New York: Its Upper Ten and Lower Million by George Lippard, 1854.

Three compound words for the lightheaded of society.  Madmoments, or First Verseattempts by a Bornnatural (Henry Ellison), 1839.

The Nonsensibus.

Have you ever communicated something and then, too late, wished you could revise it?  Joseph Smith simultaneously made a statement and a correction, bach in 1896.

Though Isis Unveiled was already taken by Helena Petrovna Blavatsky, one Fydell Edmund Garrett liked the title very much and so added "very much" to his purloinment.  But were they both inspired by Godfrey Higgins' more esoteric title from three years before Blavatsky's publication?  Anacalypsis, an Attempt to Draw Aside the Veil of the Saitic Isis.  (Higgins' title even has an inkblot in the scan we found.)

There's a fine line betwixt death and the judgment (from 1868).

Marrow would properly be extracted.  Hence: The Marrow of Ancient Divinity, Consisiting of Extracts by Joseph Browne, 1820.

A precrusor to This Book is a Cactus -- it's My Century Plant by Lois Waisbrooker, 1896.

Now this is odd -- The Oddest of All Oddities by Oddicurious, 1810.

There's a fine line between losses and gains.  The Gain of a Loss by Rose Piddington, 1866.

There's a fine line [a book spine] between jest and earnest[ness].  (William Arthur B. Lunn, 1840).

There's a fine line between poetic flights and prosy thoughts.  From May-day Dreams, Passion Flowers, Poetic Flights and Prosy Thoughts by Samuel R Brown, 1890.

The Twinkling Effort of a Falling Star, to Relieve the Cheshire Full Moon, From Those Clouds, Obesities and Excrescencies, Which Deprive a Most Valuable Part of the Creation of Her Beneficial Light by James Gatliff, 1820.

You've heard of authors who put everything they know into their first books.  Here's A Drama and Poems; Also Inventions and Suggestions by W J. Bryant, 1879.

There must be some comfort in knowing that most of life's unexpected farces play out in a single act.  This is So Sudden! A Farce in One Act by MacPherson Janney, 1918.

The play Expense No Object, by Sam Janney (1918) went up ten cents (though performances were free).

The explanation for The Spirit of Buncle (1823) is downright alchemical.

Here's a writer with true range -- Tales Written During a Wet Summer, by the authoress of Tales Written During the Hard Frost of 1829.  This one's from 1831.

Done out of French.