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Capital M has four legs with extraordinarily well-developed calves, from The Oxford Thackeray.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A class in mesmerism? From Stories in Rhyme for Holiday Time, written by Edward Jewitt Wheeler and illustrated by Walter Satterlee, 1884.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Talk about cycling under the stars. From The Adventures of Six Young Men in the Wilds of Maine and Canada by Charles Asbury Stephens, 1884.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"How Table Mountain got its cloud," from South Africa by Ian Duncan Colvin, 1909.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Death hides behind a sports mask, from Blasts from The Ram's Horn, 1902.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The last of the Graces, from Death's Doings, illustrated by Richard Dagley, 1827.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I am a terrible person when provoked," from Dicks' English Library of Standard Works, edited by Percy Bolingbroke Saint John, 1884.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Did you know that drop caps were once more difficult to work with? From Zigzag Journeys in the Western States of America by Hezekiah Butterworth, 1884
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Community English by Mildred Flagg, 1921. The text on the tree reads, "Japanese reading and writing books are odd[ly] printed. Read from right to left. First page is at back. Lines run up and down. Address is backward. Words are painted with brushes."
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Golden Lake by William Carlton Dawe, 1890.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Nina rushed as quickly as she could from the presence of that which she truly believed to be nothing less than the spirit of her murdered friend," from Thrilling Life Stories for the Masses, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Before the advent of e-publications, pulp and paper magazines were all the rage.
Jonathan Caws-Elwitt quips: "This early 20th-c. magazine about the pulp and paper industry was, presumably, printed on pulp paper. Imagine how costly a subscription to Gold and Silver Magazine must have been!"
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"Who is it? What is it? Who speaks?" From Jane Eyre by Charlotte Brontë.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Well, we know how they got to Europe: they flew!
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Harvard Inside-Out by Elmer Elsworth Hägler, 1916.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Whether particles or waves, sunbeams are carried by cherubs, as this ad from 1892 confirms.
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"We really cannot go about 'objects,'" from The Foreign Freaks of Five Friends by C. A. Jones, 1882.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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What's the word for being "Tired of sitting on an iron seat among the straightly-clipped boxwood trees side by side with Aunt Deb"? From Silverton Court by Winifred Taylor, 1885.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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When enough isn't enough, from St. Nicholas magazine, 1904.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
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Here is explained why we should behave as unreally as possible:
"We must accept the so-called reality around us, the woodlouse in the cellar no less than the evening star. It's only we ourselves who are unreal—partly just because we are aware of the fact. And as a result we contradict ourselves. Would you try to build a house of sand? You wouldn't move a finger to do so. Because you know that the house would collapse at once. And all that we do here is equally pointless. It drifts away like writing in the sky. We come from the unknown, linger a lifetime, and drift away again. Better not to act as if we were real. We should behave as unreally as it is possible to behave in reality. ... [I]t is we on earth who are really on the Other Side. Because we are still on the wrong side of reality, even though it surrounds us. That means that fundamentally we are capable of everything except being real." — Ernst Kreuder, The Attic Pretenders
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"At least, sir, spare yourself for the present." From By Proxy by James Payne and illustrated by A. Hopkins, 1878.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"This hat" speaks for itself. From London and Paris through Indian Spectacles, 1897.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Chronicles of a Garden by Henrietta Wilson, 1864.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a precursor to the Dial-A-Joke telephone service phenomenon. From Athens Female College's Oracle yearbook, 1912. (For some unbelievably weird yearbook imagery, see our How to Hoodoo Hack a Yearbook.)
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We're more geologically agnostic, but here's a book on Skepticism in Geology from 1878.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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How to transform into an octopus, Step One (apparently). From The Illinois Teacher, 1855.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"'You were paid 200 pounds per year,' she retorted, 'for doing nothing, except keeping a door locked, and feeding a half-mad woman." From Thrilling Life Stories for the Masses, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"He evidently thought his audience could not have enough of it," from Miss Misanthrope by Justin MacCarthy and illustrated by Arthur Hopkins, 1878.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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* There is a vast world of reality into which science can no more enter than an elf can be Santa Claus. We regret to observe that rather than face it, and confess its inability to measure it, science turns its back upon it. Life is not always every-day life, and the insolvable mysteries are correlated not to formal rules but to spirit and inspiration. Are bits of wisdom liable to dwarf the subject? Indeed — and rightly! James Howell described the ingredients of a good proverb to be "sense, shortness, and salt." May Howell's cry resound through this present collection of maxims on believing in one's elf.
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From Lucifer in London, 1885. Speaking of which, what exactly are a snowball's chances in hell? See A Snowball's Chance in Hell.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Curfew shall will not ring tonight," from Harvard Inside-Out by Elmer Elsworth Hägler, 1916.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Do not depend on the sun," from an ad in St. Nicholas magazine, 1903.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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What nobody told Facebook: "Of chance acquaintance best beware," from The Fables of Æsop by Joseph Jacobs, 1894.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Carrier pigeons get all the glory as postal carriers, but we learn here that "chicken mail" required a self-addressed, stamped envelope. From St. Nicholas magazine, 1900.
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"The wine circulated languidly," an illustration from Handley Cross; or, Mr. Jorrocks's Hunt by Robert Smith Surtees, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I shall tell you a great secret my friend. Do not wait for the last judgement. It takes place every day." —Albert Camus
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From Fancies Free by E. L. Shute, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I am bamboozled and led a dance." From An African Millionaire by Grant Allen, 1897.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The temple in the wood," from Ready and Willing, or Guy Powers' Watchword by J. T. Hopkins, 1885.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Hot, hotter, and hottest," from an 1885 advertisement.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The Temple of the Sun at Cuzco, from Die Kopien der Weltkarte des Museum Borgia, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"He groaned out, 'The curse has worked." From Thrilling Life Stories for the Masses, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A horse groomed by ghosts? From The Standard Horse Book by Dennis Magner, 1895.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The Assessed Taxes taking their departure," from Old Times: A Picture of Social Life at the End of the Eighteenth Century by John Ashton, 1885.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We presume this is what happened to the previous poacher. From St. Nicholas magazine, 1877.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Though they begin life as elders, grandfather clocks still experience a growth cycle. Here's an embryonic grandfather clock from Vizetelly's Sixpenny Series of Amusing Books, 1885. The caption reads, "Sneaking a grandfather's clock."
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From The Demon McGuire, 1885. Did you know that the idea of a frightening, disembodied giant foot traces back to the very first gothic novel, Horace Walpole's The Castle of Otranto (1764)?
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"We are coming! Clear the track!" From Anecdotal Lincoln by Paul Selby, 1900.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Prof. Oddfellow's sketchbook. The text reads: "A Norwegian fjord tent for the bookish. This tent (unlabeled) appears in Norway in 1848 and 1849 by Thomas Forester."
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I Found a Penny Today, So Here's a Thought |
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Q: Which teacup contains the tempest? (You might wonder if it's the upside down cup, but then you might wonder whether the upside down cup is too obvious.)
A: (Highlight to reveal.) It's the upside down teacup.
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Did you know that the night sky features both a chair and the Platonic ideal of a chair? Our illustration appears in St. Nicholas magazine, 1877.
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This is how we imagine the yearbook at the witch's coven masquerading as a ballet school in the great film Suspiria. Here are nine surprisingly occult illustrations from the Iris yearbook of Ward Seminary, 1906. You'll recall that the iris flower figures importantly in Suspiria. See How to Hoodoo Hack a Yearbook.
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The wind-up false-teeth gag, " Yakity-Yak," dates back to 1950, but here's precursor from Cham journal, 1853.
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Our Unicorn Book is Officially Accused of Being Too Esoteric, Like a Book of Spells! Huzzah!
This review of our Field Guide to Identifying Unicorns by Sound is a must-read, even if the critic (who didn't buy the book and who self-identifies as mentally ill) rated the book with a single star. We've identified that single star as the one Sappho called "the fairest of all the stars":
I have rented this book from my local library, and attempted to read it. I was expecting some semblance of argument for the reality of Unicorns as a species, or at the very least salient information on Unicorns. Instead, it should be said that this book is a work of esoterica, and could be classified alongside books of spells or psychic channeling. The entire book consists of instructions of various places and ways to sit down in the quiet of nature, and listen. According to the author, the reader is supposed to be listening for singing unicorns, anyone availed of folkloric or mythological knowledge, will find a distinct absence of singing unicorns from the works of Pliny, the Bible, and other books considered primary sources on unicorns (unless one counts the Shadavar, which undoubtedly sings, but whose nature as a true unicorn is tenuous). I'll give you an example of my own, one night in bed, I was convinced that my tinnitus was actually the result of me hearing radio waves, needless to say I was actually mentally ill at the time. I am not accusing the author of being crazy, but I will willingly accuse him of being very separated from skepticism and reality. If you obey this book, you would be sitting out in nature meditating, which is fine, but I doubt you will hear any singing unicorns unless you mistakenly convince yourself that you are hearing them. What is wrong with communing with nature via meditation, to simply experience nature and commune with it? You need no new age or esoteric beliefs to do THAT, in fact, even Atheists often admit a reverence for nature. In the words of Carl Sagan, the garden is just as wonderful, even if it does not have fairies at the bottom of it.
Yes, we're reframed this negativity into something positive, as part of our personal museum of coping mechanisms. Indeed, the writing life is full of foul challenges. See this video, in which we reveal our secrets for landing a major book deal, even if you don't have a best-selling idea, weren't born into the right families, and don't work very hard: https://youtu.be/GuvJpPTawGs
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Adam writres:
I found A Field Guide to Identifying Unicorns by Sound to be a delightful excursion into my own mind and spirit. An exercise in thinking for myself and better understanding the world and my place in it. A journey that cannot end because I will never stop finding new questions to ask or roads to travel… I would suggest that this reader is like far too much of our society. Incapable of thinking for themselves. They expect to be told what to think and believe in then blindly follow the masses to do the bidding of the few in power. I believe these people should just stay confined in their Church of Facebook and leave reading books to those of us who still use our brain cells…
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"Curing everything," an illustration from Handley Cross; or, Mr. Jorrocks's Hunt by Robert Smith Surtees, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a giantess from Elsass-Lothringen by Christlieb Gotthold Hottinger, 1885.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"'Listen!' said Molly, 'there is the ghost again." From Three Bright Girls by Annie E. Armstrong, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Your instinct was correct -- our globe is all triangles. From Monteith's Physical and Political Geography, 1875.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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* There is a vast world of reality into which science can no more enter than an elf can be Santa Claus. We regret to observe that rather than face it, and confess its inability to measure it, science turns its back upon it. Life is not always every-day life, and the insolvable mysteries are correlated not to formal rules but to spirit and inspiration. Are bits of wisdom liable to dwarf the subject? Indeed — and rightly! James Howell described the ingredients of a good proverb to be "sense, shortness, and salt." May Howell's cry resound through this present collection of maxims on believing in one's elf.
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"I went to the window to ask of Night the reason why dreams must be so tenuous that they break and shred at the slightest opening of the eyes or turning of the body, and do not endure. Night did not answer me straightway. She was deliciously beautiful; low hills were pale with moonlight and the space died into silence. As I insisted, she made known to me that dreams were no longer under her juristiction. When they dwelt on the island that Lucian had given them, where she had her palace, and from whence she sent them forth with their faces of divers aspect, she might have given me possible explanations. The times had changed everything. The ancient dreams had been pensioned off, and the modern ones dwelt in a person's brain. And these, though they tried to imitate the former, could not do it: the isle of dreams, like the isle of love, and all the islands of all the seas, are now the object of the ambition and rivalry of Europe and the United States." —Machado de Assis, Dom Casmurro
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Here's an auroral serpent from Under Nordlysets Straaler by Sophus Tromholt, 1885.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Air to rent," from The Up-to-Date Primer by John Wilson Bengough, 1896.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It's difficult for newer generations to imagine what mail delivery was like before the advent of electronic communication. Younger folks would find the old ways quite stilted, literally. From The Mysteries of the Court of London by George William MacArthur Reynolds, 1849.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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As they say, "You should have seen the bird." From The Story of Leicester Square by John Hollingshead, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Lo and behold, two precursors to the dreamachine, the stroboscopic flicker device inspired nearly one-hundred years later by William Grey Walter's The Living Brain (1953). From Punch, 1855, and from Hood's Own by Thomas Hood, 1855.
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I Found a Penny Today, So Here's a Thought |
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As the BBC didn't caption this hilarious Scottish comedy sketch for the hard of hearing, we transcribed the script below:
You know, I never even saw his Snapchat. It was her that saw his Snapchat. He says it’s on my Snapchat, but I’d never even done a Snapchat that night. It was him that did the Snapchat, and she saw it. She took a screen grab of her Snapchat, and he tried to deny it. He was like, “I didnae like her Instagram,” and I was like, “Oh, you did like her Instagram.” And he was like, “No, I just liked the Facebook post. It was a screen grab of her Instagram. It wasnae her actual Instagram.” But Amy... Amy... a like’s a like.
Amy: A like’s a like.
I was raging! I was like, “You favorited her tweet, and you liked her Instagram by proxy by liking her Facebook post that was a screen grab of her Instagram... You shared her Tumblr, and she saw your Snapchat, she took a screen grab of your Snapchat, and she tweeted it and you favorited it.” And he was like, “No, no, listen... I only favorited her tweet because it was a screen grab of my Snapchat, no’ because it was her that took the screen grab. And I only liked her Facebook post because it was a screen grab of Instagram, and I like Instagram, no’ because I like her Instagram. I only shared her Tumblr because I like that meme, that thing frae Twitter that she’d Tumbled about.” Because earlier that day on Facebook, apparently somebody had posted a screen grab frae Instagram, and he liked it. “No’ because I like her,” ’e said. “No’ because I like her.” But Amy, what am I always sayin’?
Amy: A like’s a like.
A like is a like. Ugh! Amy, listen... Never fall in love with a liker.
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"The continuous roaring showed that the lions were still close at hand." From The Young Colonists by George Alfred Henty, 1898.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a precursor to Wikipedia: 1921's self-revising encyclopedia.
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"Father! Stop! Enough!" From The Secret of the Magian by André Laurie, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Long before Eat, Pray, Love, the formula was "Rest, Pray, Sleep." From The Book of Dene, Deane, Adeane, 1899.
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Here's light on an important subject, from an 1893 advertisement.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Some ancient druids from Ripon Millenary, edited by William Harrison, 1886.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Monsieu Vadevant leads the concert with a warming-pan," from Dicks' English Library of Standard Works, 1884.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"God alone knows the power of an adjective, especially in new, tropical countries." —Machado de Assis, Epitaph of a Small Winner
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You knew that a rainbow can cast a shadow, but did you know that a shadow can also cast a rainbow? We find the proof in Ceylon in the “Jubilee Year” by John Ferguson, 1887.
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Here's some truly biting satire from Review of Reviews and World's Work, 1890.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a precursor to Disneyland's Haunted Mansion's changing portraits, from The Maid of London Bridge by Somerville Gibney, 1892. The caption reads, "Ah! thou are right, Lucy, it is changing, and growing stern and angry."
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Q: What would Endora do?
[If you know your Bewitched, you might guess our answer]:
A: [Highlight to view] Snap out of it.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The invocation," from Seonee, or, Camp Life on the Satpura Range by Robert Armitage Sterndale, 1887.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We sometimes speak of "what might have been," but here's what it looks like, as we learn in Guy Rayner's My Lady's Novellettes, 1888.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a precursor to the song "Marshmallow World," first a hit for Bing Crosby (1950). From Lovel the Widower by William Makepeace Thackeray, 1861.
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Here's a precursor to the mechanical pencil — the mechanical quill. From Penman's Art Journal, 1898.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Tomorrow? From Busyman's Magazine, 1906.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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If you have a strange dream to share, send it along! |
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From My Boy Jack by Ernest Warren, 1888.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Their torches flashed luridly in the blackness of the night." From The Madeira Islands by Anthony Joseph Drexel Biddle, 1896.
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Did You Hear the One I Just Made Up? |
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(Literary humorist Jonathan Caws-Elwitt's plays, stories, essays, letters, parodies, wordplay, witticisms and miscellaneous tomfoolery can be found at Monkeys 1, Typewriters 0. Here you'll encounter frivolous, urbane writings about symbolic yams, pigs in bikinis, donut costumes, vacationing pikas, nonexistent movies, cross-continental peppermills, and other compelling subjects.)
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* There is a vast world of reality into which science can no more enter than an elf can be Santa Claus. We regret to observe that rather than face it, and confess its inability to measure it, science turns its back upon it. Life is not always every-day life, and the insolvable mysteries are correlated not to formal rules but to spirit and inspiration. Are bits of wisdom liable to dwarf the subject? Indeed — and rightly! James Howell described the ingredients of a good proverb to be "sense, shortness, and salt." May Howell's cry resound through this present collection of maxims on believing in one's elf.
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Just as diving into water is to seek life's secrets, and immersion in water is to purify or be reborn, "crossing the waters is to effect a transformation from one state to another" (El Palacio, 1992). If so, then what state has jurisdiction over the crossing of lakes Eerie and Ladoga? Answer: Freedonia, under the rule of Rufus T. Firefly.
(Our image appears in The British Isles, translated from Nouvelle Géographie Universelle by Ernest Georg Ravenstein, 1887.)
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Here's an oldschool Dutch space warp from St. Nicholas magazine, 1904.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"'Read!' commanded the Angelic Being," from Thrilling Life Stories for the Masses, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Why is a jester associated with a cone? We find our answer in Percy Bysshe Shelley's Oedipus Tyrannus, in which Swellfoot says, "Sustain the cone of my untroubled brain, / That point, the emblem of a pointless nothing!" (I.i.).
Our illustration is from an advertisement c. 1872.
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"By the window, full in the cool moon-rays, sat [the ghost of] a young girl." From Under One Cover, Eleven Stories, 1898.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Presumption of brains," from The Penman's Art Journal, 1890.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Q: How many times can you chase a ghost and not become one yourself? —William Keckler
A: The popular answer is "13," but the true, chilling answer is: zero. (The answer is in black text on the black background. Highlight it to view.)
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"A strange procession began slowly to descend," from The White Man's Foot by Grant Allen and illustrated by Joseph Finnemore, 1888.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"'Why, C-A-T, to be sure,' replied Facey, laughing." From Mister Facey Romford's Hounds by Facey Romford, 1865.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"By peace plenty. By wisdome peace." From The Complete Works of Edmund Spenser, 1882.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Did you know that humble pie is traditionally cooked in a cauldron? From Cinderella: A Fairy Opera in Four Acts, composed by J. Farmer & Henry Sambrooke Leigh, and illustrated by Heywood Sumner, 1882.
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"The opening of the Blue Chamber," from Bluebeard or Fickle Fatima and the Fatal Key, An Operatic Burlesque Extravaganza in 4 Acts, written and illustrated by Edmund Arthur Ponsonby Hobday, 1888.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Make for daylight in close order," from Springhaven by Richard Doddridge Blackmore, 1888.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"And we went forth," from Cleopatra by Henry Rider Haggard and illustrated by R. C. Woodville, 1889.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"What was that white silent figure?" From The City of the Just by Thomas Terrell, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I am Atam-Or, the man of light," from A Strange Manuscript Found in a Copper Cylinder by James De Mille and illustrated by G. Gaul, 1888.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A Charge from the Grave by Somerville Gibney, 1889.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"A ghostly visitant" from Jethou by Ernest Richard Suffling, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Pillars of sand," from The Wonders of The World in Nature and Art by Henry Ince, 1839.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Rachael: Do you like our owl?
Deckard: It's artificial?
Rachael: Of course it is.
Deckard: Must be expensive.
Rachael: Very.
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"It bears repeating that yes, Virginia, cheerleading is a sport." —Pat Lenhoff, Chicago Tribune
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From The Dragon of the North by E. J. Oswald, 1888.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"With one hand I clung to the stiff mane of the monster; with the other I held Almah." From A Strange Manuscript Found in a Copper Cylinder by James De Mille and illustrated by G. Gaul, 1888.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From In Chains of Fate by John Max, 1889.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"From the midst of it issued an old woman," from The World of Romance, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Captains All by William Wymark Jacobs, 1905.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I was lowered bodily into those sacred depths," from Cleopatra by Henry Rider Haggard and illustrated by R. C. Woodville, 1889.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The man in the moon, from The Choice Works of Thomas Hood, 1881.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Waking up the ancient Britons," from The Children's Fairy History of England by Forbes Edward Winslow and illustrated by E. Marillier, 1889.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Our first mesmeric séance," from The Children's Fairy History of England by Forbes Edward Winslow and illustrated by E. Marillier, 1889. This should be of interest: Seance Parlor Feng Shui.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A howling dervish from The Land of the Sphinx by Georges Montbard, 1894.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Rising, she threw away the knife," from Ghostly Tales by Wilhelmina Fitzclarence, 1896.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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For an upcoming book, the artist Jim Girouard depicts Prof. Oddfellow listening to a mysterious whisper in a liminal zone between Portmeirion, Wales and a museum of the weird. We made an animated gif of sketches he sent throughout the creation of the piece.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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* There is a vast world of reality into which science can no more enter than an elf can be Santa Claus. We regret to observe that rather than face it, and confess its inability to measure it, science turns its back upon it. Life is not always every-day life, and the insolvable mysteries are correlated not to formal rules but to spirit and inspiration. Are bits of wisdom liable to dwarf the subject? Indeed — and rightly! James Howell described the ingredients of a good proverb to be "sense, shortness, and salt." May Howell's cry resound through this present collection of maxims on believing in one's elf.
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"Still as death sat Alice in her terror gazing into the sightless face of this woman," from The Wyvern Mystery by Joseph Sheridan Le Fanu, 1889.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Prof. Oddfellow's sketchbook:
The text reads: "The pipes in pipe dreams are made from gold.* It's all the stops that keep things in the realm of wishful thinking."
*as discovered by Jonathan Caws-Elwitt.
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Printed collections of Forgotten Wisdom diagrams are available: Volume I from Mindful Greetings and Volumes II, III and IV from Amazon. Selected posters are also available via Zazzle. |
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Here's a precursor to what CharlieJuggler calls "Growing a circus and planting it in pastures new." From Practical Hints on Camping by Howard Henderson, 1882.
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"Am I myself? Dreaming? Or is it insanity?" From Gwen Wynn by Mayne Reid, 1889.
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If you have a strange dream to share, send it along! |
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A Ghost's Philosophy by Jane Isabella Stuart, 1889.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Proto-hipsters(?) from To Call Her Mine by Walter Besant, 1889.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a precursor to the pushpin marker in Google Maps, from Millsaps College's Bobashela yearbook, 1905. (For some unbelievably weird yearbook imagery, see our How to Hoodoo Hack a Yearbook.)
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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From Phosphor by Friedrich Freksa, 1912.
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If you have a strange dream to share, send it along! |
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This Terrible Problem That Is the Sea |
(permalink) |
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The Siren of Warmington by John Collett and illustrated by Lancelot Speed, 1889.
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,( ,( ,( ,( ,( ,( ,( ,( `-' `-' `-' `-' `-' `-' `-' `-' ` "The sea is a cruel mistress. Yet again the sea has behaved unconscionably. It's time to address this terrible problem that is the sea." —Captain Neddie, from the hilarious BBC series Broken News |
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"This gradually condensed and took at length a human shape." From The Conquest of the Moon by André Laurie, 1889.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Exactly what I am after," from Busyman's Magazine, 1907.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Was this her practical joke? From St. Nicholas magazine, 1904.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"We both gazed for a few moments upon the calm, still face of the dead man," from Raymi, or the Children of the Sun by Clive Holland, 1889.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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