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Don Lancaster's Cheap Video Cookbook (1978) is dedicated to the Yeahbut.
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From Kladderadatsch, 1932.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Barnard's 1916 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Fliegende Blätter, 1848.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tulane's 1905 yearbook.
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From Salem's 1911 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This happens every time we read a book, too. From Longwood's 1909 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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unearths some literary gems.
***
"You make me sound like a blue stocking."
"Weren't you?"
"Never more than a blue sock."
"And what are you now, Nancy?"
"A single strand of blue thread."
***
She...was quite capable of copying her own mouth-twisting trick.
***
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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If we could reassure you that these are merely mannequin heads looking at one another, we'd do it in a heartbeat. From Salem's 1923 yearbook.
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From Der Bärenspiegel, 1932.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Are you buried in pleasure?" From Lighted Pathway, 1935.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Der Bärenspiegel, 1932.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This photo may be used to facilitate astral or time travel. From Guilford's 1975 yearbook.
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| If you have a strange dream to share, send it along! |
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From Salem's 1923 yearbook.
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From Dramatic Reader for Lower Grades by Florence Holbrook, 1911.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Fliegende Blätter, 1923.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Bears and lions revisited." From Barnard's 1981 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From Lustige Blätter, 1901.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The jester's marotte servers as the pole for his banner!
From the University of Illinois' 1911 yearbook.
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From Barnard's 1916 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This is one of the most damning photos we've encountered in an old yearbook. From Pembroke's 1970 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lasell Junior College's 1967 yearbook.
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May your day hereby be free of werewolves. From Wizardry IV: The Return of Werdna Handbook.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This window into the otherworld is from Colorado College's 1980 yearbook.
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The nature of this UFO will be obvious to fans of the cult TV show The Prisoner: it's "Rover."
From Lumières Dans La Nuit, 1970.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A disrobed teddy bear. From Der Bärenspiegel, 1932.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A skeleton strung onto an electrical wire. From Otterbein's 1904 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We presume that's the skeletal art model in the background. From Wake Forest's 1977 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"A tip to the wise." From the 1915 yearbook of the State Female Normal School, Farmville, Va.
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"The fairy stepped on the sunbeam." From Fairy Grammar by John Harold Carpenter, 1920.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kladderadatsch, 1928.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Les Hommes du Jour, 1910.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
unearths some literary gems.
From "Done on Both Sides," by John Maddison Morton:
***
[Pretty racy!]
Mr. Whiffles: I merely say, Mrs. W., and I say it emphatically, that this copper receptacle for fuel is making a very ungrateful return for the liberal amount of friction that I've been lavishing upon it for the last three quarters of an hour.
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From The Film Daily, 1945.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Rinkitink in Oz by L. Frank Baum and illustrated by John R. Neill, 1916.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Der Bärenspiegel, 1932.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of the South's 1923 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Reblog if you, too, are frustrated, inhibited, and no one understand you. From Catawba's 1967 yearbook.
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From Lustige Blätter, 1914.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The least understood forest on earth contains glowing trees and can be explored only via old yearbooks. From Swarthmore's 1967 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It all boils down to "Wigs and Cues." From Barnard's 1916 yearbook.
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From Weird Tales, 1948. (Courtesy of Archive.org.)
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Montana's 1947 yearbook.
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The winged wheel of Justice. From Nebelspalter, 1899.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Barnard's 1981 yearbook.
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From Der Bärenspiegel, 1943.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Fort Wayne Bible College's 1964 yearbook.
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"You slide the mask down the page until you see a new row of ___."
As we proved previously, i t's a bizarre and wonderful phenomenon that whenever you see rows of asterisks in a book, they invariably illustrate the text either following or preceding them.From a 1968 education monograph.
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We analyzed this spooky hallway with our custom Uncanny Detector app and determined that though the lonesome figure on the steps is not a ghost, he is communing with a spirit. From Duke's 2002 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Der Bärenspiegel, 1943.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Dreaming of books written by fools. From Littleton's 1907 yearbook.
|
| If you have a strange dream to share, send it along! |
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Milking a minotaur. From Der Bärenspiegel, 1932.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The 4-fold manifestation of the divine trinity, forming the 'jewel in the lotus' or the 'diamond heart,' the geometrical reason for the twelve-fold divsion of the zodiac. From The Key of Destiny by Harriette Augusta Curtiss and F. Homer Curtiss, 1923.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Barnard's 1916 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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You've heard there's no point unless you dedicate your life to it (whatever "it" may entail). Well, this particular yearbook staff followed up on that, and apparently none of them lived to see the publication. From Eastern Carolina's 1927 yearbook.
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To this day, it's easier to find decorative umbrellas than umbrella decorations. (We checked!) From Le Charivari, 1890.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Illinois' 1911 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
|
|
unearths some literary gems.
***
[I didn't realize that a "jiff" was fungible!]
[The babysitter would] be with us in a jiff. [...] I...used the jiff to look in on the kids....
***
The doctor tried to look extra doctorish.
***
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A cyclops from Unknown, 1940.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We know of the hands of a clock, but hourglasses have hands, too. From Mars Hill College's 1973 yearbook.
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Reblog to bring back comfortable fashions. From University of Illinois at Urbana-Champaign's 1938 yearbook.
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"Skeptic insists UFOs exist." From UFO Newsclipping Service, 1986.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"She really did try to smile, though she didn't know how at all." From Howtobegood Stories by Edith Cushing Derbyshire and illustrated by Noble Ives, 1918.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Father Time can no longer chase down new graduates, per the education amendments of 1972. From William and Mary's 1915 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Rockford's 1972 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From Littleton's 1907 yearbook.
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From The George Washington Ghost, 1927.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A single flower can make so much of a difference. From Florida Southern's 1961 yearbook.
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From Manual de Mitología by Patricio de la Escosura, 1845.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Le Journal Amusant, 1877.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
unearths some literary gems.
***"You dashed off to feed your cat or something. Minsky? Minky?""Mr. Minks."[Which is only of interest--if at all--because of its coincidental similarity to the following passage in The Pleasure Dial, when Sid Heffy can't remember Artie Plask's name.]"And where’s that new guy, anyway? What’s his name...Placky? Platsky? Pla—"***"It met at his say so, usually once a month when there was absolutely no moon. It was his little joke: the La Luna club didn't really exist, legally or publicly; so it could only run on nights when the real moon didn't exist, either."***
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From Barnard's 1908 yearbook.
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Reblog to bring mop wigs back to weddings. From Eastern Nazarene College's 1965 yearbook.
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From Phil May's Illustrated Winter Annual, 1893.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
A Soul Trapper from the Wizardry III: Legacy of Llylgamyn handbook.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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"Come to my room in a half hour and bring a loaf of rye bread." From Purple Parrot, 1942.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
| I Found a Penny Today, So Here's a Thought |
(permalink) |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Measure magazine [Saint Joseph's College], 1942.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Imagine being immoralized in a yearbook for using yourself as an ironing board. From Colorado College's 1980 yearbook.
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A postcard from c. 1911, photographed by A. S. Johnson. Courtesy of UpNorthMemories.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The rose-sprite. From St. Nicholas Book of Plays and Operettas, 1905.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Medical College of Virginia's 1934 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lustige Blätter, 1908.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of North Carolina at Chapel Hill's 1909 yearbook.
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A tombstone-worthy sentence diagram: "If an inscription be put upon my tomb, it may be this." From Manual and Diagrams to Accompany Metcalf's Grammars, 1901.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From William and Mary's 1915 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Peace Institute's 1909 yearbook.
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From Lumières Dans la Nuit, 1979.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Der Bärenspiegel, 1923.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Interlachen's 1928 yearbook.
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From Orlton West's film "Waitress!", in Close Up, 1929.
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From Kent State's 1985 yearbook.
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"Oh, I forgot my key!" From Awake magazine, 1958.
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From Barnard's 1908 yearbook.
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From William and Mary's 1915 yearbook.
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Reblog if you would be surrounded by cats and owls. From Nebelspalter, 1919.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kansas State's 1917 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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An inkblot from Yeshiva's 1961 yearbook.
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From Art and Nature Sonnets by Francis P. B. Osmaston, 1911.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
***
"Finally I said either I'd have my window open or else. Well, I elsed."
***
"I guess she's not so this-and-that, after all."
***
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From Wizardry Monsters Manual.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The schnapps devil." From Nebelspalter, 1924.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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There's really only one answer to the classic riddle about the tree that falls in the forest with nobody around to hear it. Keep that tree from falling in the first place, and then it won't matter whether it makes a sound or not. From Biola University's 1982 yearbook.
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In 1977, George Burns played God in the film Oh, God! Here he is, apparently, five years later, though strangely smaller and transparent. From The Lighted Pathway, 1982.
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You may have (correctly) surmised that castles in the air condense from evaporated moat water ( as we proved here). But they may also form out of the incensation of ritual offering bowls. From the University of Montana's 1908 yearbook.
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From the Master Of Monsters II handbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ya-Hoo magazine (Amherst), 1954.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Belmont Abbey's 1962 yearbook.
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Ursula Kimball Russell, ‘Nightmare of the Boy Who Would n’t Eat Breadcrusts’, in St. Nicholas, #6, April 1922 (via TheFugitiveSaint).
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| If you have a strange dream to share, send it along! |
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The "Flunk" demon. From Swarthmore's 1898 yearbook.
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Memories of college. From Duke's 1965 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Der Bärenspiegel, 1943.
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| *Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out. |
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A spirit photograph from State Teacher's College, Farmville, Va.'s 1934 yearbook.
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From Der Bärenspiegel, 1933.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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When we're asked, as chronologicians, to correct a temporal anomaly, we often have to explain that it's not as easy as resetting a clock, for there are mighty forces out there. From NY School of Agriculture at Alfred University's 1942 yearbook.
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"Why are horror movies so awful?" From Photon, 1974.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Swarthmore's 1967 yearbook.
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Star of Dawn: an illustration from an 1856 issue of Godey's magazine.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the 1949 Ole Miss yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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Bob the owl. From Henderson-Brown's 1913 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lumières Dans la Nuit, 1982.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It's the cover version that left the band Vaylon utterly speechless: "Numb" by Neons Gone Mad:
A brief explanation of how we approached recording a cover of “Numb” by the Danish band Vaylon: we hear the line “As I walk along the shore” to be the key, because the songwriter is in a timeless moment as he reflects upon his past, his regrets, his addictions, his disgraces. His mind, as he walks, is outside of time — he’s in a sort of “eternity” of the soul. And that makes the shore, perhaps, like the River Styx, for the songwriter is at a threshold or liminal zone, trying to separate himself from the chains of the past. He is tied down by his habits, not really able to progress or to find a new freedom. He is so full of doubts bottled inside him that he can’t fully detach from his old life. And so we hear these lyrics as describing a state of existence described in the Tibetan Book of the Dead, in which a soul finds himself in the in-between existence of “the Bardo.” Because the songwriter keeps trudging forward against the wind, we made the chorus #2 and chorus #3 more and more far-away, more and more ghostly, as if a fading signal on Tesla's spirit radio. The songwriter ever walks along the shore and finally leaves the listener behind. The listener inevitably loses the songwriter, but the songwriter surely finds eventually himself. We created the rhythm out of clockwork sounds, to symbolize the relentlessness of time. Even in limbo, the seconds click away for the songwriter with each step he takes down the shore.
In the music video we created for the cover version, two paranormal investigators are trying to tune into a frequency to make contact with that distant shoreline. By the end of the song, when the singer has finally drifted into the mysterious ethers, the investigators realize that Vaylon was never there (meant to be something of a joke, in that this wasn’t Vaylon’s original recording but rather a cover version; plus, some folks will recognize it as a quotation from the David Lynch film Fire Walk With Me, when David Bowie makes a cameo appearance but doesn’t show up on the security cameras because “he was never here.”)
We should note that we changed only two words, “being social” to “hollow seashells” … the seashells being a hint at the shore mentioned in the chorus, as well as literally being Tibetan horns (further tying into the Tibetan Book of the Dead). Don't miss the original track: vaylon.bandcamp.com/track/numb
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From Prof. Oddfellow's sketchbook: how castles in the air are formed.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tennessee Wesleyan's 1949 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Reblog if you've had days like this. From Millikin's 1975 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Swarthmore's 1922 yearbook.
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From Le Journal Amusant, 1907.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The motto of the Deependers' Club - "You may dissipate, you may loaf if you will, but the knowledge you get offhand will linger around you still." From William and Mary's 1915 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Green Pipes by Joseph Rous Paget-Fredericks, 1929.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
unearths some literary gems.
From "Betsy Baker, or, Too Attentive By Half," by John Maddison Morton:
***
Mrs. Mouser. (throws down her work) This is really intolerable! I wish you wouldn’t attempt to sing that song, Mr. Mouser. You’ll never accomplish it.
Mouser. I will accomplish it, Mrs. Mouser. Indeed, I may say, I have accomplished it—all, except the “Ya—oo—oo,” and I’m not going to be beat by a “Ya—oo—oo,” I can tell you.
***
Crummy. Come, come. Now that you see I’ve found you out—tell me how you contrived to wheedle poor Betsy out of her affections?
Mouser. Crummy, I’m not apt to make use of strong language—but—by the living jingo, I never wheedled a Betsy out of anything in all my life!
***
Crummy. Ah ! Any one with her?
Mouser. Yes, my wig. This is your doing—this is your precious work, (seizing Crummy and shaking him). It was you — you who exposed me to the fascinations of this juvenile washerwoman. It’s through you that I have lost my peace of mind, and my wig. Where are they? Where’s my peace of mind? Where’s my wig?
***
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Sacred Heart's 1973 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
Out with the invisible woman. A detail from Nebelspalter, 1930.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This cat is seeing you, truly seeing you, through the mists of time. From St. Joseph's College's 1971 yearbook.
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From Atta Troll by Heinrich Heine and illustrated by Willy Pogány, 1914.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"They thought only of their flight." From Star People by Katharine Fay Dewey, 1910.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Windmill costumes are extraordinary rare, likely because they're difficult to store and because the powers that be don't wish us to be energy independent. From Le Charivari, 1890.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Colorado College's 1936 yearbook.
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Do not touch snakes, look at mating snakes, burn snakes, or inhale the odor of snakes or their dens. From a teacher training guide to Navajo cultural beliefs, 1986.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Rare to see a dog in an ill-fitting suit. From Tennessee Wesleyan's 1951 yearbook.
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Perhaps those clubs on the path behind the king are the footprints and spiked-stick print from where he originally posed before the sketch artist asked him to come a bit closer. From Swarthmore's 1898 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hope College's 1930 yearbook.
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For those of us who enjoy very dark, aimless drives (highly recommended and highly spooky!), this sort of mysteriousness is not uncommon. From Lumières Dans La Nuit, 1971.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A spirit message from 1910, by a ghost temporarily in heaven. If we're decoding it correctly, the handwriting reads: "Are you surprised to think I am up here [?] . Their [sic] is eight of us having a good time but expect to go back."
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Reblog if hairdressers should bring back the "stuff your face with all the French bread you can eat" gimmick. (If that was ever actually a thing.) From Lancaster School of the Bible's 1974 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"How can one musician have a reunion?" From Express, 2005.
Actually, given that musicians are continually "finding themselves," every solo recording is a sort of reunion, eh? And for some reason the musician invites the entire world as witnesses. I'd RSVP my regrets ... but dammit I just love music and so keep getting drawn back in.
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From Wizardry Gaiden I: Suffering of the Queen Strategy Guide.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Current Sauce, 1953.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Medical College of Virginia's 1918 yearbook.
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From Unknown magazine, 1942.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It's been said that much of the responsibility for outmoded teaching methods has been put on teachers. From East Carolina's 1965 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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Run down by a hobby horse on wheels. From Le Charivari, 1890.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Tag yourself if you are somehow all of these creatures. From Pembroke's 1956 yearbook.
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Unhappy mermaid. From Spellbound, 1977. (Courtesy of Archive.org.)
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Medical College of Virginia's 1934 yearbook.
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From Lustige Blätter, 1907.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We think twice before boarding any transport alonside shadow people, but admittedly it all depends upon where one's going. From Duke's 1965 yearbook.
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From Der Bärenspiegel, 1943.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Colorado College's 1933 yearbook.
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From The George Washington Ghost, 1926.
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From Der Bärenspiegel, 1926.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Listen and tremble! I am the king of the serpents!" From The Echo-Maid by Alice Aspinwall, 1897.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Only a fairy cannon is guaranteed to hit its target. From Hollins Institute's 1919 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From Fort Wayne Bible College's 1966 yearbook.
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From Tennessee Wesleyan's 1949 yearbook.
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From Lustige Blätter, 1906.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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An "F minus" pinned to his jacket. From Swarthmore's 1979 yearbook.
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From Der Bärenspiegel, 1946.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Clarion's 1914 yearbook.
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Today's levitating robot from outer space with no head detail is from the Aerial Phenomena Research Organization Bulletin, 1974.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Elon's 1914 yearbook.
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"Don't lie to your wife." From Indiana University's 1923 yearbook.
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From Echoes from Storyland, c. 1880.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From "Taken from the French," by John Maddison Morton:
***
ARTHUR. If you had the slightest particle of regard for me, you’d let me hand you up the hammer and tin-tacks! [....] Stop, Myrtle! Do let me come and hand you up the hammer and tin-tacks! So! I’m to do something energetic, am I? Drown myself in the duck-pond? Yes!—no. I have it! I’ll say good-by to Fritterly, and cut this place at once! And then, Miss Vane, perhaps you’ll be sorry—perhaps you’ll regret that you didn’t let me hand you up the hammer and tin-tacks!
***
LADY FRITTERLY. Spare me your absurd similes.
***
COLONEL COSEY. He’s a pleasant fellow enough in his way, but I prefer being out of his way! To be within the sound of his voice is like living over a printing-office—one continual clatter!
***
[A Parrot Always Makes It Funnier dept.]
LADY FRITTERLY. Give me but time to pack up my jewels, a dozen or two dresses, and a sprinkling of hats, and I’ll be with you, my Arthur! (Going—stops.) You won’t mind my bringing my favorite little pug-dog, of course you won’t—(going—stops again)—and a couple of kittens—a thousand thanks—and you won’t object to putting the parrot cage under your arm? I thought not.
***
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From Der Bärenspiegel, 1937.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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These uncanny multiple exposure shots, exclusively with female subjects, seem to have reached their peak in the 1970s. Presumably they served to promote and perpetuate, if only subliminally, The Three Faces of Eve. From Lighted Pathway, 1973.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Cincinnati's 1897 yearbook.
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From Der Bärenspiegel, 1926.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A scene from "The Ghost That Never Returns." From Close Up, 1929.
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From the 1915 yearbook of the State Female Normal School, Farmville, Va.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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"You're getting sleepy …" -- a hypnotizing headline from The Justice newspaper (Brandeis), 1992.
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From Lustige Blätter, 1905.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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So many yearbooks have been edited by goats. From Barnard's 1908 yearbook.
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This photo appeared upside down in the yearbook, whether accidentally or deliberately we don't know. From Indiana University's 1923 yearbook.
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"The other people in the book looked at her in surprise." From Fairies I Have Met by Mrs. Rodolph Stawell and illustrated by Edmund Dulac, 1910.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Bendy architecture from Millikin's 1930 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Swarthmore's 1979 yearbook.
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From Der Bärenspiegel, 1946.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Colorado College's 1933 yearbook.
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From The George Washington Ghost, 1921.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The Mad Hatter in a skirt, from an all-female re-telling of Alice in Wonderland from Agnes Scott College's 1914 yearbook.
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Fear of graphs. From Screen Mirror, 1930.
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From Lasell's 1923 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Mitchell's 1974 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Note the eerily magical 3-D effect of this printing process from 1925. This image may be used to facilitate time travel. From Wesleyan College’s 1925 yearbook.
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Money making the mare go. From The Kingdom of Coins by Bradley Gilman, 1894.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Colorado College's 1933 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The New Movie Magazine, 1935.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
***
The Potter sisters--Muriel and Sissy--were well known in Ashdown Dean, largely because hardly anyone knew them at all.
***
[She imagined a Henry James-influenced mystery story] in which several people have achingly endless, convoluted conversations over tea and biscuits, all of them knowing there was that body in the solarium but, with their Jamesian sensibilities, making such oblique references that no one knew if anyone knew if he or she knew. Including the reader.
***
Getting her to talk about anything at all was like being stuck at a party of clams.
[I didn't know that clams had parties! But then, why would I? After all, I don't know any clams well enough to score an invitation.]
***
[Drunk-lord inflation!]
Carrie had once found her outstretched beside the privet hedge, drunk as three lords.
[I'd never done the math to realize that three equally drunk lords would be drunker than just one.]
***
[Her face] reminded Carrie of a poached egg.
***
When she allowed them an audience, it was in her withdrawing room, where she promptly withdrew her attention.
***
It wouldn't surprise Carrie at all if they'd married because of their names--Regina and Reginald--so they could call each other Reggie.
[Cf. Robyn Hitchcock, "All aboard / Brenda's iron sledge / Please don't call me Reg / It's not my name."]
***
[Flirtatious Rhetorical Questions Silently Answered dept.]
Again, she giggled. "Ain't you a caution?"
Jury didn't think so and wanted to get on with it.
***
Bonus: A minor character called Mrs. Thring (i.e., "thing" with an R added).
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The cherub's impish counterpart works overtime. The headline reads, "Demonland Cupid works overtime." From The Current Sauce, 1956.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This passage is a Googlewhack: "The world is starved for the life we have discovered. We dare not keep it to ourselves. We are born, like Christ, to die, and in our death to bring the joy of life to others. Our life is a paradox — death in reverse!" From Goshen College's 1971 yearbook.
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Confirmed -- love is a lollipop. From Lighted Pathway, 1988.
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5-stars. Très drôle et très joli. Un livre rempli de schémas "scientifiques" afin d'illustrer tous les sons que produisent les licornes. Beaucoup de citations issues de la litérature, permettant de varier le propos. Court, mais distrayant.
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From the Master Of Monsters II handbook.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Blue Planet Project: Alien Technical Research - 25 (undated).
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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By Alberto Martini, in Attraverso gli albi e le cartelle by Vittorio Pica, Vol. 2, 1904 (via TheFugitiveSaint).
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Each person is doing what he does best, though it may only be eating and sleeping." From Mitchell's 1974 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Wise as a treeful of owls." From the University of Missouri's 1904 yearbook.
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From Der Bärenspiegel, 1933.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Be gentle with yourself." From Mitchell Community College's 1980 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"For the ancient Greeks, the god of theatre was Dionysus—the 'god of the mask.' Initiation into the mysteries of Dionysus was a passage through ecstatic possession and transformation into the mysteries of identity—appearance and reality, death and rebirth. This god with many faces was also the 'god of confrontation' whose entranced eyes 'cannot be avoided'" (Mask Improvisation for Actor Training & Performance: The Compelling Image, 1996). Illustration from Plays For Players And Guide To Play Production by Verne E. Powers, 1957.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Bay Path's 1974 yearbook.
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Our custom widget that checks for duplicated images suggested this pairing. Click each image for its source.
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So rare to see a full-frontal pom-pom, revealing that pom-poms are ghosts' hair. From Chowan's 1981 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Clarion's 1912 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Purdue's 1908 yearbook.
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From Lustige Blätter, 1906.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A bone-head from the 1912 Ole Miss yearbook.
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From Le Journal Amusant, 1904.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From William and Mary's 1925 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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A camera freezes time in the University of North Carolina Wilmington's 1974 yearbook.
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From Lustige Blätter, 1917.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Hyperbola and Ruthetta" is a Googlewhack. From the University of South Carolina at Spartanburg's 1972 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Catawba's 1932 yearbook.
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"It was true I ran into the horse." From Eliza by Barry Pain, 1904.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Clarion's 1914 yearbook.
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From Der Bärenspiegel, 1933.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Missouri's 1904 yearbook.
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"She wants to be wicked" -- Corinne Griffith in Talking Screen, 1930.
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From Lasell's 1923 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Warhol gets all the glory, but artists have been doing tomato cans for as long as there have been tomato cans. From Indiana University's 1908 yearbook.
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unearths some literary gems.
***
[From Limelight, by Organ]
a well-received performance as Mrs. See-deep [sic] in Observation and Flirtation
[Well! That allusion piqued my interest. It turned out that Observation and Flirtation was a real stage comedy from 1860; I found the text online and took a glance at--and I quote--"Observation and Flirtation: A Comedy in One Act, by Horace Wigan, Comedian, author of Conjugal Lesson--Fascinating Individual--Base Impostor--Pyramus and Thisbe--The Absent One, &c., &c." In the cast of allegorically named characters, Mrs. Seedeep bears her husband's surname; Mister Seedeep goes around making annoying, confident surmises about people's feelings and activities because he "sees" it all.]
[From Observation and Flirtation. "Fiddle-de-dee" as a Verb dept.]
MR. SANGUINE: You in love? fiddle-de-dee!
DR. SLOMAN: Fiddle-de-dee! I shan't fiddle-de-dee!
[A note on the spelling: Both Merriam-Webster's and OED's official versions of the word show no hyphens—but they differ in that M-W's version is "-deedee" (like Dee Dee Ramone) rather than "-dedee" (and a visit to Google Books suggests that "-de-" vs. "-dee-" is in-dee-d a UK vs. U.S. spelling difference). However, three out of OED's five citations for the word are, in fact, hyphenated as in Wigan's version.]
[From the Oxford English Dictionary. Nonsensical Appendage dept.]
Etymology: < fiddle n. or fiddle v., used in a contemptuous sense with a nonsensical appendage.
[Bonus: I think Organ & Wigan would make a good name for a duo, à la Olsen & Johnson.]
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"Learning how to turn aside from prayer to look for god." By Colin Peters. From Coraddi, 1991.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Life somehow seemed so much the same; now it would be different ... Obliviion in gold lamé." From Purple Parrot, 1944.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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May no gorgonic bulls cross your path today. From Wizardry IV: The Return of Werdna Handbook.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The standard greeting: "Hey, Bigfoot." From UFO Newsclipping Service, 1983.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"None but Lucifer." From Unknown, 1939.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The deepest secret has a trumpet now; the heart is housetop, and the midnight day." —Frederic Abbe
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From Le Journal Amusant, 1903.
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Here's some relative time from Swarthmore's 1926 yearbook.
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From Lustige Blätter, 1905.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Creation of light." From Florida Southern's 1933 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the Naval Academy's 1905 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Der Bärenspiegel, 1933.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Stays fat yet she eats like a bird." From Talking Screen, 1930.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Mars Hill's 1927 yearbook.
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An iron bedframe fence?
An old postcard gifted to me by friends in Wales. Undated.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Chairs that caress the body." From The Film Daily, 1936.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Puple and White (Millsap), 1939.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Life is ever lord of death and love is mindful of its own" (Whittier). From the University of North Carolina at Chapel Hill's 1921 yearbook.
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From Der Bärenspiegel, 1926.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"In the record which the pupil makes, there may be a great future. That, at least, is what 'teacher' says. But no one ever finds it." From Talking Screen, 1930.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Reblog if you've ever looked in a mirror and seen a clown. From Swarthmore's 1926 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Reblog if a clown has ever thanked you for your service. From TriState's 1970 yearbook.
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From Lustige Blätter, 1905.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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INSTRUCTIONS: Click to rotate and transform each picture. From Purdue's 1900 yearbook. 
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If this is a lesser demon, I'd hate to see his regional manager. From Wizardry Monsters Manual.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From The Lark:
***
There came a time when the world began to grow older, and able to go around alone.
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Jules Verne raised to the xth power
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Interchangeable Philosophical Paragraphs
[That piece is exactly as advertised!]
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Robert Louis Stevenson says, "Back now, my Booklet"!
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A precursor to the Stay-Puft Marshmallow Man?
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In praise of how children approach the art of drawing.
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[Fourth attachment.] Furniture nonsense! (I think the page on which this appears is a spoof advertisement.)
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Metaphorical literary geography.
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"L'ark de Triomphe."
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Biblio-punctuational love poetry.
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A silly game that seems to loosely precurse and blend Exquisite Corpse, Mad-Libs, and some sort of Ictionary.
***
A Conleyesque map.
***
Another silly game: Tintype Whist!
***
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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For those of us eaisly manipulated, the eerie truth is that "We are the puppet people!" From Together, 1963.
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Too few home remedies for sick dolls have conveyed. A prescription from 1906 requires that no clocks tick during the doll's illness. Additionally, stairs mustn't creak, doors mustn't slam, and dogs must neither bark nor wag their tails. (This we learn in Uncle Charlie's Poems by Charles Noel Douglas, 1906.)
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Psychiatric Bulletin, 1956.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Sweet it is to have done the thing one ought." From Hoenshel's Complete English Grammar, 1897.
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Reblog if your hat sprouts mushrooms in the rain. From Le Charivari, 1887.
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| *Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out. |
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From Lustige Blätter, 1906.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Wesleyan College's 1953 yearbook.
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The scariest matchbox monster we've yet encountered. From Der Bärenspiegel, 1926.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Pathways toward the future. From Chowan's 1930 yearbook.
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"Half your beauty." From Talking Screen, 1930.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tulane's 1917 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
***
He had been content enough to go through life as mere Mr Theodore Caxton, and didn't even use the family's subsidiary titles to which he could lay claim, Viscount this, Viscount that, honourable the other.
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Adelia felt as if she were going to explode with a mishmash of boiling emotions. [I didn't realize mishmashes were that volatile!]
***
His jacket was cast untidily on the back of a chair and his cummerbund was in disarray.
***
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From Lighted Pathway, 1975.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Wizardry: The Return of Werdna: The Fourth Scenario handbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Adjusted for inflation, these silk pajamas (catered to college students) would cost $170 and $260. From Purple Parrot, 1929.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Biblical soccer (a.k.a. Biblical football) as a footprint of the devil. From The Foot-Prints of Satan, or, The Devil in History by Hollis Read, 1873.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the Wizardry VI: Bane of the Cosmic Forge handbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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The bird is dropping off the wall. Fun composition, too, with the quadrants. From the University of Montana at Missoula's 1970 yearbook.
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Infested by tiny winged men in kilts. From Lustige Blätter, 1918.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From William and Mary's 1925 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Does Hell Exist? by Wilfred G. Hurley, 1945.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Technology has shrunk so much over the years. Before home computers and apps, even before the "personal calculator," giant "adding machines" were required. From Omaha's 1968 yearbook.
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From Kladderadatsch, 1923.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Her official yearbook portrait. From Virginia Commonwealth's 1972 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The pseudo-3D effect of this photo may be used to facilitate astral or time travel. From the University of North Carolina at Chapel Hill's 1921 yearbook.
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| If you have a strange dream to share, send it along! |
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From Der Bärenspiegel, 1926.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1913 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Le Journal Amusant, 1876.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The "Latinag." From Barnard's 1907 yearbook.
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A postcard from our personal archives.
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A bit hard to make out, but in the trees are the words, "But anyway." From Queens College's 1978 yearbook.
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"The thing raised one arm and pointed to the sky." From Bob's Hill Trails by Charles Pierce Burton, 1922.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Der Bärenspiegel, 1933.
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| If you have a strange dream to share, send it along! |
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From the University of Missouri's 1904 yearbook.
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From St. Nicholas Book of Plays and Operettas, 1905.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Do not call a bear by its name but rather "my grandson" and direct it back to the forest. From a teacher training guide to Navajo cultural beliefs, 1986.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From William and Mary's 1925 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Birmingham-Southern's 1986 yearbook.
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A headline we can believe in: "Messages from the ether." From Clarion Call, 1978.
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unearths some literary gems.
A mass of gleaming white statuary confronted him; the room, large and high as a gymnasium, was disposed about it like a frame. Faraday, the statuary might be; or Samuel Rogers; or just conceivably Palmerstone. Seated, it stared apprehensively at the door, as though anticipating the arrival of duns or bailiffs. It base pinned a large though inferior Turkey carpet to the parquet floor. Portraits in ponderous gilt frames conversed wordlessly, and with the effect of administering a decisive snub, across the top of its head. A number of well-polished but clearly functionless tables--of the sort described as "occasional," but whose occasion somehow never arises--were ranged about the room's periphery like sitters-out at a ball. And the only other furniture consisted of two immense Victorian hat and umbrella stands which, flanking the door, flourished a multiplicity of knob-crowned arms, Vishnu-like, at the ceiling.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| Who is your favorite imaginary saint? Do share! |
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If you previously speculated that spiders are mathematicians, you were right. From Cincinnati's 1897 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Der Bärenspiegel, 1923.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1913 yearbook.
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From Talking Screen, 1930.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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There really was a two-page spread -- blank! -- for the "unseen majority" in the University of Montana at Missoula's 1970 yearbook. Yet why only two pages? The entire yearbook should have been a blank book.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Catawba's 1934 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From Tulane's 1897 yearbook.
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From Le Journal Amusant, 1924.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Barnard's 1925 yearbook.
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Automata theatre. From Lustige Blätter, 1900.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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That expression -- it's like looking in a mirror (our scrying mirror). From the Master Of Monsters II handbook.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The crossword craze did, indeed, go on, and that's why everybody looks like this now. From Purple Parrot, 1925.
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From Kladderadatsch, 1922.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From the University of Wisconsin's 1921 yearbook.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Der Bärenspiegel, 1923.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From A Quiet Life in the Country, by T. E. Kinsey:
***
"I was four years old and recited Newton's Laws of Motion to her and then played "Frère Jacques"--quite badly, she says--on the piano before announcing that when I grew up I was going to be a polar bear."
"You were ambitious, even then."
***
[Though I still like the tmesis-enhanced "la-di-da" best, this is pretty good: "[Blimmin] Lah-di-Dah" as an aristocratic seat! (Note that the variant of the intensive "blooming" is evidently part of the place name, as it's capitalized. Meanwhile, the "di" in Lah-di-Dah is lowercased, because presumably it derives from the Italian "di" or the French "de.")]
"And now she swans around here like the Duchess of Blimmin Lah-di-Dah..."
***
"You know the sort of thing: Lady Evangeline Dullard of the Hampshire Dullards was seen dining out with the Honourable Tarquin Jackanapes."
***
"She's forever poking her nose in at the office, too, y'know. In and out like a fiddler's elbow."
[I see that "in and out like a fiddler's elbow" is a known phrase, but it was new to me.]
***
"'She's all there and halfway back,' as Mrs. Sunderland says."
[Now, this one only brings up two Google hits, both from Google Books, and both 21st-century. (The present book is also 21st-century, but supposedly set in the early 1900s.)
***
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Apponequet's 1970 yearbook.
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"It came from outer space." From UFO Newsclipping Service, 1987.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Lure it with flowers. From Centenary's 1940 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Glowing trees keep old yearbooks from ever going completely dark. From University of North Carolina at Chapel Hill's 1968 yearbook.
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From Thrilling Wonder Stories, 1941.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Presbyterian Junior College's 1935 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Crossing your eyes to bring the two lamp posts into a single glowing sphere will induce alpha brainwaves (as in meditative states), making one more receptive to time travel. From Kent State's 1942 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the State Female Normal School, Farmville, Va.'s 1902 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a rarity -- a "turn it upside down" image that doesn't change. From The Judge, 1920.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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There can be a fine line between children and demons. From Ghost Stories, 1926.
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"Meet the bat people of Neptune!" From Thrilling Wonder Stories, 1943.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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INSTRUCTIONS: Click to see the consequence of foreign language study. From Winthrop's 1909 yearbook. 
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"Time may be limited." From the University of North Carolina Wilmington's 1980 yearbook.
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From Der Bärenspiegel, 1939.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A Ouija board conjured up blurbs by famous people in honor of The Goblin, 1921.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Ignorance poured directly into the head. From The Dogs and the Fleas by Frederic Scrimshaw, 1893.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Swarthmore's 1923 yearbook.
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From the Elson Primary School Reader, Book One, 1913.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Le Courrier Français, 1892.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Mansfield's 1924 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Mary Washington's 1966 yearbook.
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Here's a potion or two, just in case. From Wizardry IV: The Return of Werdna Handbook.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Westfield State's 1929 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kent State's 1985 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Montana at Missoula's 1970 yearbook.
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"I was only trying to light you up." From Kabumpo in Oz by Ruth Plumly Thompson, 1922.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Nursery Rhymes, illustrated by Claud Lovat Fraser, 1922.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We double-checked, and this is indeed an accurate depiction of where sacred geometry comes from. From Mars Hill's 1983 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Mary Washington's 1966 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Birminghan-Southern's 1934 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A florist innuendo joke from the 1930s, in Purple Parrot (1938). "Do you have any pansies?"
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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"The trouble with literature is that writers have to be the ones who write it. It's always partial; it's always partisan, and it's always incomplete. When I say that writers have to be the ones to write it, I mean that in order to generate the energy to create a big novel, a big play, an involved poem, one has to be a species of fanatic. You have to think that that is really the only thing worth doing. Otherwise, you can't generate the intensity to do it well. And to that degree, by generating that intensity, you are blinding yourself to what does not fit into some preconceived pattern in your own mind. There's no doubt about that to me, and I think that probably lay behind Plato's prohibition of the artist in society, He was right in the sense that the artist doesn't know what he is doing, to some extent. That is, we pretend, or like to believe, that we are depicting the whole truth of some situation, when as a matter of fact, the whole truth is, by definition, made impossible by the fact that we are obsessed people. I don't know of a first class piece of work written by what I would call, or a psychologist would call, a balanced, adjusted fellow who could easily be, let us say, a good administrator for a complicated social mechanism of some sort. It doesn't work that way. We are not constituted that way; so consequently, to be sure, it will have to be partial. The impulse to do it is obsessive; it always is. One of the fairest, most just writers was Tolstoi, who was, to make it short, quite mad."
—Arthur Miller, “Morality and Modern Drama: Interview with Phillip Gelb” (Death of a Salesman: Text and Criticism, ed. Gerald Weales), via GrandHotelAbyss
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From the Wizardry III: Legacy of Llylgamyn strategy handbook.
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A UFO likened to Punxsutawney Phil. From UFO Newsclipping Service, 1974. And from the same year, "If summer comes, can UFO be far behind?" The implication is that UFOs control the cycle of our seasons.
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Physics. From Queens College's 1978 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a precursor to the Jefferson Airplane album After Bathing at Baxter's, in which a quirky airplane incorporates an entire house. From The Judge, 1920. [Thank you, Jonathan!]
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From the University of Montana's 1947 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Why the earth wobbles: what the hollow earth theorists rarely mention is how there are three guys in there still learning geometry.
From Chicago Teachers College's 1944 yearbook.
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From Der Bärenspiegel, 1935.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Millikin's 1945 yearbook.
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"We drink that wine all day, till the last drop is drained up; and are lighted off to bed by the jewels in the cup." From Manual and Diagrams to Accompany Metcalf's Grammars, 1901.
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unearths some literary gems.
***
It was difficult to see much of his face, since he sported a huge black and grey beard topped with a moustache and his hair stuck out at angles--he looked like he was wearing an enraged skunk.
***
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From Cobwebs by Harriet Gertrude Watres, 1886.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We're well past 2 1/2 and frankly still can't tell ginger ale from cleaning fluid. Luckily, we rarely imbibe either. From The Lighted Pathway, 1982.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Foolishness for February." From Together, 1957.
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Great news from Rita Hayworth -- "You were never lovelier." From The Film Daily, 1942.
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From L'Oeil de la Police, 1908.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We're not sure if there's a scrambled message in the crystal ball, but we did decode this statement within the letters: "Zilch jobs vex fraud gyp[sy]."
From Westfield State's 1929 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Time does not become sacred to us until we have lived it." From East Pilgrim's 1964 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Swarthmore's 1926 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Greensboro's 1934 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From Colorado State's 1958 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Original Content Copyright © 2025 by Craig Conley. All rights reserved.
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