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In the wee hours of January 17, 2013, I dreamed of writing to Larry Hass. He had requested the template from a printing company that I use (full of cut lines and bleeding, come to think of it!). I noticed on my laptop screen that the file of Larry's request had surprisingly disappeared once I'd printed out the template. (Behest and fruition adding up to one, not two?) As I began to handwrite a cover letter for the printout, I noticed that the paper was unusually fibrous (papyrus?), the back being somewhat smoother than the front. Within mid-sentence (asking "Did you request this?" since I had no evidence of a request), I noticed that I'd inexplicably switched to the back of the page. (When front and back merge, aren't we in Möbius territory?) This happened twice, and I crumpled up the very crisp pages with divided sentences. On my third try, I decided to begin on the smoother side to see if my pen would stay there. (Apparently it worked.) As I wrote, I was aware of three mismatched clocks. (A fullness of time? A three-in-one mystery?) When I set off to mail the letter, my feet ran in place like Fred Flintstone. (Motion/stillness? Point B indistinguishable from point A? "Modern stone age"?) After I dreamed this, as I remained asleep, I lucidly recalled the details and dream-typed this transcript to Larry three different times, as if the message were so important that I mustn't forget anything upon waking!
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If I find a faint shadow of hands on a wall and the memory of a rabbit in white chalk, I may recall that all dreaming is a kind of living where you cannot die no matter how many times you fall from the building. —Geof Huth ( see his entire piece here.) Chalk rabbit underfoot by tech wizard Gordon Meyer.
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Do you remember, when you were a child, the animals used to call your name? And you knew in the dark when the others were dreaming and you could never get to sleep. — Cat People (1982)
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From Prof. Oddfellow's sketchbook: "Behind the dark masonry of the forehead there must be enigmas sleeping such as Amsterdam had never imagined in its wildest dreams.” —Gustav Meyrink, The Green Face
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I dreamed I was being tested on Shakespeare's "Withdrawn," but I couldn't remember if it was a comedy, tragedy, or history.
Myrlin Hermes writes: Strangely enough, you turned up in my dream last night, emerging from a TARDIS. Perhaps a subconscious reaction to your habit of blogging from the future? At any rate, I'm tickled by the image, which seems somehow fitting, given the way you have quite suddenly and wonderfully dropped into my consciousness.
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"In dreams, I use my hands to propel myself through the dense atmosphere. I am heavy; I am unable to move quickly in the viscosity of the place. I pull myself forward with my fingertips, but not along the ground. A tapestry of woven strands lies below me and stretches out in front. This is how I move. "In dreams, I negotiate a labyrinth. My mazes are open fields and dark interior spaces. They are inhabited, but no one is like me. They are obstacles and distractions, and I move past them on my way to freedom. "In dreams, I don't remember the dull slumber of my waking hours." —Jeff, Omegaword
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