CRAIG CONLEY (Prof. Oddfellow) is recognized by Encarta as “America’s most creative and diligent scholar of letters, words and punctuation.” He has been called a “language fanatic” by Page Six gossip columnist Cindy Adams, a “cult hero” by Publisher’s Weekly, a “monk for the modern age” by George Parker, and “a true Renaissance man of the modern era, diving headfirst into comprehensive, open-minded study of realms obscured or merely obscure” by Clint Marsh. An eccentric scholar, Conley’s ideas are often decades ahead of their time. He invented the concept of the “virtual pet” in 1980, fifteen years before the debut of the popular “Tamagotchi” in Japan. His virtual pet, actually a rare flower, still thrives and has reached an incomprehensible size. Conley’s website is OneLetterWords.com.
"This may surprise you, but it is difficult to find people like yourself who possess, if I may say so, your gentleness of manner." —Carol Shields, "Hazel," Collected Stories
"With the exception of their eyes being closed and their bodies being relaxed, hypnosis subjects are fully awake. This may surprise you and may perhaps be a little difficult to understand." —Joe Niehaus, Investigative Forensic Hypnosis(1998)
"Corporate America loves experts, and pays dearly for their expertise. This may surprise you—have you ever considered becoming an information expert in a small area?" —Michael Geraghty, Anybody Can Negotiate—Even You! (2006)
"In a restaurant, you can tell if bamboo chopsticks have been used many times by dark stains from soy sauce visible at the tips. This may surprise you." —Gaku Homma, The Folk Art of Japanese Country Cooking (1991)
"The telephone in your home is built scientifically to fit your voice. This may surprise you at first thought since your telephone looks exactly like every other telephone." —Popular Science, Nov. 1923
"Surprising though it may sound, the type of composer who shuts himself away in the ivory tower of his workshop and devotes himself entirely to the serious business of filling staves with notes is virtually unknown in the history of Hungarian music." —The New Hungarian Quarterly (1980)