CRAIG CONLEY (Prof. Oddfellow) is recognized by Encarta as “America’s most creative and diligent scholar of letters, words and punctuation.” He has been called a “language fanatic” by Page Six gossip columnist Cindy Adams, a “cult hero” by Publisher’s Weekly, a “monk for the modern age” by George Parker, and “a true Renaissance man of the modern era, diving headfirst into comprehensive, open-minded study of realms obscured or merely obscure” by Clint Marsh. An eccentric scholar, Conley’s ideas are often decades ahead of their time. He invented the concept of the “virtual pet” in 1980, fifteen years before the debut of the popular “Tamagotchi” in Japan. His virtual pet, actually a rare flower, still thrives and has reached an incomprehensible size. Conley’s website is OneLetterWords.com.
Here are two precursors to Citizen Kane. The first caption reads, "'Who is Rosebud?' he asked" ("A Treacherous Calm" by Thomas Keyworth, in Cassells, 1887). The second caption reads, "It was only when he had opened the door that he realized what he had lost in his broken Rosebud" (Thrilling Life Stories for the Masses, 1892).
Did you know the everyman John Doe shortened his name when he immigrated (as did John Q. Public, who was originally of the proud Publicus line)? We find John Doughgob's original signature in The American Legion Weekly, Dec. 23, 1921.
An illustration from The Blue Poetry Book by Andrew Lang (1891). The caption reads: "Or is that sound, betwixt laughter and scream, The voice of the Demon who haunts the stream?"
Here's a precursor to the 1927 film It, with Clara Bow as the "it girl." Our illustration is by L. Hurley for The Echo yearbook of Greensboro College, 1921. (For some unbelievably weird yearbook imagery, see our How to Hoodoo Hack a Yearbook.)
At the end of The Maltese Falcon, the priceless statuette is at large. But did you know it ended up at stately Wayne Manor? Our proof appears in episode 22 of Batman. This is perhaps not so very surprising, as "the world of The Maltese Falcon is similar to that of the TV version of Batman and Robin" (John Docker, Postmodernism and Popular Culture, 1994).