
 |
An ad for Swiss embroidered handkerchiefs (no kidding). From Dry Goods Review, 1914.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Purple Parrot, 1929.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From Michigan Christian College's 1973 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1979 yearbook.
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"May it be a lucky date that you now will celebrate." Via Up North Memories.
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Memories of college. From Elmhurt College's 1952 yearbook.
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From Rhymes of a Child's World by Miriam Clark Potter and illustrated by Ruth Fuller Stevens, 1920.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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There are so many ways to observe Hallowe'en. From Tufts University's 1982 yearbook.
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From The Rainbow String by Algernon Tassin and illustrated by Anna Richards Brewster, 1921.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Memories of college. From St. Andrews' 1975 yearbook.
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"Superstitions: manifestions of darkness." From The Instructor, 1963.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Ward-Belmont College's 1920 yearbook.
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She went to Hallowe'en parties and ate green peaches, against her parents' caution. From Motion Picture Classic, 1928.
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The dead alumni look perhaps wrathful or aggrieved. From the University of North Carolina at Chapel Hill's 1917 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From Mr. and Mrs. Haddock in Paris, France, by Donald Ogden Stewart:
[The scene that follows the attached snippet precurses The Elephant Is White, as the protagonist meets a Russian preparing to jump off a bridge, who resents being interrupted, and with whom a comical conversation ensues.]
Haddock
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"Rather tame observance of Halloween not as hilarious as usual." From the Duluth Evening Herald, 1902.
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"I walked right in but you — in the downpour holding the door — came in after, wetter." From Eastern Mennonite College's 1973 yearbook.
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*Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out. |
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Beware the witch's cat! From Spellbound, 1976. (Courtesy of Archive.org.)
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"By a route obscure and lonely, / Haunted by ill angels only, / Where an Eidolon, named NIGHT, / On a black throne reigns upright, / I have reached these lands but newly / From an ultimate dim Thule— / From a wild clime that lieth, sublime, / Out of SPACE— out of TIME." —Edgar Allan Poe, "Dream-land"
From Beyond Reality, No. 27.
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If you have a strange dream to share, send it along! |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Virginia Commonwealth University's 1973 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Gathered in a transformed chapel was a mad conglomeration of mummies, ghosts, witches, trolls, and hoodlums. From Michigan Christian College's 1973 yearbook.
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I guess the frog costume didn't impress the judges. That lobster outfit is amazing. From The Tangent, 1931.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Jackson Junior College's 1962 yearbook.
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From Life magazine, 1884.
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If you have a strange dream to share, send it along! |
|

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From Holy Cross College's 1930 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lindenwood Tales by Marguerite Behman and illustrated by H. C. Meyer, 1921.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Back in 1965, the simplicity of Halloween hadn't yet been destroyed by commercialism. From Birmingham-Southern College's 1965 yearbook.
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From Boston College's 1983 yearbook.
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"On their way to a women's rites meeting." From Oedipus the Wreck by Owen Seaman, 1888.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Western Carolina University's 1970 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the University of North Carolina at Chapel Hill's 1917 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Have you ever tried to scare anyone at Halloween?" From Sharing Experiences by McKee & McCowen and illustrated by Corinne Malvern & Sylvia Haggander, 1947.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Fate of a thousand million fishes. How they were turned to stone." From The Children's Newspaper, 1920.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A front page witch, from The Gateway, 1980.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Birmingham-Southern College's 1965 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From Loyola's 1961 yearbook.
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From Lamaism by L. Austine Waddell, 1934.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Peru State College's 1969 yearbook.
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"Assailant bites and kisses feet." From The Gateway, 1967.
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From Clarion State Normal School's 1928 yearbook.
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From Hallowe'en: Its Origin, Spirit, Celebration, and Significance As Related In Prose and Verse, Together with Hallowe'en Stories, Plays, Pantomimes, and Suggestions for Games, Stunts, Parties, Feasts and Decorations by Robert Haven Schauffler, 1933.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From East Tennessee State University's 1975 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From North Central College's 1978 yearbook.
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An ad in two newspaper issues, each distorted in its scan. From the Duluth Evening Herald, 1888.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Hood College's 1942 yearbook.
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From Franke Reade Weekly Magazine, 1902.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Fame and Fortune Weekly, 1912.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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From The Picture Show Annual, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Reblog if your brilliant future is behind you, too. From The Gateway, 1960.
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From Purple Parrot, 1929.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The Great Pumpkin is a hippie." From Kent State's 1968 yearbook.
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From Hahnemann Medical College's 1907 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the State University of New York Institute of Applied Arts and Sciences at Binghamton's 1949 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Fisher Junior College's 1945 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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To the stars. From William and Mary's 1940 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the University of North Carolina at Chapel Hill's 1917 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Dwarfs & giants only." From String Puller Philosophy by Peter Schumann, 2009.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ohio College of Dental Surgery's 1902 yearbook.
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"Stars that have never been seen. Dark bodies that send out messengers." From The Children's Newspaper, 1921.
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We, too, get a little thrill when Egyptian posters breathe down our neck. From Coker College's 1955 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Og—Son of Fire by Irving Crump and illustrated by Charles Livingston Bull, 1922.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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I Found a Penny Today, So Here's a Thought |
(permalink) |
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|

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From the Duluth Evening Herald, 1896.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Foreshortening her final end." From Mental Disease by Peter Michaels.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Saint Joseph's College's 1964 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Fisher Junior College's 1945 yearbook.
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"The whitches they used to beat em with the broom switches that they had." From Christopher Cricket On Cats by Anthony Henderson Euwer, 1909.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Oregon State College's 1941 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Clarion State's 1925 yearbook.
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A scissors bird brings cigarettes to the baby scissors in the nest. From The Bombay Chronicle, 1924.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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From the Estherian and Lanier Literary Societies of Anderson College's 1916 yearbook.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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unearths some literary gems.
A fake monocle from Henry Brinsley's book column in the March 1915 Vanity Fair:
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From "Bewitched" by J. T. C. (1972).
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Take back the night." From Susquehanna University's 1992 yearbook.
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Thanks to GajoobZine for spotlighting our new collaboration with Sigfus of Sweden.
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From My Little Green Story Book by Ousley & Russell, 1957.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Will they cry the crack of doom?" From The Children's Newspaper, 1921.
|

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From the University of Omaha's 1928 yearbook.
|

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"Meet a couple of our best teachers." From Potrero View, 2004.
|

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From Delta College's 1963 yearbook.
|

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From Good Night Stories by Laura Rountree Smith and illustrated by C. M. Burd & Violet Moore Higgins, 1921.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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"Plenty of witches, ghosts, and goblins helped [secretaries in the library basement to] work better." From Charleston Southern University's 1973 yearbook.
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From Unknown magazine, 1943.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From the University of North Carolina at Chapel Hill's 1917 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Ohio University's 1910 yearbook.
|

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The Duluth Evening Herald, May, 1892.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Earlham's 1959 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Back from the dead." From Santa Clara College's 1989 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Texas Christian University's 1943 yearbook.
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"On a day without a name." From Nebula no. 41.
|


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"He missed all the fun." From the Duluth Herald, 1910.
|

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"That's how I feel!" From The Australian Women's Weekly, 1934.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Insanity -- enough to last a lifetime." From The Gateway, 1969.
|


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A century later, weather forecasting is done in exactly the same way. From Purple Parrot, 1923.
|

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From Belmont Abbey College's 1952 yearbook.
|


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From Fisher Junior College's 1945 yearbook.
|


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From Delta College's 1963 yearbook.
|

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The wizard's ink that turns the world dark at night. From the highly cursed Nightmare Land by G. Orr Clark and illustrated by Caroline Love Goodwin, 1901.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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|

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"Thrower of intellectual handsprings." From Shadowland, 1923.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Western Carolina University's 1970 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Saint Jerome's College's 1952 yearbook.
|


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From Butler College's 1899 yearbook.
|

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"'Girls are now mass produced.' There is no longer any mystery about them, says Baroness Orczy." From the Bombay Sunday Chronicle, 1935.
|


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A lurikeen. From St. Nicholas, 1915.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Everyone goes 'helter-skelter' for me!" From The Children's Newspaper, 1939.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1979 yearbook.
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"There it is, mister, right in front of you." From Purple Parrot, 1930.
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From Indiana State Normal School's 1916 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Holy Cross College's 1930 yearbook.
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From Fantastic Adventures vol. 10, no. 08.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From St. Andrews Presbyterian College's 1967 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the College of William and Mary's 1971 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Purdue's 1905 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of North Carolina at Chapel Hill's 1917 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
unearths some literary gems.
From Love Insurance, by Earl Derr Biggers:
***Mr. Thacker was cold and matter-of-fact, like a card index.***He continued to crank with agonized face. In the course of a few minutes, sounds of a terrific disturbance came from inside the car. Still, like a hurdy-gurdy musician, the man cranked."I say," Minot inquired, "has your machine got the Sextette from Lucia?""Well, there's been a lot of things wrong with it," the man replied, "but I don't think it's had that yet."[Cf. Cranking a Metz engine as as musical effect, seen recently in another snippet from this same era (ca. 1914).]***The dimple, in repose now, became the champion dimple of the world.***And, every few feet, Mr. Minot came upon "The Oldest House in San Marco."[Btw, this fictional town of San Marco, Florida, seems from various clues to probably be based on St. Augustine.]***Miss Meyrick presented her father and her aunt, and that did not tend to lighten the formality. Icicles, both of them, though stocky puffing icicles.***"Ever hear of Cotrell's Ink Eraser? Nothing ever written Cotrell can't erase. Will not soil or scratch the paper. If the words Cotrell has erased were put side by side—"[later]"I rigged up a big electric sign in Times Square and all night long I had an electric Cotrell's erasing indiscreet sentences."***"Her lines are good, but somehow—it's really a great problem to me—she doesn't sound human and natural when she gets them off. I looked up her beauty doctor and asked him if he couldn't put a witty gleam in her eye, but he told me he didn't care to go that far in correcting Mrs. Bruce's Maker."[Btw, the speaker is a hired wit who "ghostwrites" repartee for a society lady. Then--precursing my short story "Get It in Writing," in which the protag finds himself concurrently ghostwriting memoirs for two rival artists--the hired wit takes on another client, who is the chief social rival of the first. (Then, on the evening they're going head-to-head [SPOILER], he accidently gives them both the same script!)]***Minot hesitated. Ought he to leave the scene of action? Of action? He glanced about him. There was less action here than in a Henry James novel.***"I can talk as we walk along," said Trimmer, and proved it.***"One condition I attach. Ask no questions. Let us go out into the night unburdened with your interrogation points."***"What is this—a comic opera or a town? You are managing editor, Harry. I shall be city editor. Is there a city to edit? No matter."***"Don't look a gift bill in the treasury number."***He wore an orange and purple dressing-gown with a floral design no botanist could have sanctioned—the sort of dressing-gown that Arnold Bennett, had he seen it, would have made a leading character in a novel.***A deathly silence fell. Only a little traveling clock on the mantel was articulate.***
|

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From The Land of Oz by L. Frank Baum and illustrated by John R. Neill, 1904.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"He laughed until laughing became an agony and he could hardly draw his breath." From Scoops, 1934.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The unexplained: A month later, town starts to settle down." Via UFO Newsclipping Service, 2008.
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From Sad Fate of Poor Robin, 1870.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Purple Parrot, 1930.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Blackstone College's 1927 yearbook.
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A surprisingly poor rotatable face. From Black and White Budget, 1899.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Purdue University's 1953 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Henderson College's 1908 yearbook.
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From Wesleyan College's 1935 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Swarthmore's 1909 yearbook.
|

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"Ever have it?" From the Duluth Evening Herald, 1901.
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From Case School of Applied Science's 1942 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals, 1959.
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"Today's teenagers, yesterday's flappers: there's not much difference!" From The Australian Women's Weekly, 1967.
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From The Story of Mankind by Hendrik Willem Van Loon, 1923. (So many inaccuracies in this book, but then again history books have always offered the most fiction.)
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"So much to think about." From The Gateway, 1968.
|

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From Purple Parrot, 1923.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Wake Forest's 1913 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Moving Picture World, 1923.
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From Susquehanna University's 1985 yearbook.
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"It happened slowly, in the quiet and the dark when no one was aware." From the College of William and Mary's 1971 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the University of Alberta's 1948 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Swarthmore College's 1925 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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unearths some literary gems.
More snippets from The Idler (1892-1893):
***Now, to be thoroughly up to date, the worthy Blackpoolers are actually erecting two Eiffel Towers. The holiday-maker who can't be happy with a choice of two Eiffel Towers must be hard to please indeed. [G. R. Sims]***A running refrain of "bosh!"--"pooh!"--"fiddle-de-dee!" occupy the remainder of the evening.***
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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From The Children's Newspaper, 1927.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Home Words for Heart & Hearth by Charles Bullock, 1898.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"No one hurt. Crazy woman escapes but is captured before doing harm." From the Duluth Evening Herald, 1901.
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Here's a great example of how calligraphy and peacock feathers can make the horror of life easier to look at. From The Horror of Life by Roger Lawrence Williams.
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I see two facial profiles in the nearest cliffs. From Northland Trails by Syndey Ells, 1900.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Wake Forest's 1913 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana State Normal School's 1916 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Colorado College's 1917 yearbook.
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From Motion Picture Classic, 1919.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Emory University's 1940 yearbook.
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"The wooden horse on the battlemets of Thionville." From Chatterbox, 1888.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Rockford College's 1909 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Southern Methodist University's 1939 yearbook.
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"Almost strangled to death by a ghost." From the Bombay Sunday Chronicle, 1935.
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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals, 1916.
Answers: 1. M on goo's = mongoose. 2. Fly in G + S + quire + L = flying squirrel. 3. I becks = ibex.
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From Guidebook to Accompany The New People and Progress by Gray, Monroe, Artley, et al., 1950.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From The Record Changer, 1951.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Beloit College's 1895 yearbook.
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From Purple Parrot, 1929.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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A sword of cotton and a sword of wool. From Lowell Textile School's 1912 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Putting on airs." From Indiana State Normal School's 1916 yearbook.
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From Lees-McRae's 1961 yearbook.
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"Why Leo was called home." From The Instructor, 1931.
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Ghost hands. From the College of William and Mary's 1971 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the University of Akron's 1975 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Flora Stone Mather College's 1928 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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unearths some literary gems.
From a Benchley column in Vanity Fair, Feb. 1915:
That's the trouble with having a play in which there are no characters, there is no one to answer the telephone.
***
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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Today's tiny cows are from Trampolines by Thorn & Irwin, 1978.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Temporal anomaly investigator Jordan Green shares a Before & After of an anomalous clock tower whose statue lost a sword. "On April 3, 2013 the statute on top of the Blue Earth County Courthouse [Mankato, Minnesota] turned to the north by about a 1/4 turn and dropped its sword into the courthouse lawn."
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"The Beast of Apocalypse." From KPFA Folio, 1967.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Clarion State's 1925 yearbook.
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From Moving Picture World, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Conformity to a stereotyped image?" From Montana State University's 1970 yearbook.
|


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From the University of Tennessee, Knoxville's 1922 yearbook.
|

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"Many of the cup-like craters of the moon have walls that rise two miles high." From Other Worlds Than This by Elena Fontany and illustrated by John Dukes McKee, 1930.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Flora Stone Mather College's 1928 yearbook.
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"Of things I speak or things I write, I care not what you say." From Switch Lights by Ed. W. Sheasgreen, 1902.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Indiana Technical College's 1976 yearbook.
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"Thought he was dead." From the Duluth Evening Herald, 1908.
|

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From Indiana University's 1932 yearbook.
|


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From Park College's 1956 yearbook.
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"The brave heart of pussy-by-the-fire." From The Children's Newspaper, 1927.
|

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From North Carolina College of Agriculture and Mechanic Arts' 1905 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Lowell Textile School's 1912 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Where is goodness?" From The Instructor, 1962.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Memphis State University's 1973 yearbook.
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"The stompers say it's terrific fun to do." From The Australian Women's Weekly, 1963.
|

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From Indiana University's 1927 yearbook.
|

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From The Brownie Handbook (Canada).
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Butler College's 1899 yearbook.
|

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From Motion Picture Classic, 1916.
|

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From College of Industrial Arts' 1917 yearbook.
|

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Today's tiny trousers are from Lindenwood Tales by Marguerite Behman and illustrated by H. C. Meyer, 1921.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Mars Hill College's 1928 yearbook.
|

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"SIN: Sound Is Nothing (without Craig)." From Kansas State Collegian, 1968.
|

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From Medical College of Virginia's 1923 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Mansfield State Teachers College's 1928 yearbook.
|

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From Preparatory Book To Accompany Down Our Street by Gates, Huber & Peardon, 1939.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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|
 |
 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Have some courage, gentlemen!" From The New York State Exhibitor, 1933.
|

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From the University of Detroit's 1963 yearbook.
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*Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out. |
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INSTRUCTIONS: Click to put the illustration onto the book cover. From Horses I've Known by Will James. 
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"Some things shouldn't change." From Missouri Southern State University's 1983 yearbook.
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From Dry Goods Review, 1914.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From East Texas State's 1940 yearbook.
|

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"Lost hours on a weird car journey." Via BUFORA Newsfile, 2007.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Taylor University's 1947 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
unearths some literary gems.
From "At Isham's," by Edward C. Venable:
[Twinkle, Twinkle...]Twinkle02Twinkle01
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"The man who slows down, goes down." From The Duluth Evening Herald, 1915.
|

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From Wheaton College's 1931 yearbook.
|

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From The Golden Legend by Henry Wadsworth Longfellow and illustrated by Sidney H. Meteyard, 1914.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Presbyterian College of South Carolina's 1901 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From A Vocabulary First Reader Workbook for Round About by Mabel O'Donnell, 1936.
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"Can a person really change?" From The Instructor, 1961.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Stories Old and New, Book One by F. C. Biehl.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Moving Picture World, 1919.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
If you have a strange dream to share, send it along! |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Life shouldn't be more like the movies." From The Purple Parrot, 1947.
|

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From Weber's 1918 yearbook.
|

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From Black and White Budget, 1900.
|

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From the University of Bridgeport's 1960 yearbook.
|

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"Headaches, lassitude and debility can only be cured by removing the cause." From The Bombay Chronicle, 1937.
|

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From West Virginia Wesleyan College's 1929 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Barnard College's 1903 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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|
 |
 |
Here's our remix with vocals of Hawaii's rare and wonderful Wunderfish (hit him up on Spotify):
|

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"The lament of a forsaken cat." From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals, 1899.
|

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"Nonsense older than the name of a planet." From The Children's Newspaper, 1929.
|

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The candy dog. From Easy Growth In Reading Workbook to Accompany I Know a Secret by Hildreth, Roy, Felton, Henderson & Meighen, 1940.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"They gave me freedom — to be a nothing." From The Australian Women's Weekly, 1968.
|

 |
"Can man survive?" From East Carolina University's 1971 yearbook.
|

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From Hahnemann Medical College's 1907 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From North Central College's 1924 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Georgetown College's 1920 yearbook.
|

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From Lamaism by L. Austine Waddell, 1934.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Roberts Junior College's 1946 yearbook.
|


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Pawed by a kitten for his official yearbook portrait. From Tufts University's 1976 yearbook.
|

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From The Psychiatric Bulletin, 1960.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Milwaukee Downer College's 1930 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
"He offended vicariously." From the Duluth Evening Herald, 1914.
|

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From Beloit College's 1892 yearbook.
|

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"I was on top of a tornado." From Improvement Era, 1944.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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"Would-be hermit." From the Bombay Sunday Chronicle, 1949.
|

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From East Texas State's 1940 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From the University of Rhode Island's 1922 yearbook.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From James Millikin University's 1927 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
"On edge." From Motion Picture Classic, 1929.
|

 |
From Henderson College's 1906 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Ohio State University's College of Medicine's 1964 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From St. Louis University's 1935 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


 |
From Goshen College's 1920 yearbook.
|

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From The Children's Newspaper, 1927.
|

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From Elon's 1920 yearbook.
|

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From Discovering Our World by Beauchamp, Melrose & Blough, 1937.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


 |
From The Moving Picture World, 1920.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Weber's 1918 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
"'The average egg' ... it turned out to be an alligator." From The Instructor, 1964.
|

 |
Memories of college. From Olivet Nazarene's 1974 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Calvin College's 1953 yearbook
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Flora Stone Mather College's 1928 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
unearths some literary gems.
From Pierre Vintonwitherspoon02witherspoon01, by Edward C. Venable
|

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I Found a Penny Today, So Here's a Thought |
(permalink) |
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|

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"How I hate to tackle this." From Winthrop University's 1918 yearbook.
|

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"I couldn't get on with my Mother-in-Law. I felt she was trying to break up my marriage." From The Australian Women's Weekly, 1946.
|

 |
From Chicago Normal College's 1927 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Indiana University's 1932 yearbook.
|

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"Six husbands claim woman. Disguised in overalls and sweater, gives all the slip." From the Duluth Evening Herald, 1908.
|

 |
From Southern Illinois University at Carbondale's 1962 yearbook.
|

 |
From My Practice Book For Me Level 2 by Thorn, McCreary-Juhasz, Smith, Munroe & Richmond, 1966.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


 |
Here's a sentence diagram that's a precursor to Lars Von Trier's Kingdom series. From Grammar for Composition by C. H. Ward, 1933.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
"The courage of two cats facing death for others." From The Children's Newspaper, 1927.
|

 |
From Elementary Science by Grades Book Three by Ellis Persing and Elizabeth Peeples, 1928.
|

 |
From Hampden-Sydney College's 1907 yearbook.
|


 |
From the University of Bridgeport's 1960 yearbook.
|

 |
From The Instructor, 1967.
|

 |
The caption explains that he's accusing himself. From Presbyterian College's 1980 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From University of Saskatchewan's 1961 yearbook.
|

 |
I Found a Penny Today, So Here's a Thought |
(permalink) |
 |
 |
 |
|

 |
From Indiana Technical College's 1976 yearbook.
|

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From Fame and Fortune Weekly, 1907.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Clarion University's 1989 yearbook.
|

 |
"Eat foods you crave." From The Duluth Evening Herald, 1908.
|

 |
"Those scampering, life-shortening days, and contrasty op-art hours rest easy and now heavy on our minds." From Walla Walla College's 1970 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
"Man Woman Child Infinity God ?" From the North Carolina Baptist Hospital School of Nursing's 1972 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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|
 |
 |
Here's a precursor to the sandworms of Frank Herbert's Dune. From Number Stories Book 2 by Studebaker, Findley, Knight & Gray, 1942.
|

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From Brownie and His Friends by Gates & Karabin, 1940.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Histoires et Contes Amusants by Joseph Edgar Poirier, 1950.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
"Dark world in a cold grey light." From The Gateway, 1966.
|

 |
From the University of Bridgeport's 1960 yearbook.
|

 |
From Lighted Pathway, 1948.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Johns Hopkins University's 1898 yearbook.
|

 |
From The Moving Picture World, 1920.
|

 |
From Henderson-Brown College's 1913 yearbook.
|

 |
"I hate taking the car to be greased!" From Improvement Era, 1938.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lebanon Valley College's 1928 yearbook.
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From Wheaton College's 1963 yearbook.
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"The dear monster: portrait of Germany." From the Bombay Sunday Chronicle, 1939.
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"Diversions no longer mean anything, life itself is disgusting, the struggle of existence meaningless." From University of North Carolina at Chapel Hill's 1967 yearbook.
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From Park College's 1926 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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These places are all within a few miles of each other in Western Massachusetts. [Via temporal anomaly investigator Jonathan Caws-Elwitt]
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"Everybody suffering." From The Children's Newspaper, 1925.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"An uneasy feeling." From The Duluth Evening Herald, 1903.
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From Hampden-Sydney College's 1907 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Weber's 1918 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Loyola University's 1927 yearbook.
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"I had an alien's baby." Via BUFORA Newsfile, 1997.
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From West Georgia's 1934 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lees-McRae College's 1984 yearbook.
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"Why am I here?" From The Instructor, 1959.
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From Hiram College's 1896 yearbook.
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From Missouri Southern State University's 1992 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From Our Mr. Wrenn, by Sinclair Lewis:
***The April skies glowed with benevolence this Saturday morning. The Metropolitan Tower was singing, bright ivory tipped with gold, uplifted and intensely glad of the morning. The buildings walling in Madison Square were jubilant; the honest red-brick fronts, radiant; the new marble, witty. The sparrows in the middle of Fifth Avenue were all talking at once, scandalously but cleverly.***“You’re the brother-in-law to a wise one,” commented the Brass-button Man.[This seems to be a compliment, meaning "you're smart to do that." But the only Google Books results for the phrase come from this very line in this very novel.]***A day of furtive darts out from his room to do London, which glumly declined to be done.***[Punctuation Marks Bearing the Full Burden dept.]“And how do you place Nietzsche?” she gravely desired to know.“?”“Nietzsche. You know—the German humorist.”***"I think I’ll go back to Paris. There even the Interesting People are—why, they’re interesting."***"There’s tea at five dollars a cup that they advertise is grown on ‘cloud-covered mountain-tops.’ I suppose when the tops aren’t cloud-covered they only charge three dollars a cup."***[Culteranismo dept.]"That’s playing. With words. My aged parent calls it ‘talking too much and not saying anything.’ Note that last—not saying anything! It’s one of the rules in playing that mustn’t be broken.”He understood that better than most of the things she said. “Why,” he exclaimed, “it’s kind of talking sideways.”***“And eat them without buttering your nose. For if you butter your nose they’ll think you’re a Greek professor. And you wouldn’t like that, would you, honey?”***He ate his dinner with a grave courtesy toward the food and the waiter. He was positively courtly to his fork.***Yet when dear Carson had jauntily departed, leaving the room still loud with the smack of his grin, Istra seemed to have forgotten that Mr. Wrenn was alive.***The Aengusmere Caravanserai is so unyieldingly cheerful and artistic that it makes the ordinary person long for a dingy old-fashioned room in which he can play solitaire and chew gum without being rebuked with exasperating patience by the wall stencils and clever etchings and polished brasses. It is adjectiferous. The common room (which is uncommon for [a] hotel parlor) is all in superlatives and chintzes.***"Now do tell us all about it, Mr. Wrenn. First, I want you to meet Miss Saxonby and Mr. Gutch and dear Yilyena Dourschetsky and Mr. Howard Bancock Binch—of course you know his poetry.”And then she drew a breath and flopped back into the wing-chair’s muffling depths.***“Gee! I talked to that omelet Berg’ rac like I’d known it all my life!”***Mrs. Arty—Mrs. R. T. Ferrard is her name, but we always call her Mrs. Arty.***The profusion of furniture was like a tumult; the redness and oakness and polishedness of furniture was a dizzying activity.***A general grunt that might be spelled “Hmmmmhm” assented.***"I’m getting sick of Paris and some day I’m going to stop an absinthe on the boulevard and slap its face to show I’m a sturdy moving-picture Western Amurrican."***Setting up his box stage, he glued a pill-box and a match-box on the floor—the side of the box it had always been till now—and there he had the mahogany desks. He thrust three matches into the corks, and behold three graceful actors—graceful for corks, at least.***"Where’s N? Oh, how clever of it, it’s right by M."***Besides, it wasn’t as if he were engaged to Nelly, or anything like that. Besides, of course Istra would never care for him. There were several other besideses with which he harrowed himself while trying to appear picnically agreeable.***
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From St. Nicholas magazine, 1916.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This Terrible Problem That Is the Sea |
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,( ,( ,( ,( ,( ,( ,( ,( `-' `-' `-' `-' `-' `-' `-' `-' ` "The sea is a cruel mistress. Yet again the sea has behaved unconscionably. It's time to address this terrible problem that is the sea." —Captain Neddie, from the hilarious BBC series Broken News |
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"Vision of the unseen shore." From the Bombay Sunday Chronicle, 1949.
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Disciplinary masks of New Guinea, from Masks and Demons by Kenneth Macgowan, 1923.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From More Fables of Aesop.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Postman, pass me by!" From Lighted Pathway, 1948.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Oh, that's a joke, son!" From Simmons College's 1947 yearbook.
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From Amazing Stories, 1927.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Weber's 1918 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Loyola University's 1927 yearbook.
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"Anything can happen." From Purple Parrot, 1939.
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From Colorado College's 1967 yearbook.
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"To hide his long ears his hatter advised him to wear large lats." From Chatterbox, 1921.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Cincinnati's 1920 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I miss the simple things." From The Australian Women's Weekly, 1962.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From Dartmouth's 1895 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hampden-Sydney College's 1907 yearbook.
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From Purple Parrot, 1942.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Today's monkey listening to the radio within a leaf is from Elmhurt College's 1926 yearbook.
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From Life magazine, 1884.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Johns Hopkins University's 1898 yearbook.
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From The Moving Picture World, 1920.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Mississippi State University's 1981 yearbook.
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That feeling of being pulled backwards through a hedge. From The Book of Betty Barber by Maggie Browne and illustrated by Arthur Rackham, 1914.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Boney boy, boney boy, won't you be my boney boy?" From Saint Francis College's 1940 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Purdue's 1908 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Animals, superstitions, and toothaches." From the Massachusetts Society for the Prevention of Cruelty to Animals's Our Dumb Animals, 1947.
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unearths some literary gems.
From Personal Pleasures, by Rose Macaulay:
We tire the stars with talking and send them down the sky; the stars, and the moon, and all the celestial bodies, for they have no arm-chairs.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From St. Nicholas magazine, 1916.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"There's only one of you." From The Children's Newspaper, 1936.
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From Home Words for Heart & Hearth by Charles Bullock, 1900.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hampden-Sydney College's 1907 yearbook.
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"The valley of dreamy silence became the threshing-floor of shrieking death." From Lighted Pathway, 1951.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Seeing triple. From Wittenberg's 1930 yearbook.
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An illustration from an 1895 issue of Harper's magazine. The caption reads: "The fairy tree."
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Akron's 1921 yearbook.
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From King Time by Percy Keese Fitzhugh, 1908.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Saint Francis College's 1940 yearbook.
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"Dr. Johnson and his cat." From Chatterbox, 1888.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the Peace Institute's 1906 yearbook.
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From Lindenwood Tales by Marguerite Behman and illustrated by H. C. Meyer, 1921.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ball State University's 1937 yearbook.
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"Emotionally induced illness." From The Instructor, 1955.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Newton Junior College's 1962 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hamilton College's 1878 yearbook.
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"Hold your money." From The Bombay Chronicle, 1947.
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From Myself and I by Helen Van Valkenburgh and illustrated by Maginel Wright Enright, 1918.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"You see ... it's really all very simple." From Purple Parrot, 1939.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Queen's University's 1962 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The faux 3D effect of this photograph may facilitate a time travel experience. From Wittenberg's 1930 yearbook.
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From the rare A Choice of Magic by Ruth Manning-Sanders and illustrated by Robin Jacques.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Swarthmore College's 1916 yearbook.
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"They couldn't stop the Lord's potatoes." From The Instructor, 1959.
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From Salinas Junior College's 1937 yearbook.
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"Horse-faced people." From Chatterbox, 1889.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tufts University's 1977 yearbook.
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INSTRUCTIONS: Click twice to cartoon the circles. From the Duluth Herald, 1910. 
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unearths some literary gems.
A few bits from George Jean Nathan:
[Most of these are from a theater column called "The Pantaloon Parnassus"! I would say "Puppy-Cow" raises more questions than it answers. (Can we connect the dots to little do[g]ies? Or to the Mac Classic dogcow?)]
It may be described as a Fokine ballet without dancing.
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"While you are seated at the Table, arrange to have several Human Reptiles in glistening Frock Coats come up and furtively submit for your approval the kind of Photographs that no man who expected to drop dead would care to have on his Person." From Hand-Made Fables by George Ade and illustrated by John T. McCutcheon, 1920.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Chicago Normal College's 1927 yearbook.
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From The Improvement Era, 1964.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
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"Say, is that the moon rising over there?"
"I'm sure I don't know. I'm a stranger here myself."
—Purple Parrot, 1923.
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"& this too shall pass away." From Wisconsin State College at Eau Claire's 1959 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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An usual twist on Baby New Year and Father Time, making them a Freshman and Senior, with graduation likened to death. From Millsaps College's 1920 yearbook.
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"There's no present like the time!" From The Goblin, 1925.
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An official portrait from Susquehanna University's 1978 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Swarthmore College's 1916 yearbook.
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Temporal anomaly investigator Plbmak spotted this time warp at the Majestic cinema in Kings Lynn, England. The anomaly, of course, is courtesy of the timelessness of film. As film critic Vertigo's Psycho has said, " due to the timelessness of film, I can still pass many hours transfixed."
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From the Peace Institue's 1905 yearbook.
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If you have a strange dream to share, send it along! |
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"Morning is tolerant of the gray brick." From Northeastern University's 1967 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ohio State University's College of Medicine's 1964 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ohio University's 1910 yearbook.
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"Grim fate trails luckless family. Five members killed in auto crash and rescue car is wrecked later." From the Duluth Evening Herald, 1909.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Don't ever marry." From The Moving Picture World, 1920.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Purple Parrot, 1923.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Broome Technical Community College's 1966 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Colorado College's 1932 yearbook.
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From House Scraps by G. Duckworth Atkin and illustrated by Geo. Cruickshank, F. C. Gould, and Lucien Davis, 1887.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Swarthmore College's 1916 yearbook.
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From Florida Southern College's 1979 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From West Virginia Wesleyan College's 1911 yearbook.
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From Kladderadatsch, 1924.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Flora Stone Mather College's 1928 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1932 yearbook.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
 |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"'Just mental balance,' he observes. 'The balance of my perfect nerves.'" From The Children's Newspaper, 1930.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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|

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From Motion Picture News, 1916.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Gad! Another sleepless night." From Purple Parrot, 1942.
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"It is with feelings not unmixed with sadness." From Butler's 1891 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the University of Toronto's 1913 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Florida Southern College's 1979 yearbook.
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"All having troubles." From the Duluth Herald, 1912.
|

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From Hampden-Sydney College's 1908 yearbook.
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Kansas State Agricultural College's 1926 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From "Fifth Avenue," by Edgar Saltus (Dress & Vanity Fair, Sept. 1913)
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Ohio State University's College of Medicine's 1952 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"To be fashionable, women this fall must look old-fashioned. The wide skirt has returned at last, along with billows, frills, and flares." From The Duluth Evening Herald, 1914.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
 |
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The only way out is:
- through dreams of flying
- to develop a ‘whatever’ mentality
- to always ask why
- to roll a 1 on another turn
- to lie in it
- back the way you came
- to surrender
- a long, hard climb
- to pick up the pieces and move on
- inside a bottle
- through the valve of the cocoon
- to fine-tune the corrections
- a total and complete disclosure of who we are and what we’ve done
- in or within or down or up or through
- to run
- to train the mind to take refuge in the present
- a small hole
- through the killer ants
- to buckle down this storm
- to be transferred
- to come undone
- to go back and restore the old order
- to get out of the way
- to impose appropriate constraints
- to watch it pass through
- to take the demon's tower challenge
- on a stretcher
- saying rhymes
- rebirth
- to crawl up the other side and through a small opening under the stigma
- to grin and giggle and repeat the same old jokes over and over again
- to discard the doctrine
- to forgive and keep forgiving until there is nothing left in that place but compassion and understanding
- a gift from the gods
- being made plainer every day
- either to declare ourselves in crisis, go crazy, or diligently dedicate ourselves to the task of finding our own emancipation
[Tidbits gathered through the course of our search. See Bullet Lists.]
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"Just going for a magazine, dear." From Purple Parrot, 1942.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"This is a cigarette smoking machine. Disease doesn't affect it." From Queen's University's 1962 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This is why it's difficult to see stars in big cities. From the University of Arkansas' 1936 yearbook.
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From Black and White Budget, 1902.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Swarthmore College's 1916 yearbook.
|


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From Birmingham-Southern College's 1931 yearbook.
|

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From The Film Daily, 1939.
|

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From Indiana University's 1897 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the University of Arkansas, Fayetteville's 1927 yearbook.
|

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From Snickerty Nick by Julia Ellsworth Ford and illustrated by Arthur Rackham, 1919.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Indiana University's 1896 yearbook.
|

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"Isolation Peek." From Toike Oike, 1955.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Men[']s vigilance committee." From the University of Cincinnati's 1920 yearbook.
|

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From Mother Goose's Nursery Rhymes (Routledge, 1877).
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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"Why we must watch the black rat." From The Children's Newspaper, 1920.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
A hallucination flower so real-looking that even flies are fooled by a photograph of it. From Swarthmore College's 1916 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From St. Joseph's College for Women's 1925 yearbook.
|

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From The Wind Wagon by David Cory and illustrated by P. H. Webb, 1923.
|

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From Baylor University's 1918 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Salem College's 1950 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


 |
From Western Illinois State Normal School's 1907 yearbook.
|

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From The Kodak Magazine, 1920.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From The Australian Women's Weekly, 1967.
|

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From Lebanon Valley College's 1919 yearbook.
|

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"Is cosmic travel possible?" From the Bombay Sunday Chronicle, 1949.
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Original Content Copyright © 2025 by Craig Conley. All rights reserved.
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