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| I Found a Penny Today, So Here's a Thought |
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Groovy Doctor Macaulovich makes contact with a UFO and learns the secret of their mission.
Parody analog horror meets 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings) in the web series Grave Mood Rings. It pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From I Know a Secret by Hildreth, Felton, Henderson & Meighen, 1940.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Today's parachuting lemon crying "Taste the fruit!" is from The Children's Newspaper, 1938.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Restraints and conventions — why?" From Improvement Era, 1933.
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"Journey to an afterlife." From the University of North Carolina at Charlotte's 1985 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Santa Monica College's 1933 yearbook.
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From Snickerty Nick by Julia Ellsworth Ford and illustrated by Arthur Rackham, 1919.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Guess what? There are heaps of slick new things." From Marion College's 1946 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Dress changes manners" (Voltaire). From Rockford College's 1929 yearbook.
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From Purple Parrot, 1926.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Diwali Malar magazine, 1946. (Our restoration, as per usual.)
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Toledo's 1922 yearbook.
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From Mother Goose's Nursery Rhymes (Routledge, 1877).
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ohio University's 1929 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"A single hair annoyed him." From Life magazine, 1916.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Youth's Companion, 1927.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Elson-Gray Basic Readers, Book Six, 1936.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The F-U-N Book for Canadian Boys and Girls by Mabel Guinnip LaRue and illustrated by Maud & Miska Petersham, 1930.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Bradley Polytechnic Institute's 1924 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Instructor, 1950.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Greensboro College's 1927 yearbook.
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"She is puzzled. Can't make uot some things satisfactorily." From the Duluth Herald, 1906.
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From the University of Arkansas' 1943 yearbook.
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From St. Nicholas magazine, 1888.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Wheaton College's 1967 yearbook.
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From Phil May's Illustrated Winter Annual, 1896.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Earlham College's 1929 yearbook.
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"Better cows reach their new home." From Improvement Era, 1943.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From All Done By Kindness, by Doris Langley Moore:
"I am not likely to be influenced by the views of Mrs. This or Mrs. That."
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From Greensboro College's 1935 yearbook.
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From Robin Hood, illustrated by Edwin John Prittie, 1923.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From Elizabethtown College's 1938 yearbook.
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From The (Berkeley) Wizard, 1937.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Southern Methodist University's 1930 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Purdue University's 1929 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Salem College's 1922 yearbook.
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"Letter slept 22 years in Mesico. Long siesta in the Land of Tomorrow has ended." From the Duluth Herald, 1906.
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From Wheaton College's 1967 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Swarthmore College's 1888 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1902 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Here we have the charming Professor Oddfellow. He always appears to be in some sort of purgatorial void. Clearly it must be a beneficent plane, and he its sole black clad mark, where he becomes the emissary vessel of such brilliant and astounding obscurities." —John Dimes
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From The Adventures of Pinocchio by Emily Gray, 1911.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From the College of William and Mary's 1917 yearbook.
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From Wake Forest College's 1921 yearbook.
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The angel of the presence of unity, from The Crown Diamond of the Believers' Tree of Life by Bora ben Elazar, 2013.
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Likely a stylized basketball, but at first glance we thought it was a spiritual evocation. From Chicago Teacher's College's 1954 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Salem College's 1922 yearbook.
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A cat mother to ducklings. From St. Nicholas magazine, 1888.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Akron's 1921 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Western Illinois State Normal School's 1907 yearbook.
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"UFOs & monsters plague the 'Michigan Rectangle.'" From Weekly World News, 1981.
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From Tulane University's 1899 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From "Iceland Summer," by Bill Noble:
She proclaimed something remarkably like "Fender rumpus room!"
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"The realm we have not seen." From Improvement Era, 1946.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From The Mill That Charles Built, A New Game of Forfeits, 1820.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Children's Newspaper, 1927.
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"Where is Mr. Shaw?" From the Bombay Sunday Chronicle, 1947.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From State University of New York Agricultural and Technical College, Farmingdale's 1971 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Southern Methodist University's 1930 yearbook.
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"Still groping in the dark." From the Duluth Evening Herald, 1915.
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From Purdue's 1893 yearbook.
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From Photo-Era Magazine, 1913.
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"Weeks lead to weekends." From East Stroudsburg State College's 1968 yearbook.
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From Logos magazine, 1972.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1948 yearbook.
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"He whirled around, his eyes on the sugar, until he became dizzy." From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals magazine, 1912.
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From The New Liberator Weekly, 1931.
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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Mixing vampire humor and 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings), the web series Grave Mood Rings pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV.
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From Think-and-Do Book to Accompany Friends and Neighbours by Gray & Monroe, 1940.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From My Book About Mary and Bill by Felton & Meighen, 1940.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Grandmother Spider cooking her dinner." From Taytay's Tales by Elisabeth Willis De Huff and illustrated by Fred Kabotie and Otis Polelonema, 1922.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The woman who loved fine things." From The Children's Newspaper, 1924.
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From The Mammoth Story Book, 1902.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A map of Spanish ranchos in southern California. The endpapers from Santa Monica College's 1933 yearbook.
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From the rare The Fireside Sphinx by Agnes Repplier and illustrated by Elizabeth Bonsall, 1901.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Francis threw his other shoe and struck the candle." From St. Nicholas magazine, 1888.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ohio State University's 1916 yearbook.
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"Elvis is dead: why are you alive?" From Brazen Oralities, 1995.
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From Indiana University's 1948 yearbook.
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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals magazine, 1912.
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Memories of college. From Indiana University's 1973 yearbook.
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From Motion Picture Classic, 1920.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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In the 1950s, breakfast was actually in 3-D. From Improvement Era, 1953.
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Children's Newspaper, 1959.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Chicago's 1898 yearbook.
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Jack and the Beanstalk. From St. Nicholas, 1914.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From St. Joseph's College's 1920 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Northwestern College's 1917 yearbook.
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From the Duluth Evening Herald, 1915.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Purdue's 1893 yearbook.
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From Petersons Magazine, 1865.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Arkansas' 1943 yearbook.
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"Peacocks shall bow to you." From the University of Mary Washington's 1927 yearbook.
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From Photoplay Magazine, 1920.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From Smart Set, July-December 1909:
***[Gelett Burgess says, in comparing a character to a portrait of the same character]When the real smile came the picture receded to its frame, sighed and fell asleep.***The air [around the Flatiron Building] was an arrant madcap that day; it blew in six directions at once, like an intoxicated tornado. [Burgess]***She laughed for a full minute by the clock, then reeled to a chair and laughed again. [Burgess]***Mrs. Braxton-Burlap [Burgess]***elaborate epigrams, as carefully worded as a mortgage [H. L. Mencken]***If this dramatists continue playing on New York life much longer, New York life will need a piano tuner to get it back into shape again. [George Jean Nathan]***It is, in brief, not half so bad as the publisher's encomiums lead you to expect. [Mencken]***[The play's] atmosphere is so penetratingly realistic that it makes one feel like putting on a verisimilitude overcoat. [Nathan]***
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From The Magic of Oz by L. Frank Baum and illustrated by John R. Neill, 1919.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Grave Mood Rings is such a wonderfully surreal web series in the Lynchian/Dark Shadows sense. It has quickly become an addiction I long to avoid, simply because I'd go down the proverbial rabbit hole without ever properly seeing the light of day. It's like a fairy dance. Once you've been among them, you'll dance until you die--laughing, or pondering, all at the same time. This is a piece of art inspired by their awe/guffaw inspiring works!" —John Dimes
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"The vice in advice." From McClure's, 1920.
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From My Do and Learn Book To Accompany The Little White House by Ousley & Russell, 1948.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Swallowed by tree." From the Bombay Sunday Chronicle, 1956.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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This illustration from Improvement Era, 1953, invites us to revisit our piece on "The Five Norths of the Left-Hand Path," as featured in Wonderella's Fiddler's Green: Art and Magic for Tea-Drinking Anarchists, Convival Conjurors & Closeted Optimists. Our piece is for those who feel pulled by a force (a love interest, a job opportunity, a future prospect), and we explain how to use the fingers of one hand to determine exactly which of the five norths aligns one's compass so as to best navigate toward a goal.
The Five Norths of the Left-Hand Path
Digital Dowsing for Decision Makers
When one feels pulled by a force (a love interest, a job opportunity, a future prospect), it's best to orient oneself so as to follow a direct path and not stumble. Use the fingers of one hand to determine exactly which of the five norths aligns one's compass. Indeed, there are five norths, and their subtle distinctions can make all the difference in navigating toward a goal. They are:
1. True North
2. Magnetic North
3. Celestial or Astronomical North
4. Grid North
5. Terrestrial North
Stretch out your left arm, hold your hand palm up, and relax your fingers. We use the left hand for two reasons: this mystical technique belongs to the so-called left-hand path of wyrd-ness, and the left hand is associated with holistic, intuitive right-brain functions. Your hand will serve as a dowsing rod of sorts, as you will be attentive to which finger registers a "pull" like a compass needle.
The thumb will register a pull from True North. As a mnemonic, recall the "thumbs up" gesture which indicates your personal approval. True North has to do with the calling of your deepest, truest self — the axis or center-line of your existence. So a pull from True North means that it is not an outside force but rather one's own spirit pulling oneself forward.
The pointer finger will be register Magnetic North. As a mnemonic, recall that we point at what we want, as if to attract it magnetically. The important subtlety here is that a magnetic force attracts its opposite pole. So be mindful that the conflicts you might feel about this magnetic force are not irreconcilable but rather vital to the power of the attraction.
The middle finger will register a pull from Celestial or Astronomical North. As a mnemonic, the middle finger is likely your longest finger and therefore reaches farther into space and toward the pole star. Polaris is aligned with the earth's rotation, and it appears fixed in space as the other stars rotate through the night sky. So this sort of pull relates to an unwavering, guiding, celestial force that is the gate of one's heaven.
The ring finger will register a pull from Grid North. As a mnemonic, relate the fourth finger to the four sides of a square in a grid. This is the north of a map projection, and both of those words are useful to contemplate: something has been mapped out, but every cartographic projection inevitably includes some sort of distortion. So the key is to become aware of what aspects are literally blown out of proportion.
The pinkie finger will register a pull from Terrestrial North (the fixed Geographic North Pole as opposed to the North Magnetic Pole, which varies over time with the earth's wobble). As a mnemonic, think of the little finger as a microcosm of the earth. This sort of pull is mundane and earthbound as opposed to celestial (reaching for the stars). So the question relates to how grounded you are, how set in your ways. (Note: there are those who equate Terrestrial North with True North, but as the sage said, too far east is west.)
We left off with your left hand relaxed and facing palm up. Allow your entire attention to rest in your fingers. Simultaneously feel each finger as it floats in space. Feel the air surrounding each finger, even as you feel the pulse of your lifeblood within. Remain in this state of focused awareness. Either look at your fingers or close your eyes, as you prefer. Wait contentedly for a twitch, or a tingle, or any other feeling or phenomenon in one of your fingers. Like a dowsing rod's activation, that feeling will be your sign as to which of the five norths is guiding your way. Once you have your answer, relax your arm and contemplate the nature of that north according to the mnemonic. If it turns out that the particular north in question doesn't feel like the proper direction for your life path, don't allow yourself to be led astray but rather adjust your course accordingly. We don't wish to stumble disoriented as in a game of Pin the Tail on the Donkey. The truer our alignment, the more efficient our arrival. Why not give yourself a hand along the way?
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From the University of North Carolina at Chapel Hill's 1912 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From James Millikin University's 1914 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the College of William and Mary's 1917 yearbook.
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Via UFO Newsclipping Service, 2002.
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From the University of North Carolina at Chapel Hill's 1905 yearbook.
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From the Duluth Evening Herald, 1915.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Purdue's 1893 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Think you're clever, do you?" From the University of Mississippi's 1947 yearbook.
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From Australian Women's Weekly, 1955.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1948 yearbook.
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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals magazine, 1932.
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From Armour Institute of Technology's 1928 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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Could Grave Mood Rings be realer than the real world? The Dark Showman interviews the Viscount about hyper-reality.
Mixing vampire humor and 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings), the web series Grave Mood Rings pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV.
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From our review of Magnificent Milo, written and illustrated by Joan Balfour Payne (1958).
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The crystal's secret. What is it?" From The Children's Newspaper, 1927.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Another one with funny name." From the Duluth Evening Herald, 1909.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From Illinois State Normal University's 1918 yearbook.
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From Washington College's 1973 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of North Carolina at Chapel Hill's 1905 yearbook.
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From Lamaism by L. Austine Waddell, 1934.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Piedmont College's 1931 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1895 yearbook.
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From St. Nicholas magazine, 1892.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The worst part was not knowing." From Ohio University's 1971 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From Vanity Fair, July-Dec. 1925:
***the red tongue of carpet that a church rudely sticks out at a wedding [Woollcott]***Its enveloping trees are slim exclamation points depending from an astonished sky.***Notes on some of the attachments:Iris literally *is* of the Family Tree, as in the theatrical dynasty bearing the surname Tree.As you may recall, this Prexy Mammon illustration is the second we've seen recently in which a person has numerical features. (But how much is that in vherevithals?)You will no doubt note the "Bruce"-precursing in the "named them both Margaret" business.Unfortunately, the piece printed under the heading "On Combining Tennis and Golf" dealt with athletes keeping both sports in rotation but not, as I'd hoped, literally playing them simultaneously.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Youth's Companion, 1927.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From Elson-Gray Basic Readers, Book One, 1937.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Children's Newspaper, 1920.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Canadian Children's Own Readers 3 by Pennell, Cusack & Macleod, 1900.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Astral world seen in dreams." From the Duluth Evening Herald, 1909.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Freezing all in their tracks, it's the medusalizard. From Wizardry Handbook.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From State University of New York Agricultural and Technical College, Farmingdale's 1971 yearbook.
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From Poets' Wit and Humor by W. H. Wills and illustrated by Charles Bennett and George H. Thomas, 1860.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of North Carolina at Chapel Hill's 1905 yearbook.
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From Lebanon Valley College's 1922 yearbook.
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"Let's look inside and see who is visiting us!" From Clarion Call, 1960.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Watson's Magazine, 1906.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Salem College's 1912 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1947 yearbook.
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From St. Nicholas magazine, 1892.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Pinocchio by C. Collodi and illustrated by Attilio Mussino, 1925.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From American University's 1953 yearbook.
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From the University of North Carolina at Chapel Hill's 1905 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Medical College of Virginia's 1924 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Can't prove God exists, but reason and science point to higher power." From the Duluth Evening Herald, 1914.
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From Oklahoma A&M's 1927 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Peace Institute's 1917 yearbook.
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From The Merry Magazine, 1929.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Mary Washington's 1922 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"A light on a hill can be seen afar." From Manchester College's 1922 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From Death on the Oxford Road, by E. C. R. Lorac:
***[In this twisted cliché, "105" refers to a hypothetical *age*!]"She was about 105 in the shade."***[Plus attachment (incomplete limerick dept.)]
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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***** What is a novelization anyway? A novelization that interrogates the properties of a novelization whilst adapting the scariest TV show ever made that is not in any way scary. In other words, a perfect piece of marginalia on the expanding map of Penetralialand.
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From Dunninger's Complete Encyclopedia of Magic.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From Outdoor Visits by Patch & Howe and illustrated by George Richards, 1935.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's today's animal tea party in the wrong order. From We Can Read Surprises by Gerrard & McInnes, 1965.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Birds fight a rat." From The Children's Newspaper, 1927.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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"I remember the lightning. I remember the thunder. I remember wishing that the whole house would be destroyed. And me with it." From Dark Shadows episode 271.
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From Lebanon Valley College's 1922 yearbook.
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From Beloit College's 1907 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Oklahoma's 1972 yearbook.
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From The Strand Magazine, 1924.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Pennsylvania College for Women's 1915 yearbook.
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From The Century Illustrated, 1883.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Edinboro State Teachers College's 1928 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Is the opposite of "a book within a book" a book outside a book? When HarperCollins published my dictionary of one-letter words, they dismissed its original context as a spinoff of Lewis Carroll's Through the Looking-Glass. It was meant to be the White Queen character's reference manual. Did HarperCollins make the right decision?
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"I can see, said philosopher Blair, a very strange thing in the air. It has wings like a bird, of which I have heard, and a most philosophical stare." From Youth's Companion, 1883.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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An unusual interview with the vampire about whether Grave Mood Rings is actually a comic book disguised as an analog horror comedy tv show.
Mixing vampire humor and 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings), the web series Grave Mood Rings pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV.
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It turns out that "seeing [is] not believing." From The Children's Newspaper, 1937.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lighted Pathway, 1981.
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Cupid as a diver. From Nebelspalter, 1933.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of North Carolina at Chapel Hill's 1905 yearbook.
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| *Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out. |
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"Pays for beer with a potato. Colorado man gets two drinks and one nickel in change." From the Duluth Herald, 1911.
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From St. Joseph's College's 1933 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Mary Washington's 1922 yearbook.
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Today's fairy castle within a soap bubble is from St. Nicholas magazine, 1913.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Purdue University's 1923 yearbook.
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From Photo-Era Magazine, 1915.
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From She, The Woman-Man by Aleta B. Baker and illustrated by Gibbs Mason, 1935. At Archive dot org.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Cockroaches show the way." From The Children's Newspaper, 1925.
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From The Magic of Oz by L. Frank Baum and illustrated by John R. Neill, 1919.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Santa Clara College's 1956 yearbook.
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Moon eggs are laid after the moon builds a nest in your heart. From Improvement Era, 1940.
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From Purdue University's 1924 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"His master's breath." From the University of North Carolina at Chapel Hill's 1905 yearbook. See these other plays on the Nipper dog and " his master's voice."
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Chicago Normal College's 1920 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Phil May's Illustrated Winter Annual, 1896.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"An American novelist trying to acquire the 'grand manner' of his English contemporaries." From Shadowland, 1923.
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From Grove City College's 1983 yearbook.
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"Why girls don't leave home." From Photoplay Magazine, 1920.
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From Washington State University's 1947 yearbook.
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"This gives one creeps. Snake skins are used to hold vases and electric lights. Chamber of horrors in an American house in London." From the Duluth Herald, 1910.
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unearths some literary gems.
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From Grimm's Fairy Tales, translated by Margaret Hunt and illustrated by John Gruelle, 1914.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Black Beauty by Anna Sewell and illustrated by Lucy Kemp-Welch, 1915.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Progressive Road to Reading, Book Two, 1912.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"He, too, doesn't like it!" From the Bombay Sunday Chronicle, 1942.
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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals, 1953.
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Everybody's giving you meaningful looks today. From Emory University's 1987 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lustige Blätter, 1902.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From the University of North Carolina at Chapel Hill's 1905 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It's difficult to make out, but the jester is frying tiny people. From Beloit College's 1907 yearbook.
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At first glance, we thought this was a portable keyhole, and the inventor mentions having lost a keyhole once. But it's actually practical — an illuminated and magnetized key for finding a lock in the dark. The text notes that the inventor looks over his glasses to keep the lenses from wearing out, which sounds silly at first ... until one recalls that some corrective lenses actually do weaken the eyes over time, so avoiding them would in fact lengthen the life of the prescription. As for the claim that the invention also cures hay fever, dusts the piano, makes vacations easy, and does away with sea sickness, we'll give the inventor the benefit of the doubt. From the Duluth Herald, 1911.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From the University of Wyoming's 1969 yearbook.
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From St. Nicholas magazine, 1913.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Chicago State College's 1968 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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"That life is long which answers life's great ends" (F. F. Jewell). From the University of Mary Washington's 1922 yearbook.
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From Armour Institute of Technology's 1898 yearbook.
|
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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From Ghost Stories, 1929.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
| I Found a Penny Today, So Here's a Thought |
(permalink) |
|
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|
Parody analog horror meets 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings) in the web series Grave Mood Rings. It pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
"The man who would be cheerful." From The Children's Newspaper, 1927.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Rinkitink in Oz by L. Frank Baum and illustrated by John R. Neill, 1916.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Arkansas' 1921 yearbook.
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"It's contagious." From Improvement Era, 1966.
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From Beloit College's 1907 yearbook.
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From the Duluth Herald, 1906.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Colorado Woman's College's 1976 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
"Double standards make us cross-eyed." From Indiana University's 1964 yearbook.
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From St. Nicholas magazine, 1892.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
unearths some literary gems.
From Dolly Dillenbeck, by James L. Ford:
[The first version of this book that I was viewing offered only "blank maps" of the illustrations, leaving this promising caption simply that. But I found another version, this one illustration-inclusive. When I glance back and forth from one to the other, it's like she's making herself disappear each time she snaps her fingers.]
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From Advanced Course in Homemaking by Maude Richman Calvert and Leila Bunce Smith, 1939.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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Her eyes are up there. From the University of Arkansas' 1943 yearbook.
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From Moving Picture World, 1922.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From Taylor University's 1948 yearbook.
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"Given last rites by priest who is suing him." From the Duluth Herald, 1910.
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|
From Indiana University's 1902 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From the University of North Carolina at Chapel Hill's 1916 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Hollins College's 1927 yearbook.
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From Improvement Era, 1950.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Syracuse University's 1909 yearbook.
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"All roads led to the eclipse." From The Children's Newspaper, 1927.
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From Armour Institute of Technology's 1913 yearbook.
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From Mr. Whiskers, edited by John McInnes, 1961.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"We are often unable to act on our certainties; our objection to a contrary issue is so strong that is rises like a spectral delusion between us and our certainties." From The Essentials of the English Sentence by Elias H. MacEwan, 1900.
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From Purdue University's 1924 yearbook.
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From the Duluth Evening Herald, 1894.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Barnard College's 1961 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Illinois State Normal University's 1918 yearbook.
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"He does n't like strangers." From St. Nicholas, 1916.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Wisconsin's 1918 yearbook.
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"More spanked against than spanking." From Snickerty Nick by Julia Ellsworth Ford and illustrated by Arthur Rackham, 1919.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The A.S.S.es. From Duke University's 1943 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ohio State University's 1932 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From Cherub Devine, by Sewell Ford:
***Bulkins snorted a fresh appreciation of his own humour, winking roguishly at an astonished broker's clerk who happened to be passing.***The place was all so empty and still! He looked up and down. the long bare veranda, then out across the vividly green lawn. No one was in sight. Behind him were those many darkened rooms from which issued no sounds. The shades of all the front windows were drawn, and the yellow and white awnings masked them still more. It was as if the place had been put to sleep by a mesmerist. He wished he knew how to wake it up.***"It's like playing hide and seek and being it all the time," was his comment.***The Hewingtons, it seemed, were addicted to postscripts.***In fact, the Walloway butler, who weighed twice as much as Eppings and was haughtier in proportion, was coldly doubtful as to whether or not Mr. Nicholas Walloway could be seen.***"I feel like--well, like 5/8 off and nothing bid."***When perplexed and agitated, he polished his glasses; quite a dignified and refined manner of giving relief to his feelings. When merely lost in calm thought, he twirled them about his forefinger by the little gold chain to which they were attached.***Now, one doesn't expect to find a man in frock coat and silk hat dodging behind bushes on a place like Hewington Acres. Yet "Cherub" Devine had come to associate that particular part of Long Island with all sorts of surprises. He was inclined to accept this new manifestation as part of the general programme.***the tails of his frock coat fluttering a taunting salute as he spurted towards freedom***[Bonus: the Miller-Tremways, later referred to as "those hyphen Tremways"][Bonus: Baden-Baden referred to as "Baden Two Times"]
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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Parody analog horror meets 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings) in the web series Grave Mood Rings. It pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV.
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From 1915. Via UpNorthMemories.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From "Don't Give Your Animals a Name" in The Ladies' Home Journal, 1945.
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"The magician transformed and gobbled up." From Puss In Boots by Josiah Wood Whymper, 1900.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The shivering milkman. Where his coat was." From The Children's Newspaper, 1924.
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From Elmhurst College's 1914 yearbook.
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We checked, and it's true -- books grow on trees whose roots poke through the eyes of skulls. From Beloit College's 1907 yearbook.
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"The man who wouldn't yo-yo." From The Old Line, 1953.
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We're halfway there! From Henderson-Brown College's 1927 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Arkansas' 1943 yearbook.
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From the United States Naval Academy's 1913 yearbook.
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From the Lords of Time game manual, 1985.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Queens College's 1960 yearbook.
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Today's tiny monkeys in a cage are from The Magic of Oz by L. Frank Baum and illustrated by John R. Neill, 1919.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals, 1953.
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From Southern Methodist University's 1939 yearbook.
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"Just one damn thing after another." From Purple Parrot, 1932.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The elephoo and the tigeroo. From We Can Read Magic and Make-Believe by Gerrard & McInnes, 1964.
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"She changed herself into the north wind." From Taytay's Tales by Elisabeth Willis De Huff and illustrated by Fred Kabotie and Otis Polelonema, 1922.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Time of dowdy birds and gay caterpillars." From The Children's Newspaper, 1960.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Henderson-Brown College's 1927 yearbook.
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"Elixir of life." From Medical College of Virginia's 1924 yearbook.
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From Improvement Era, 1954.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1930 yearbook.
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"The age of miracles revived! Actual case of subduing and conversing with wild animals. Recovery of the properties of invisibility; of walking on water, and of breathing under water." From The Sorcery Club by Elliott O'Donnell, 1912.
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From Ohio State University's 1947 yearbook.
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From Ohio University's 1973 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From Our Pets by Nida & Nida, 1928.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Today's mouse surfing on a frog is from Chatterbox, 1882.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Is any sick among you?" From Improvement Era, 1966.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Why bob your hair?" From Photoplay Magazine, 1920.
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"Maybe the whale had stomach-ache. Preacher says Jonah's leviathan had the indigestion." From the Duluth Herald, 1911.
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"Maths add up to happiness." From The Australian Women's Weekly, 1962.
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unearths some literary gems.
From Spoofs, ed. Richard Butler Glaenzer:
***Merely coax the spoof to trade places with the ibis, and you'll appreciate the preponderant value of a classical education. [from the "Four Words," i.e., foreword, by John Vincent]***Readers are requested to refrain from expecting as pleasing a response if they venture to beard [i.e., corner] [George Bernard Shaw] on a similar occasion. He is already bearded to the nostrils. It would be checkmate for them. [Editor's Note]***Oliver Herford is a leonentity of the first magnitute. [Editor's Note]***The ruddy color of his face was enhanced by cockatoo-like gray hair. [William Rose Benét]***After all, you are probably worrying about something that will never happen. That was an isolated case in Nashville. It may have been in Tallahassee, which makes it all the more nebulous. [James Montgomery Flagg]***Muriel Pollock and Vee Lawnhurst had been sent to the laundry with their pianos. [H. W. Hanemann]***Years ago, Simeon Simon baked such inedible pies in his little bake shop in Hollywood that people came from miles around NOT to buy them. [Don Herold]***Dear President and Faculty, Classmates, Fellow Students, Parents, Kibitzers.... [J. P. McEvoy; I note that this is one of (at least) two pieces in the collection wherein "kibitzers" are included in a running list of vocations.]***[Bonus: a "Morley-Throckmorton-Milliken-Dribble" production]
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From Pennsylvania College for Women's 1932 yearbook.
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"The clown acts foolishly." From Junior Language Book C by Donalda Dickie, 1945.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Armour Institute of Technology's 1905 yearbook.
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From Changes All Around Us by Craig & Baldwin, 1940.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Everyday Foods by Harris & Lacey, 1927.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Follow Me by Thorn et al., 1970.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From West Georgia College's 1972 yearbook.
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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals magazine, 1903.
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From Purdue University's 1913 yearbook.
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From Barnard College's 1900 yearbook.
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"Nothing to fear but fear." From Games Magazine, 1979.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The twin cities of Tsk-tsk and Tch-tch. From Washington State University's 1947 yearbook.
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"Women not consistent." From the Duluth Evening Herald, 1904.
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From Tri-State University's 1979 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Motto: "Too proud to work; to beg, we are ashamed." From Denison University's 1891 yearbook.
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"Will war revive religion? Premonitory stirrings of the spirit already perceptible." From the Bombay Sunday Chronicle, 1942.
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From Ohio University's 1916 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From The Beacon Introductory Second Reader, Animal Folk Tales by James Fassett and illustrated by Charles Copeland, 1912.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The swamp of tough luck. From the University of Wisconsin's 1918 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Oberlin College's 1927 yearbook.
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"I thought of Faust and the old legends, but the deed was done; now I am wiser." From Mystic World, 1931.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Wheaton College's 1929 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Illinois State Normal University's 1918 yearbook.
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A better scan of this one. From Poets' Wit and Humor by W. H. Wills and illustrated by Charles Bennett and George H. Thomas, 1860.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Arkansas' 1921 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ohio Wesleyan University's 1930 yearbook.
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From The Land of Oz by L. Frank Baum and illustrated by John R. Neill, 1904.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"A cock's joy ride. SUrprise for the chauffeur." From The Children's Newspaper, 1924.
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|
unearths some literary gems.
From "The Archduke's Tea," by H. C. Bailey:
He skipped off, his jauntiness put on again like a coat.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Elson-Gray Basic Readers, Book One, 1937.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From SRA Mathematics Learning System, Teacher's Guide, 1974.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Children's Newspaper, 1938.
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From Home Words for Heart & Hearth by Charles Bullock, 1901.
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From Wheaton College's 1922 yearbook.
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"With a great crackling noise they shot into the void." From The Runaway Equator by Lilian Bell and illustrated by Peter Newell, 1911.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From State Teacher's College, Farmville's 1925 yearbook.
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From the University of Western Ontario's 1944 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Oberlin College's 1927 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tri-State College's 1963 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Canadian Children's Own Readers 3 by Pennell, Cusack & Macleod, 1900.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Armour Institute of Technology's 1928 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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A demonic clown puppet invades Vitchmik Hall. Parody analog horror meets 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings) in the web series Grave Mood Rings. It pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV.
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From Hans Andersen's Fairy Tales, illustrated by Frank C. Papé, 1912.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From New Jersey State Teachers College's 1947 yearbook.
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From the University of Tennessee, Knoxville's 1985 yearbook.
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From The Bombay Chronicle, 1934.
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Spring Break's last words were, "Tell them I'm sorry." From the Peace Institute's 1912 yearbook.
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"We should probably all go to bed. It's been a very difficult evening." From Dark Shadows episode 281.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Salem College's 1922 yearbook.
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"Gum drops -- stick to them." From The Sanguinist, 1948.
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From Erskine's 1909 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Illinois at Urbana-Champaign's 1914 yearbook.
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At first glance, we thought this was about melancholia: "Depression in Germany caused by trying to do too much." From the Duluth Evening Herald, 1901.
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"Some things don't." From University of Akron's 1987 yearbook.
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"After four years you get used to it. It really isn't so bad." From Otterbein College's 1986 yearbook.
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"Clock's very fast." From Punch, 1922.
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unearths some literary gems.
FREDDIE. (Firmly.) Yes. I may be an ass, but I'm not a silly ass.
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From The Canadian Readers Book III, 1933.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Seeds in the snow. From Outdoor Visits by Patch & Howe and illustrated by George Richards, 1935.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The oaks that kept their secret." From The Children's Newspaper, 1938.
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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals, 1953.
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"Begging your pardon, sir, but the Weather Bureau insists that it's fair and warmer." From The Old Line, 1934.
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| *Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out. |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Phil May's Illustrated Winter Annual, 1896.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Baylor University's 1915 yearbook.
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"Girl collects bats to help research." From The Australian Women's Weekly, 1962.
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From James Millikin University's 1915 yearbook.
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From the Duluth Evening Herald, 1901.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the College of William and Mary's 1909 yearbook.
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From The Little Gingerbread Man by G. H. P. and illustrated by Robert Gaston Herbert, 1910.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Wesleyan College's 1932 yearbook.
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"Mr. Fantasy." From the University of Maine at Machias' 1974 yearbook.
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"Thomas was curled up luxuriously in an arm-chair, apparently asleep. But he was not asleep; just horribly bored." From The Merry Magazine, 1929.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Never yet was a springtime when the buds forgot to blow." From Salve Regina College's 1955 yearbook.
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From We Can Read The Toy-box by Gerrard & McInnes and illustrated by Connie Jefferess, undated (c. 1960).
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From By the Roadside by Dunn & Troxell and illustrated by Nell E. Hukle, 1928.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Car of the future has an electronic brain." From The Children's Newspaper, 1960.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From the University of Chicago's 1899 yearbook.
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From People's Computers, 1978.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
"Get strong to music." From Birmingham-Southern College's 1923 yearbook.
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"Learning better how to hide." By Colin Peters. From Coraddi, 1991.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Wheaton College's 1920 yearbook.
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From Poets' Wit and Humor by W. H. Wills and illustrated by Charles Bennett and George H. Thomas, 1860.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From Purdue's 1893 yearbook.
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From Busy Folk by Mary E. Laing & Andrew W. Edson and illustrated by Clara E. Atwood, 1913.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Beloit College's 1892 yearbook.
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"Among the virtuous Non-Drinkers was an alarming Percentage of the Kind that no one would care to have around the House on a Rainy Sunday." From Hand-Made Fables by George Ade and illustrated by John T. McCutcheon, 1920.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
Offering ribs to the devil. From Earlham College's 1909 yearbook.
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"Let your hair grow long. Man is a plant turned upside down." From the Duluth Evening Herald, 1904.
|
|
| I Found a Penny Today, So Here's a Thought |
(permalink) |
|
|
|
Parody analog horror meets 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings) in the web series Grave Mood Rings. It pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV. This episode was written by Jonathan Caws-Elwitt.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Toys At Play by Ketchum & Rice and illustrated by Hart, 1932.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"If 'Spring' can't help you with 93 pinks, try the 79 blues." From The Australian Women's Weekly, 1965.
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From Ex-book by H. W. Hanemann, 1930.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From Michigan State Normal College's 1950 yearbook.
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A monkey, whose association with human beings had proved her undoing, is reformed through the adoption of a kitten. From the Duluth Evening Herald, 1906.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From Purdue's 1893 yearbook.
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From Chamanistan Afsana, 1945.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
Phunnetics is rarely taught anymore. From Peace Institute's 1910 yearbook.
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From Photoplay Magazine, 1920.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Even snowmen can slip on the ice. From Dartmouth College's 1953 yearbook.
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An unidentified object in midnight darkness. From UFO Newsclipping Service, 1973.
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From Indiana University's 1924 yearbook.
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From The Review of Reviews, 1906.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From the United States Naval Academy's 1923 yearbook.
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"Have the sun in your heart." From The Children's Newspaper, 1922.
|
|
unearths some literary gems.
From The Footlights, Fore and Aft, by Channing Pollock:
***"Good wine", according to the poet, "needs no bush." With the same logic, one may argue that a good book needs no introduction.... But then—how be sure that it is a good book?Hallowed custom provides that every volume of essays—especially of essays on the theater—shall begin with a preface in which some celebrated critic dilates upon the cleverness of the author. However, celebrated critics are expensive, and, moreover, no one else seems to know as much about the cleverness of this author as does the author himself. In consequence of which two facts, I mean to write my own introduction.One obstacle appears to be well-nigh insurmountable. It will be easy to inform you as to my merits and my qualifications, but I don't quite see how a man can speak patronizingly of himself. And, of course, the patronizing tone is absolutely essential to an introduction. Nobody ever wrote an introduction without it. I shall do my best, but I hope you will be lenient with me in the event of failure.***There are not more than a dozen prominent managers and a score of well known playwrights in America; whoever elects to write a hundred thousand words about the theater must choose between mentioning these names repeatedly and inventing new ones.***"The capital I's", as someone has said of another series of articles, "flash past like telegraph poles seen from a car window."***Bronson Howard, asked to compile a book of rules for playwriting, declined on the ground that he feared being tempted to follow them.***The manner in which one author follows the lead of another, as demonstrated above, extends beyond the selection of such important things as stories, and reaches even to titles. Ten years ago we couldn't have a name without the word "of" in it. On the bill-boards were advertised "The Whitewashing of Julia", "The Manoeuvres of Jane", "The Superstitions of Sue", "The Stubbornness of Geraldine" and a score of others. Then somebody christened a charming sketch "Hop-o'-My-Thumb", and for a while it seemed that we could get nothing but hyphenated titles, such as "Alice-Sit-by-the-Fire" and "All-of-a-Sudden-Peggy."***Parisians call their actors "M'as-tu-vu", which means "Have you seen me?" That is because the first question a French actor asks is "Have you seen me in such-and-such a role?" Your true American actor doesn't waste time with a question of that sort. He feels a peaceful certainty that not to know him argues yourself unknown, and he wouldn't like to hint at such obscurity for an acquaintance. Take all the talk of all the year on The Great White Way, run it through a wringer, and you will have that same letter I, with vanity dripping from every inch of the texture.***One of the mechanical effects in this piece was a bicycle race, during which the contestants pedaled wildly on stationary machines. The effect of passing landscape was given by a panorama and a fence that moved rapidly in the opposite direction. At least, they were supposed to move in the opposite direction, but on the occasion of which I speak they didn't. The race became one between the bicyclists and the surrounding country, and the surrounding country was far in the lead when an irate stage manager rang down the curtain.***Occasionally, the lady, or the gentleman, or both, are quite innocent of wrong-doing. The lady may have come to save the reputation of another lady, or to prepare a rarebit, but when the husband has tracked her by the fan that years of Wilde have not taught such callers to hide with them.... [Another passage that I think we may have seen in before (in Smart Set)--but now with a terrific illustration!]***[Many attachments attached, most of them illustrations--which were the best thing about this book, imho. I've selected liberally, but you can find the complete set at https://www.gutenberg.org/cache/epub/40148/pg40148-images.html . Note that in the text, "three nights running" had the conventional meaning of "three nights in a row," but of course I love how it was (mis)interpreted in the drawing.][Bonus: two actual Broadway play titles, "It's All Your Fault" and "We Can't Be as Bad as All that!"]
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Historic Costume by Katherine Morris Lester and illustrated by Ila McAfee, 1925.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From The Progressive Road to Reading, Book Two, 1912.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Photo-Era Magazine, 1912.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Flora Stone Mather College's 1929 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Phrenological Journal, 1875.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Clarke Memorial College's 1923 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Elizabethtown College's 1938 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From the University of Arkansas' 1921 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From James Millikin University's 1915 yearbook.
|
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"What is to be." From Mystic Magazine, 1954.
|
|
From the University of Chicago's 1899 yearbook.
|
|
We'd actually rather not. "Think of the money you might have saved---but didn't." From Marion Theater News, 1925.
|
|
"The night was cold. I walked through it as the man of constant sorrow—cloaked in solitude and indifference. I was colder than the night." From Catawba College's 1971 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| I Found a Penny Today, So Here's a Thought |
(permalink) |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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Redwing chicks. From The Outdoor Book by Zoe Meyer and illustrated by Clara E. Atwood, 1928.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Robin Hood, illustrated by Edwin John Prittie, 1923.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's today's monkey pretending to be a parrot. From The Children's Newspaper, 1920.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Arkansas' 1921 yearbook.
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"So they sat staring at each other." From The Mermaid's Gift by Julia Brown and illustrated by Maginel Wright Enright, 1912.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Colorado College's 1918 yearbook.
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From Duke University's 1929 yearbook.
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The Spanish bird hermit of St. Catherine's hermitage. From The Wonderful Magazine and Marvelous Chronicle, 1793.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From East Tennessee State University's 1953 yearbook.
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From Purdue University's 1897 yearbook.
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"One Iowa home broken up by the pancake question." Her husband's facial expression while eating her pancakes "was such that it might work permanent injury to her health." From the Duluth Evening Herald, 1906.
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unearths some literary gems.
From Clue for Mr. Fortune, by H. C. Bailey:
***"The latest lady's pyjamas"[Though I'm not certain, this seems to be an oath!]***His smile had the force of a dig in the ribs.***Bonuses:A nightclub called the Upsidown"Her Highness Princess Somebody" becomes, a page later, "Her Highness the Princess Whatnot."
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"The idea of calling this 'Spring'!" From St. Nicholas, 1890.
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| *Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out. |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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Parody analog horror meets 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings) in the web series Grave Mood Rings. It pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV. This episode was written by Jonathan Caws-Elwitt.
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From Advanced Course in Homemaking by Maude Richman Calvert and Leila Bunce Smith, 1939.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"If a squirrel doesn't get me ..." From Drawing Made Easy by Edwin George Lutz, 1921.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Le Trésor des Jeunes Conteurs by J .E. Poirier, 1900.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Children's Newspaper, 1923.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lighted Pathway, 1974.
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| If you have a strange dream to share, send it along! |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the North Carolina College for Women's 1925 yearbook.
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From Watson's Magazine, 1905.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Mary Washington's 1927 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Earlham College's 1909 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Pooh-poohed by everyone." From the Duluth Evening Herald, 1906.
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From Western Illinois State Normal School's 1916 yearbook.
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From The Fables of Aesop, illustrated by Harrison Weir, 1859.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Purdue University's 1930 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Original Content Copyright © 2025 by Craig Conley. All rights reserved.
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