Found 34 posts tagged ‘stage magic’ |
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Here's a magic word that is not in Magic Words: A Dictionary. From Fliegende Blätter, 1940. Speaking of gas candelabras, in the mid-1940s, the American Gas Association advertised "the magic flame that will brighten your future."
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Restoring the Lost Sense –
February 18, 2018 |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Restoring the Lost Sense –
February 17, 2018 |
(permalink) |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Restoring the Lost Sense –
November 14, 2017 |
(permalink) |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Restoring the Lost Sense –
November 8, 2017 |
(permalink) |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Restoring the Lost Sense –
February 26, 2017 |
(permalink) |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Restoring the Lost Sense –
May 29, 2016 |
(permalink) |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought –
October 2, 2008 |
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The documentary Women in Boxes, spearheaded by Blaire Baron Larsen, is a springboard for pondering the deeper significance of magicians placing their assistants in boxes. As performers, the duos likely have no idea what archetypal stories they're playing out. But something profound is going on, in light of the renowned psychologist Erich Neumann, a trailblazer in feminine psychology and the Great Mother archetype of world mythology. Applying Neumann's insights to stage magic, the prototypical female assistant symbolizes the anima -- that part of the psyche connected to the world of the subconscious -- the soul, if you will. The anima can be human or animal (hence the great tradition of women magically transforming into tigers). The prototypical male magician symbolizes the hero archetype on a quest toward individuality. In order to be truly creative, the magician's masculine world of ego consciousness must make a link to the feminine assistant's world of the soul. Through "sawing a lady in half," the magician tries to divide the anima, not so much to conquer her but to understand her like a scientist. He tries to contain the anima in a box, not to imprison her but to accommodate, encompass, and give definite form to her curvaceous amorphousness. Indeed, there's nothing inherently "sexist" about the roles of stage magician and assistant; the two form a single personality struggling to become integrated. (Read more of Neumann's wisdom in his indispensable The Origins and History of Consciousness. Here's a link to Camille Paglia's profile of Neumann).
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Original Content Copyright © 2025 by Craig Conley. All rights reserved.
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