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A precursor to the Death By Lemon cake recipe. An illustration from an 1879 issue of Punch magazine.
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Here's a precursor to fans of Seal (Henry Olusegun Olumide Adeola Samuel), from seventy years before the singer-songwriter's birthday.
Below, watching for Seal.
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Orson Welles' Lady from Shanghai famously features a shootout in a hall of mirrors. A 1901 issue of Puck shows a gunslinger using his looking-glass reflections as decoys.
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"Wouldn't it be loverly" to have a room somewhere "with one enormous chair"? That's what Eliza dreamed of in My Fair Lady (1956), though rooms with enormous chairs go back at least as far as 1865, as we see in Punch:
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"Everywhere, all the time, a barrage of scrambled images assaults us -- disjointed scenes, outlandish mergers. ... But by now we have little trouble reading or understanding this new visual lingo. ... We have already had our homework done for us by Picasso." — Life, "The Power of Picasso," Dec. 27 1968 One hundred years earlier, a proto-Picasso debuted in Punch (1860).
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Exactly one-hundred years before the giant dragonfly's debut in Monster on the Campus, these monstrosities appeared in Punch (1858).
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Original Content Copyright © 2025 by Craig Conley. All rights reserved.
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