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unearths some literary gems.
***[On the question of reviving archaic words.]As for "Welkin," "Lush," and "Bosky"--who dares to lead their metric feet into the prim paths of prose? Let bygones be bygones.***My words will be imaginotions, penandinkumpoops, whimpusles, mere boojums rather than classic snarks, for I shall not construct “Portmanteau” words, like Lewis Carroll.***The frequent use of the “oo” will perhaps require an apology, and the almost equally merry “aw.” The other “long” vowels, such as “ee” and “ay” and “o” seemed inadequate to my use. Of consonants, my “G” is, no doubt, most frequent. “G” supplies spuzz to a word that can hardly be obtained elsewhere in the alphabet. “K” also has a bite, but it is frequently too suggestive for our delicate susceptibilities. “L”—what could one do in such a work, without the gentle liquid that euphonizes the most savage of consonants! Also I confess having fallen in love with the anapest.***Oo´fle, n. 1. A person whose name you cannot remember. 2. A state of forgetfulness regarding a friend or thing.Oo´fle, v. 1. To try to find out a person’s name without asking. 2. To talk to an unknown person without introducing him to a nearby friend.***Tashivation. The art of answering without listening to questions.***Tin´tid-dle, n. 1. An imaginary conversation. 2. A witty retort, thought of too late, a mental postscript.***Unk. An unwelcome, inappropriate or duplicate present.***Wijjicle. A perverse household article, always out of order. [One of those recalcitrant "things"!]***Zobzib. An amiable blunderer, one displaying misguided zeal.***https://www.gutenberg.org/files/59004/59004-h/59004-h.htm
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