CRAIG CONLEY (Prof. Oddfellow) is recognized by Encarta as “America’s most creative and diligent scholar of letters, words and punctuation.” He has been called a “language fanatic” by Page Six gossip columnist Cindy Adams, a “cult hero” by Publisher’s Weekly, a “monk for the modern age” by George Parker, and “a true Renaissance man of the modern era, diving headfirst into comprehensive, open-minded study of realms obscured or merely obscure” by Clint Marsh. An eccentric scholar, Conley’s ideas are often decades ahead of their time. He invented the concept of the “virtual pet” in 1980, fifteen years before the debut of the popular “Tamagotchi” in Japan. His virtual pet, actually a rare flower, still thrives and has reached an incomprehensible size. Conley’s website is OneLetterWords.com.
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A Turkish Delight of musings on languages, deflations of metaphysics, vauntings of arcana, and great visual humor.

March 10, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From The Lost Pearl, by Francis Grierson:


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March 8, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

1730830144.1272.9727_sourceFrom Life, July-Dec. 1926:

***
In spite of being well done, Americana manages to be an original revue. [Benchley]
***

Bonuses:
Baird Leonard deploys a "what have they" instead of a "what have you" (i.e., in the sense of a "whatever" or a "somesuch").
Some nonexistent movie sequels imagined by Sherwood: The Miracle Man's Nephew; The Fifth Horseman of the Apocalypse

Many attachments! The ones labeled "Herold" are details from a tableau depicting an imaginary comics-crafting school. The "Shakespeare on the radio" item is one of several "Shakespeare on the radios" from a radio-themed issue.

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March 6, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From The Wrong Letter, by Walter S. Masterman:

“Nonsense,” said Collins, “ghosts don’t come in the day time, it’s against all the rules of the game.”
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March 3, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From The Master of Mysteries by Gelett Burgess:






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March 1, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Death Reports to a Health Resort, by PJ Fitzsimmons:

***
expressing his verdict with a profoundly disappointed, hang-dog look, even for a basset hound

***
Pim adjusted his bowtie with a hunted aspect, the way a Luangwa Valley antelope, sensing a leopard on the wind, might adjust its bowtie.

***
Sir Melvin reached into the bulky pockets of his coat--exactly the sort of overstuffed pockets that a chipmunk would have if chipmunks wore suits with pockets.

***
"I'm the designated caller at my club each Epiphany when we sell off the umbrellas forgotten in the cloak room during the course of the year. The money we raise goes to buying surplus umbrellas."

***
His eyebrows took flight.

***
"You have no vices nor addictions....your only character flaw is a peculiar jealousy of those who do."

***
Vickers passed out Iberian ham, scones and clotted cream, terrine de porc, and lashings and lashings of etc.

***
"Your aunt isn't Min Baffins."
"Why shouldn't she be?...Someone has to be."
***
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February 27, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Life, Jan.-June 1926:

***
No one seems quite sure whether it is Monday or September. [Benchley]

***
Scratch an actor and you will find an actor. [ditto]

***
[Jack Benny's] countenance expresses his emotions in some mysterious manner without changing. [ditto]
***
#vintage illustration #illustration
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February 24, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From The Body in the Silo, by Ronald Knox:

***
"Dead men don't play with thermometers."
***
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February 22, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From The Witching Hour, by Catriona McPherson:

***
Alec was now whispering and flapping around at my elbow like some kind of combined moth and bee.
***
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February 20, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From the New Yorker, July-Dec. 1926:

***
the Jameses Branch Cabell and Stephens

***
Many of us...are addicted to allegorical meanings, and fidget whenever we cannot find them.

***
The Capitol has a picture called for no apparanet reason The Duchess of Buffalo.

***
Go very slightly out of your way to attend. [mild praise for a movie]

***
The first act is so dull that I thought even the audience noticed it. [Brackett]

***
There isn't a speech in it which doesn't suffer from fallen arches. [ditto]

***
You can't see the forest for the family tree.

***
Uncle Augue Witherspoon [a person made up by Brackett]

***
The Play's the Thing is genuine caviar, but spread in a parsimonious canape on slightly stale toast. [Brackett]
***

[Bonus: A show called No Foolin' is reviewed; the review is titled "Very Little Fooling."]

[Bonus: I looked up the cast of a play called Daisy Mayme]
Daisy Mayme Plunkett
Mr. Filoon
Mrs. Olly Kipax ["the silly sister," per Brackett]

#vintage illustration #illustration
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February 17, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Double Cross Purposes, by Ronald Knox:

[Bonus: A title that one-ups a Silly Pillows song.]

***
If it had been possible to drive a car while playing the bagpipes, it may be assumed that Vernon Lethaby would have done so.

***
"Mr. Pumphrey--Pulteney, to be sure, I should have said Pulteney...."
***
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February 15, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Still Dead, by Ronald Knox:

***
"if there is any suspicion of hanky, not to mention panky"

***
"I preserve my complexion, you see, as a kind of ancient monument."

***
You would have said at once that it came from an ironmonger's, and the event would have applauded your guess.

***
"Is Major Henry superstitious?...he didn't sound to me the kind of man who would be."
"The kind of man who would be superstitious is never the kind of man who is."

***
"I know perfectly well what you look like when you've thought of something rather important. Your face gets all long, and your mouth quite round, and you look as if you were wishing you'd been taught to whistle."

***
[The lost-luggage attendant] moved like a priest in his temple of absent-mindedness....his eye lighting up with the prospect of showing off his treasures to a connoisseur.
***

[Bonus: a natural formation known as the Devil's Dimple]
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February 13, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From The Footsteps at the Lock, by Ronald Knox:

***
White wreaths of cloud sailed lazily across the distance, as if assured that they had no speaking part today.

***
Nigel was introduced to the odd man [i.e., a floating employee or odd-jobs man, I assume], who turned out to be a very ordinary man.

***
Mr. Burgess [the lock-keeper]...unskilled to close the flood-gates of his own eloquence

***
"[If I drowned] I might get carried down into the paper mill, and come out at the other end in folio lengths. It would be very annoying to have the account of one's own death printed on one, wouldn't it?"

***
"I don't know if I ever told you that at school they thought me rather a dab at mathematics."
"You whispered it in my ear, darling, when we sat making love on the promenade at Southend."

***
"I don't know if you often go upstairs backwards, but if you have the habit, you will realize that it's apt to make your stance a little uncertain."

***
The other still hesitated for a moment; but it was difficult to know whether he was wondering how much the other knew, or merely collecting himself for fresh epigrams.

***
He was positive of the fact because he remembered discussing the matter with old Mr. So-and-so, and I could ask old Mr. So-and-so if I didn't believe him.

***
"It's the simplest way he could find of convincing the police that Derek isn't dead--or at any rate that he wasn't dead when Aunt Alma died, and her will took effect. After that, Derek can die as much as he wants to."

***
"It's quite easy to suspect a person of being in disguise; not nearly so easy to suspect him of being in undisguise."

***
[Re. the archetypical American] "We are terrified of hearing all about his business. He is so ready to impart information that we never ask him questions."
***

[Bonus: A character takes on the false name Erasmus Quirk, which, it is later revealed, has been borrowed from a real Victorian novel called Ten Thousand a Year, in which a firm of solicitors are called Quirk, Gammon, and Snap.]
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February 10, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Death Takes a Detour, by Miles Burton:

[Just two club names: the Dormouse and the Artichoke]
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February 8, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Death in a Duffle Coat, by Miles Burton:

***
The whole contraption swayed from side to side with the speed of its advance, the steel covers clashing like so many demented cymbals.
***
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February 6, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From The Three Taps, by Ronald Knox:

[Another fun one! Again, I'm surprised I hadn't found my way to Knox sooner. I suppose opportunity Knox* on its own schedule.
*"Opportunity Knox" would make a good burlesque name, eh?]

***
[Re. an insurance company, the Indescribable, whose offices are in a building called Indescribable House.]
The chicken-farmer whose hen-houses are fitted with the company’s patent automatic egg-register can never make a failure of his business. The egg is no sooner laid than it falls gently through a slot which marks its passage on a kind of taximeter; and if the total of eggs at the end of the month is below the average the company pays—I had almost said, the company lays—an exact monetary equivalent for the shortage.

***
He had a short black coat with very broad and long lapels, a starched collar that hesitated between the Shakespeare and the all-the-way-and-back-again patterns.
[I think "all-the-way-and-back-again," as a fashion term, may be a one-off coinage.]

***
She always underestimated quantity, referring to a large tureen as “a drop of soup,” and overestimated quality, daily suggesting for her guests’ supper “a nice chop.” The chop always appeared; the nice chop (as the old gentleman pointed out) would have been a pleasant change. As surely as you had eggs and bacon for breakfast, so surely you had a chop for supper; “and some nice fruit to follow” heralded the entrance of a depressed blanc-mange (which Mrs. Davis called “shape,” after its principal attribute).

***
“Miles, I will not have you talking of poor old Edward like that.”
“Who told you his name was Edward?”
“It must be; you’ve only to look at him. Anyhow, he will always be Edward to me.

***
The chair into which the visitor was shepherded was voluminous and comfortable; you could not sit nervously on the edge of it if you tried.

***
“You have not been to America? The anecdote there is in its first youth; the anecdotes mostly in their extreme old age.”

***
"I shall console myself by talking to the barmaid, and finding out if she’s capable of saying anything except ‘Raight-ho.’"

***
"But to-night, at supper, she was jumpy—even you must have noticed it. She almost dropped the soup-plates, and the ‘shape’ was quivering like a guilty thing surprised.”

***
The sun rose bright the next morning, as if it had heard there was a funeral in contemplation and was determined to be there.

***
Mr. Simmonds approached the handkerchief question with the air of being just the right man to come to. Other things, you felt, were to be bought in this shop: teethers, for example, and walking-sticks, and liquorice, and so on. But when you came to *handkerchiefs*, there you had found a specialist, a man who had handled handkerchiefs these fifteen years past. Something stylish, perhaps, was required? This with a glance at the customer, as if to size him up and recognise the man of taste. “The *plain* ones? Just plain white, you mean, sir? Well, it’s a curious thing, but I’m not certain I can lay my hand on one of them. You see, there’s more demand for the coloured ones, a bit of edging, anyhow. And, you see, we haven’t got in our new stock yet.” (They never have got in their new stock yet at Simmonds’s.) “Three weeks ago I could have done you a very good line in the plain ones, but I’m rather afraid we’re right out. I’ll just see.”
This was followed by an avalanche of drawers, containing handkerchiefs of every conceivable variety that was not plain. A violent horseshoe pattern that ran through all the gamut of the colours; a kind of willow pattern; a humorous series featuring film stars; striped edges, spotted edges, check edges—but no plain. From time to time Mr. Simmonds would draw attention to the merits of the exhibits, as if it were just his luck that his customer should be a man so unadventurous in taste. “Now, that’s a very good number; you couldn’t get a better line than that, not if it was a coloured handkerchief you were wanting. . . . No, no, sir, no trouble at all; I daresay perhaps I may be able to lay my hand on the article you require. . . . You don’t fancy those, now? Those come very cheap because they’re bankrupt stock. Just you feel that, sir, and see what a lot of wear there is in it! . . . Yes, that’s right, they’re a little on the gay side, sir, but we don’t get any real demand, not for the plain ones; people don’t seem to fancy them nowadays. Mind you, if you’ll be staying on here for a day or two, I could get you some; we shall be sending into Pullford the day after to-morrow. But at the moment we seem to be right out of them. . . . Oh, you’ll take the check ones . . . half a dozen? Thank you, sir; you’ll find they’re a very good line; you could go a long way and not find another handkerchief just like that one. It’s a handkerchief we’ve stocked many years now, and never had any difficulty in getting rid of it. And the next article, please?”
But Bredon did not meditate any more purchases. He had begun to realize that in Chilthorpe you bought not the thing you wanted but the thing Mr. Simmonds had in stock.
[N.B. The New Yorker issue that I was reading concurrently played along here--see attached.]

***
In front of the Load of Mischief stands an ale-house bench—that is the description which leaps to the mind. Ideally, it should be occupied by an old gaffer in a white smock, drinking cider and smoking a churchwarden. A really progressive hotel would hire a gaffer by the day to do it. A less appropriate advertisement, yet creditable enough to the establishment in the bright air of the June morning, Angela was occupying this seat as her husband came back from his shopping; she was knitting in a nice, old-fashioned way, but spoilt the effect of it rather by whistling as she did so.

***
"Don’t you feel sometimes as if the whole of human life on this planet were a mere episode, and all our boasted human achievement were a speck on the ocean of infinity?”
“Sometimes. But one can always take a pill, can’t one?”

***
"Let us eat and drink, Mrs. Davis’s ‘shape’ seems to say to us, for to-morrow we die.”

***
The old gentleman was rubbing his hands briskly in the enjoyment of retrospect; he had scarce any need of breakfast, you would have said, so richly was he chewing the cud of his experiences overnight.
***

#vintage illustration #illustration
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February 3, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From The Play's the Thing, by Ferenc Molnar (Wodehouse adaptation):

One snippet attached, but I enjoyed much of it. Highlights include meta-playwrighting business, an actor struggling with an abundance of over-the-top, multi-part names for French aristocrats and French locations, and a character whose unlucky day is Tuesday.


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February 1, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Heir to Murder, by Miles Burton:

***
Even the chrysanthemums seemed to be bending mocking faces towards him. [No illustrations in this book, alas!]
***
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January 30, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Life, August-December 1924:

***
a retired hermit
***

[Bonus: a Diana Warwick allusion to how (a century ago!) no one writes letters much anymore.]

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January 27, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Told By an Idiot, by Rose Macaulay:

The Proper Thing, revered as ever, gradually changed its face, or rather turned a somersault and alighted on its head.



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January 25, 2026 (permalink)


Jonathan Caws-Elwitt

unearths some literary gems.

From Life, April-July 1924:

***
Sheer madness is, of course, the highest possible brow in humor. [Benchley]

***
the Whatziz Motors scandal [ref. to a subplot in a real play; not sure if Benchley contributed the "whatziz"]
***

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