need an Excedrin credit card!"

[By the way, those of us who know that "schneider" means "tailor" get a bonus chuckle out of the fact that the author's career essentially involved cutting film footage to size, making snips and stitches here and there, and so on.]
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September 30, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From How Firm a Foundation, by Patrick Dennis:

***
She introduced him to Father Somebody who was dressed all in black and to a Mister Someone Else, dressed all in white.
[Then, in the next sentence, Father Somebody is referred to as Father Whoever.]

***
Neither in nor out, the pocket flaps rose like the ears of a jackass.
***

Bonuses:

1. "a Miró forgery by Miró himself"

2. We've seen lots of eyebrow "punctuation marks" in literature, but this novel one-ups that by means of foreign-language eyebrow punctuation marks: a circonflexe and then a pair of tildes.
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September 27, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Ackroyd, by Jules Feiffer:

[Note: Just to show it's making an effort, this book begins with a series of missing parakeets.]

***
With each drag he sucks more life out of the office. By the end of his cigar he will have inhaled my desk, my chair, and my gold-leafed name on the door.

***
The double exclamation points speak for themselves: they look like bulging eyes under astonished eyebrows.

***
We base our opinions of present people on previous judgments of past people. So we’re always arriving at final judgments one person too late.

***
Size without presence: the closer he gets to you, the smaller and lighter he becomes, so that seated a few feet away he appears virtually transparent.

***
No one walks into a party without having a far better party going on inside his head. Every party is going to be that party until we get there. So the key to the boredom and tension at parties is that no one wants to be at the party he’s at, he wants to be at the party he’s missing.

***
Moving forward as if he’s moving backward, he hands me the paper.

***
He fits into his mood changes as if they are custom-made.

***
Seventeen East 61st Street is a townhouse stolen out of Henry James.

***
I rise like a phoenix out of my rabbit hole.

***
We exchange stares in the darkness; it is like glaring in braille.

***
Annabelle chatters on, increasingly hard to listen to, like being tuned in to two radio stations at the same time.

***
For a month I managed to get up early enough to catch the book napping, got ninety pages done that way, but then the book caught on. Now, as early as I rise, the book is up before me, fighting me from the moment my eyes open. I haven’t been able to outfox it, so I am ignoring it. Thus I have resumed the diary, hoping it will make the book feel bad.
But now I am as self-conscious on the diary as I am on the book. I have to control myself from being literary, have to fake a relaxed tone. This entry is a second draft!

***
“Why don’t you give yourself a deadline?”
“The journalist in me has asked that question; the novelist in me refuses to dignify it with an answer.”

***
“We drank a toast in your honor with hot chocolate tonight”....
Hot chocolate? Is that an innocuous remark or a put-down?

***
Tina points to a circling parakeet.
[This parakeet is fanciful, not real, and is an echo of the parakeets from hundreds of pages earlier in the book. Just to show us that the parrot theme hasn't been completely forgotten, I suppose. Toucans, pshaw!]
***
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September 23, 2022 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From My Sister Eileen, by Joseph Fields and Jerome Chodorov:

***

APPOPOLUS: In New York you either live, A, over a subway, or, B, where they are building a subway, or, C, you don't live in New York!
RUTH: Stop double-talking the alphabet and give us our money back!

[Bonus]
BAKER: We can go right down the street--there's a bar at the Parrot's Cage.
[Apparently, "they" were right! The toucan has not replaced the classic parrot. (:v>]
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