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Jeff shares a fun bit of leapfrog inspiration: It certainly isn't the first time I've been inspired by Craig Conley's unparalleled handiwork, but I don't recall ever having been inspired in such parallel fashion. Imaginary saints are one thing; strange dreams make it two. Last night I dreamt about Saint Egolatría, patron of poorly planned head trips. In my dream, she held the map I had so carelessly left on my dresser while she chided me for being self-absorbed, and arrogant. She said my deeply flawed personality was at the root of many fiascos, and hoped I might get lost in a bad neighborhood, after dark, with an empty gas tank and no cell phone. The night before, a series of dreams culminated in a pastiche of patrons, each wearing a color-coded robe to indicate his or her mood. Saint Añoranza seemed petulant at first, but this later turned out to be due to a wardrobe malfunction. For their grand finale, all the patron saints locked arms for a rousing rendition of Hey Bulldog. Three encores later, a bikini-clad penguin brought the curtain down.
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From Prof. Oddfellow's sketchbook:
Inspired by the writing of J. Karl Bogartte. --- Jeff writes: A strange series of dreams culminating in a pastiche of patrons, each wearing a color-coded robe to indicate his or her mood.
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"We don't form our dreams out of just our own souls. We dream anonymously and communally, though each in his own way. The great soul, of which we are just a little piece, dreams through us so to speak, dreams in our many different ways its own eternal, secret dream—about its youth, its hope, its joy, its peace, and its bloody feast." — Thomas Mann, The Magic Mountain (a mountain of a masterpiece!)
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Alex shares this strange dream: My dream began at a pet store that resembled a big warehouse. I was in search of a pet octopus. I was assisted by a young man who placed a maroon-colored octopus in my arms. I walked around with it in my arms for a while and decided to set it down for a while. It started running around, and I chased after it. Not long into the chase I became frightened and ran from it; here the octopus started chasing me. The young man who had given me the octopus caught it and again placed it in my arms. I began walking again and decided to buy the octopus some food, so I asked the octopus what it liked to eat. The octopus couldn't talk, but we could communicate. I stopped suddenly in front of a row or clear refrigirators and asked the octopus if it could shock me. The octopus responded by placing one of his tentacles in my mouth. I fell to the floor where I lay for a minute; when I arose, the octopus was again placed in my arms. We headed to the reptile section. I stopped in front of an aquarium where snakes had tried to escape through the bottom but had suddenly died. Half of their bodies had managed to taste freedom. I blinked and suddenly I was in a stranger's driveway. His garage was open so I walked inside. His pets were dying, among them a dog, already covered in maggots. I walked inside and was greated by a young male. I asked him if I could use his bathroom he said yes and showed me the way. The inside was covered in blue carpet and there were three steps that led down to the toilet. I closed my eyes for a second and when I opened them I found myself in a classroom. The classroom resembled the classrooms in the movie Matilda. There were only girls inside the classroom, all no older than 13. They were all waiting in line holding AM/PM cups. I too was holding one and was told to urinate in it. There was a table on the right side of the classroom where all the cups were being placed. I did what I was told and I gave it to my instructor. She looked inside and said that it was the right color; I didn't understand. At the end of my dream I realized that the world was ending and the color of my urine was the only way to save the world. (I am not sure why this was the solution.) I also realized that the only reason why my urine was the right color was because the octopus had shocked me.
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I sometimes dream of reading a book. It's a poetic, insightful, vastly important work. As I continue reading, I begin to become lucid. At first, I think myself capable of remembering this dreambook upon waking. I vow to memorize the words and transcribe them. Then, as consciousness slowly refracts the light of the dreamtime, my comprehension of the text begins to slip away. Sentences that made perfect sense moments ago now seem cryptic or utterly indecipherable. Finally, I realize I've lost all grasp of this vital dreambook's meaning, and I reluctantly open my eyes. Elusive though it may be, I've never given up on one day remembering the dreambook or, perhaps more extraordinarily, stumbling upon it in waking life. I'm gratified (though admittedly astonished) to report that, in a roundabout fashion too complex to detail here, I have finally located a physical copy of the dreambook. It will come as no surprise that the author is an avant-garde artist and a literary savant who possesses a direct line to the unconscious mind. J. Karl Bogartte's prose is so imbued with dream logic that the conscious mind is initially mystified, then simply enchanted and drawn into a vision. The reason the physical copy is decipherable by the conscious eye is simple: physical pages don't tend to display the volatile calligraphy of dreambooks. In the physical copy, we can read the same sentence twice and nothing will have changed (save our appreciation of the text's resonance). If you've ever regretted forgetting what you're certain was a marvelous dream, it may be time to (re)discover the work of J. Karl Bogartte.
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A friend dreamed: I was walking down a sidewalk and came upon a statue of Jesus. It came alive, and asked me if I would kiss his feet. I wasn't that thrilled at the idea, but since they looked clean, I decided I'd be willing to try it, in case it resulted in some wonderful spiritual benefit. As I approached him, he started changing shapes that had nothing remotely like feet. While watching him, I was somehow transported to a room where there was a man in a booth. He had stacks of posters that the viewer was supposed to choose from for what would be experienced. I found some posters I liked, but I just wanted the posters, and not deal with the activities represented by them. This response seemed to confuse the man, as if this hadn't happened before, but he didn't refuse when I asked if I could have the posters I liked. But as I walked away, a dangerous looking man came up to me and pushed me in a way that knocked me down. I somehow knew that he would continue pushing me till I was unconscious, so I just lay there, pretending that I was already unconscious. Then some people came and picked me up and strapped me onto a cart (like used in hospitals). I was then put onto a conveyer belt where various sweet tasting substances were forced at me. The first was like cream filling in donuts. I tasted a little, and decided I didn't really want any, so I just closed my eyes and mouth till it was gone. It soon was, and I was amazed that none seemed to be sticking to my face. This was followed by lots of other sweet substances like caramel, coconut, ice cream, etc. I wasn't interested in tasting any of them, but there was a bowl of chopped nuts by the ice cream, and I tried to take a few of those, but they were in a glass case that I couldn't open. So I soon gave up. I figured that they were only available if I ate ice cream too. Then various kinds of chocolate substances were forced at me. I knew that the people running this procedure didn't know I can't eat chocolate, so I tried to shout out "no chocolate", but the substances kept getting in the way. Finally the sweet substances stopped coming, and I was unstrapped and let go. The guy who had been taking notes on my reactions said I "scored a 4", in a voice that indicated that this was a ridiculously low number, so I figured that it was on a scale of 100. I walked out of the place wondering why I'd been given this "test", since the sweet substances were meant to cause people to uncontrollably indulge in them. I knew there surely were other tests which could easily break down my resistance, so I found it strange that they'd choose one that was so inappropriate for me.
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In the middle of the night, I woke up briefly with a dream idea I was determined to remember in the morning. It had something to do with the words zither, blither, wither, and slither, and how they could all be represented by a single picture (like a political cartoon). I recall that the image would have been ring-shaped, to suggest zithering, blithering, withering, and slithering. As with too many dream images, the details had faded by the time I got out of bed. I'm left wondering what the image would have looked like. Could it have been a droopy fool (a withered, blithering idiot) playing a zither in the shape of an Ouroboros (the snake slithering into a ring)? As a bonus, the entire image could be dithered!
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Of all ancient Egyptian iconography, I've always found the most uncanny
to be Anubis leaning over a mummy (with the winged soul of the deceased
hovering above). I get chills every time I see that image — not
chills of fear, exactly, but of profound mystery. Come to think
of it, I suppose the image should
make one's blood run cold, as that's what it's all about. While I
was looking online for statues of Anubis standing over the sarcophagus
(alas, the statues never include the winged soul), I discovered the
following intriguing explanation and invitation:
As every school child knows, Anubis –
most often portrayed as a human figure with the head of a jackal or
black dog – is a guardian of the Otherworld, who watches over tombs and
mummies and guides souls of the departed to the Hall of Osiris.
But Anubis’ significance goes much deeper. As psychopomp, or
guide of souls, he is the patron of journeys beyond the body (which is
why he is invoked to guard those who have left their bodies under
trauma or anesthesia) and everyone journeys beyond the body in death
and dreaming, with or without instruction.
[...]
If you want to dream like an Egyptian, in the best way, look for the
black dog in your sleep tonight, when your eyes are opened in a dream.
—Shamanic counselor Robert Moss, "Dreaming Like an Egyptian," Soul Travel Magazine
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