CRAIG CONLEY (Prof. Oddfellow) is recognized by Encarta as “America’s most creative and diligent scholar of letters, words and punctuation.” He has been called a “language fanatic” by Page Six gossip columnist Cindy Adams, a “cult hero” by Publisher’s Weekly, a “monk for the modern age” by George Parker, and “a true Renaissance man of the modern era, diving headfirst into comprehensive, open-minded study of realms obscured or merely obscure” by Clint Marsh. An eccentric scholar, Conley’s ideas are often decades ahead of their time. He invented the concept of the “virtual pet” in 1980, fifteen years before the debut of the popular “Tamagotchi” in Japan. His virtual pet, actually a rare flower, still thrives and has reached an incomprehensible size. Conley’s website is OneLetterWords.com.
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December 10, 2010

Unicorns (permalink)
[We have rescued this article from limbo.  It was set to appear in a Norwegian art and literary magazine back in 2009.  The magazine, like so many unicorns before it, seemed to dematerialize as quickly as it appeared.  Fans of our Field Guide to Identifying Unicorns by Sound will hear some familiar echoes of our research.  Continued whispered thanks to Jonathan Caws-Elwitt for his refinement(s).]


Hoofbeats in a Snowball:

Field Notes from a Cryptozoologist
 
by Craig Conley

Freshly fallen snow can actually store the sounds of unsubstantiated wildlife as well as project them with clarity.  A carefully gathered snowball is like a library of sounds stored on crystalline shelves.  When held to the ear like a seashell, it may whisper the mythic secrets it has absorbed.  Ergo, composer and music theorist John Rahn describes "a little snowball of sounds” (Perspectives on Musical Aesthetics, 1995).  Snow expert Nancy Armstrong explains that "When snow is newly fallen, sound waves are absorbed into its soft surface.  Later, when the surface has hardened, sounds may travel further and sound clearer, because the snow reflects sound waves, sending them more quickly through the air” (Snowman in a Box, 2002).  Barbara Blair concurs: "snow is a wonderful substance to enhance awareness” (Communing with the Infinite, 2006).

Here’s a secret: cryptozoologists can "see” more disputed wildlife, per capita, with their eyelids shut than the average person can see with eyes wide open.  That’s because they have an intimate friendship with the sounds unsubstantiated creatures make.  As you concentrate with eyes closed and mind focused, you may detect the telltale song of the unicorn, for example, announcing the presence of the venerable creature and beckoning you to begin your quest.  When you open your eyes, the unicorn may not be immediately visible, but you’ll know where to start looking.

Hearing disputed wildlife requires time, patience, and "deep listening” skill on the part of the human, and vocal projection on the part of the animal.  Because we live in a highly visual world, we rarely exercise the full range of our hearing.  Yet our ears can detect things that our eyes automatically neglect.  By listening as opposed to looking, we can avoid overlooking.  Practice can be richly rewarding, whether one is listening for unicorns in particular or neglected delights in general.

Wintry days are excellent for listening practice.  Wisps of glittering snowflakes gently falling to earth—that faint sound is subtle but by no means imperceptible.  The key is to distinguish it from total silence.  Barbara Wright explains: "the lovely sound of snowfall” is "no sound at all, really, but neither [is] it silence” (Plain Language, 2003).  Sandra Meek agrees, but adds an intriguing qualifier: "No sound for snow, no definition of ice.  The unsaid among shuttered wings” (Nomadic Foundations, 2002).  Without question, unsaid utterances can resound in the silence between two beings.  Perhaps they are unspeakable.  Perhaps they are ineffable.  In any case, they spiral, grow, and ring in our ears.  As Mary Summer Rain has noted, deep silence intensifies the sound of falling snow (Soul Sounds, 1992).

The delicately complex sound of snowflakes can connote anything from serenity to ominousness, depending upon the unsubstantiated wildlife’s intentions.  Donna Andrews records "the eerie, muffled sound” of snow (You’ve Got Murder, 2002), while Judith Hendricks offers a more endearing description of "the soft, purring sound of snowfall, like a big cat.”  She adds, in parentheses, "Yes, there is a sound, but you can only hear it in absolute silence” (The Baker’s Apprentice, 2005).  Indeed, according to professional sound designers Deena Kaye and James LeBrecht (Sound and Music for Theatre, 1999), the sound of snow has a broad range:

  • calm
  • menacing
  • comforting
  • threatening
  • inviting
  • foreboding
  • soothing

It should come as no surprise that unicorns make a sound like falling snow, for snowflake crystals and unicorns share many characteristics:

  • no two alike
  • sparkly white in color (having absorbed all of the surrounding sunlight or moonlight)
  • difficult to predict
  • beautiful
  • symbols of purity
  • natural materializations
  • symbols of innocence
  • can be dangerous at times
  • symbols of serenity
  • excellent insulators
  • ephemeral
  • blend into the landscape

The suggestive sound of snow can also be:

  • divinely musical
  • like a whimpering specter
  • like sieved flour
  • astonishing
  • dreamy
  • enlightening
  • peaceful
  • glassy
  • like spilling sugar
  • persistent
  • hollow
  • pattering
  • slithering
  • tickling
  • drumlike
  • hissing
  • swooshing
  • wailing
  • forlorn
  • scraping
  • feathery
  • gently caressing
  • scratching
  • faintly ticking
  • isolating
  • bright
  • monotonous
  • rustling
  • fierce
  • softly sputtering
  • eloquent
  • enveloping
  • whispering
  • miraculous
  • cleansing

If not distorted by foliage, a gust of wind might carry fragrances from afar, winged seeds, the moans of trees, echoes of laughter and distant whistles, the howls of storms, sudden chills, the invocations printed on prayer flags, and the sounds of a gamboling unicorn.  It is common knowledge that unicorn sound waves can be better detected downwind of the beast than upwind.  But why is that, considering the fact that wind velocities are a mere fraction of the speed of sound (750 miles per hour)?  The phenomenon may derive from wind shears deflecting sound waves either downward (more toward the listener) or upward (away from earshot).  Naturally, if a unicorn sound is carried by the wind, the source of that sound will be upwind (opposite the direction of the gust).  In the case of whirlwinds, anything goes.

Beautiful to the human ear, rustling sounds are typically caused by stealthy movements and rubbing.  Rustling sounds are various in tone:

  • brushing, like a broom sweeping away cobwebs
  • hissing, like a fierce whisper
  • soft and muffled, like a blanket or thick rug
  • crackling, like leaves or dry grass, or kindling catching fire
  • fluttering, like the wings of frightened birds
  • crumpling, like a scattering of parchment on a composer’s cluttered piano, or someone stepping on a paper doll
  • brief and slight, like toffee wrappers
  • scraping, like razors on skin
  • popping, like static electricity
  • prolonged whooshing, like blowing air into a balloon
  • sputtering, like steam from a leaky boiler
  • sighing, like sand slipping through one’s fingers
  • heavy, like the pages of the Sunday newspaper
  • waxen, like the unwrapping of a sandwich

The ruffling sounds of a unicorn are reminiscent of:

  • the feathers of a settling peacock
  • a pillow being fluffed
  • riffling through the pages of an enormous dictionary
  • the rippling of a boat’s sail
  • the gentle shoveling of fresh popcorn into a bucket
  • a breeze whispering through leafy treetops or a field of grass on a mild summer’s day
  • a pigeon fidgeting on a windowsill
  • a bedsheet being shaken
  • a curtain being pulled back
  • unfurling scrolls of small waves

The ethereal, magical voice of a unicorn tends to unfold like a flower captured by time-lapse photography, its sweet melody swirling around the listener like a beautiful fragrance.  It can also sound like:

  • crumpled silk
  • an expression of gratitude
  • a soft, primitive incantation
  • humming high-tension wires
  • an otherworldly harp
  • a menu item that is unavailable this evening
  • a stone dropping into a quiet pool
  • dream-like remembrances
  • an entire forest of songbirds
  • the ringing of a crystal bowl
  • a pinwheel
  • a stereo that has been powered up but on which nothing is being played

Bear in mind that the signature "distant” sound may not indicate physical remoteness.  The ethereal, unworldly nature of the unicorn gives its voice a decidedly far-off quality.  Think of it as a "special effect.”  The exotic reverberations evoke bygone eras, distant memories, faraway lands, remote connections, out-of-print books, and reserved feelings.  Our ears pick up on that detachment and our brains try to account for it, "interpreting” it as coming from far away.  Be aware that a seemingly distant chiming could indicate a unicorn right around the corner or even close enough to touch.

To sensitize your brain to notice unicorn sounds, take special notice of silence, which is available locally in many areas.  Focus on the spaces between sounds.  Here are some things to practice listening for, as suggested by New Zealand naturalist Pete McGregor in "Sounds and Silence” (2006):

  • a fumbling and buzzing bumble bee settling onto a blue clothes peg
  • a lone swallow swooping past without a sound
  • the soft rattle of cabbage tree leaves ceasing when the wind dies down
  • a far-off airplane flying behind the clouds
  • the soft rustle of long grass dislodging the weight of old rain, then resuming quiet contentment
  • a bird singing silence (some notes and phrases are beyond our range of hearing)


Be aware that listening to silence can be a profound experience.  Silence takes us beyond the ordinary.  In "The Sound of Silence” (2003), Thomas Váczy Hightower recalls his first encounter with silence: "Standing by the inland ice, I heard for the first time the sound of silence.  It nearly struck me to the ground, so strong was the pressure.”

Natural unicorn quietude is a wondrous thing.  But an unnatural hush has come over unicorn populations around the world.  A "culture of silence” disseminates the misinformation that unicorns don’t exist, thereby perpetuating a vicious cycle.  Something natural goes into hiding, essentially becoming invisible.  Unicorns’ needs are hidden and go unrecognized, thus perpetuating poor public policy and fueling the culture of silence.

> read more from Unicorns . . .
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Original Content Copyright © 2025 by Craig Conley. All rights reserved.