From Into the Void and Beyond; or, The U-Turn by Ian and Muftiah Arnold, 1993.

"And the world becomes an empty void."  Today's moment of existential angst is from Dark Shadows.  In parts one, two, three, and four, we saw how Dark Shadows beat Seifeld to be the first show about nothing. 

Stills from Grave Mood Rings, courtesy of Dare-g on Tumblr.

Here's today's bunny staring into the void.  From Elson-Gray Basic Readers, Book One, 1937.

From Santa Clara's 1988 yearbook.

For days like these, here's a void transducer.  From Wizardry IV: The Return of Werdna Handbook.

He's either carrying the universe on his back or is trying to remove a medicinal plaster … or both.  From Judge's Library, 1895.

"Saturated void" is a geotechnical term, but Tim Flohr Sørensen uses it to describe a cemetery:

It may appear rather straightforward to connect cemeteries with the notion of absence.  After all, a cemetery is most often seen as a place for the dead, who are frequently conceived as absent, gone, missing or lost.  The state of being — or non-being — of the dead is otherwise poorly defined, and may simply be considered a form of "no moreness."  At the same time, the cemetery can be said to contain the absent, because it is ordinarily a place where prolonged spatial and material relations to the deceased are allowed to exist as opposed to e.g. a mass grave, where the dead are meant to disappear. ... [Cemeteries are] places of highly complex incorporations of presences and absences.  ...  [A]bsence is articulated and perceived as an emotional rupture but also as concrete and material voids.  Likewise, presence is articulated both as the physical being-there and the feeling of nearness and immediacy in the midst of the fragmentation posed by the death of a relative.  ("A Saturated Void: Anticipating and Preparing Presence in Contemporary Danish Cemetery Culture," An Anthropology of Absence)