CRAIG CONLEY (Prof. Oddfellow) is recognized by Encarta as “America’s most creative and diligent scholar of letters, words and punctuation.” He has been called a “language fanatic” by Page Six gossip columnist Cindy Adams, a “cult hero” by Publisher’s Weekly, a “monk for the modern age” by George Parker, and “a true Renaissance man of the modern era, diving headfirst into comprehensive, open-minded study of realms obscured or merely obscure” by Clint Marsh. An eccentric scholar, Conley’s ideas are often decades ahead of their time. He invented the concept of the “virtual pet” in 1980, fifteen years before the debut of the popular “Tamagotchi” in Japan. His virtual pet, actually a rare flower, still thrives and has reached an incomprehensible size. Conley’s website is OneLetterWords.com.
Upon his arrival in hell, fresh off the Styx Ferry, the soul of a reporter is accosted by demons full of inane questions. "How do you like Hades? Did you have a pleasant voyage? What do they think of us on earth? How do you like the climate? Is this your first visit? Are you going to stay long?" From Puck, 1907.
"Oh overflowing cask, you give drink and fill to drunkenness every loving desire. You give joy and illumine all our understanding" (Catherine of Siena, 1347-1380, qtd. in An Anthology of Christian Mysticism by Harvey D. Egan).
The keg/cask/hogshead imps appear in Punch, 1860. The spigot fairy appears in Fairies and Folk of Ireland by William Henry Frost, 1900.
Here's "the genius of the cork," the imp of drunkenness ("angel or devil according to contending moralists") who sits with every solitary drinker, taking not a drop himself but telling stories and singing songs and filling your gaping pockets with ideal gold. (Punch, 1842). This should also be of interest:How to Believe in Your Elf.
There has always been a fine line between stage magic and occultism. Here's a poorly-rehearsed stage magician who mangles his magic words and conjures up a demon, from Punch, 1908. The caption reads, "An unrehearsed effect."