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Seven sisters wander through the echoing crypts of a castle, opening four hundred doors in their search for daylight; in one locked door they find a golden key but, afraid to open it, they knock instead: an illustration by Charles Doudelet for Maurice Maeterlinck's "Three Songs," reproduced in The Critic (1902).
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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