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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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"There is nothing to stick to." From There Is Nothing To Stick To by Dionysia Exarchopoulos.
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From Buena Vista College's 1918 yearbook.
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From The Film Daily, 1924.
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From Greensboro College's 1931 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Manchester College's 1932 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals magazine, 1888.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tulane University's 1906 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Has anyone tried to get your nose?" From The Aberree, 1955.
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From Southern Methodist University's 1939 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Piedmont College's 1926 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Virginia Polytechnic Institute's 1930 yearbook.
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Old King Cole. From Chatterbox, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Football terms. From Simpson College's 1927 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Romance does not fit into any 5-year plan." From the Bombay Sunday Chronicle, 1953.
|


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"A suffocating bedstead." From The Strand, 1894.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From The F-U-N Book for Canadian Boys and Girls by Mabel Guinnip LaRue and illustrated by Maud & Miska Petersham, 1930.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"The little giant girl picks up Charlie." From Charlie and His Kitten Topsy, written and illustrated by Helen Hill and Violet Maxwell, 1938.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"The Manx cat on its native heath." From The Children's Newspaper, 1928.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"'I will go and do the things ...' [asterisk]." From The Improvement Era, 1963.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Piedmont College's 1926 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Lambuth College's 1930 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Snow isn't as soft as it looks." From The Australian Women's Weekly, 1962.
|

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From Buena Vista College's 1918 yearbook.
|

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From Anderson's 1929 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Ohio State University's 1930 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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unearths some literary gems.
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Carried aloft by a headless turkey. From The Duluth Evening Herald, 1915.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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This is how we initially misread it, as "poetry" instead of "poverty."
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From The Children's Newspaper, 1931.
|


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From The Alexandra Readers First Reader by McIntyre & Saul, 1908.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
|

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From Mansfield State Teachers College's 1930 yearbook.
|

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From The Instructor, 1953.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Purdue University's 1911 yearbook.
|

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From The Film Daily, 1924.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From the University of North Carolina at Chapel Hill's 1908 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Bullock in the bird house." From The Children's Newspaper, 1956.
|

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From Franke Reade Weekly Magazine, 1892.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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If you have a strange dream to share, send it along! |
|

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The importance of a little foundation. From Thomas More College's 1988 yearbook.
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Presbyterian College's 1920 yearbook.
|

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From The Duluth Evening Herald, 1909.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Purdue University's 1911 yearbook.
|

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"'Burned out' really means burned out today." From The Improvement Era, 1963.
|

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From Purdue's 1902 yearbook.
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From the University of North Carolina at Chapel Hill's 1908 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From the University of Cincinnati's 1928 yearbook.
|

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From In Two Minds, edited by Jonathan St. B. T. Evans and Keith Frankish.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Goshen College's 1906 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
unearths some literary gems.
From Farce, by Albert Bermel:
[Some fun silent-film-star mustache descriptions attached. (Apologies for the blur: that says "inverted croissant"!)]
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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I Found a Penny Today, So Here's a Thought |
(permalink) |
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Mixing vampire humor and 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings), the web series Grave Mood Rings pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV.
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"What shadows we are. Man as a microscopic speck. The human body is not so solid as it seems." From The Children's Newspaper, 1927.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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From Susquehanna's 1919 yearbook.
|

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"Cranky inventors. Brainy people who are kept locked up." From the Duluth Evening Herald, 1896.
|

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From Butler College's 1910 yearbook.
|

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"The fishing-frog" (monkfish). From The World of Wonders, 1883.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Purdue University's 1911 yearbook.
|

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Mabel Normand in The Film Daily, 1924.
|

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From Kent State's 1930 yearbook.
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Iowa State College's 1953 yearbook.
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the University of the South's 1986 yearbook.
|

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"In the hidden hours of the night." From Hidden WItchery by Nigel Tourneur and decorated by Will Mein, 1898.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Tulane University's 1906 yearbook.
|

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From Using Our Language, Grade VIII by T. I. Davis, 1961.
|

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From the United States Naval Academy's 1923 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"How to use a 'magic money bag' to receve gifts from the invisible world." From Telecult Power by Reese Dubin, 1970.
|

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From The Children's Newspaper, 1928.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Are you a water witcher?" From the Bombay Sunday Chronicle, 1946.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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This image may be used to facilitate astral or time travel. From Syracuse University's 1926 yearbook.
|

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"Appeasing the squanderlust." From Motion Picture Classic, 1929.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Butler University's 1926 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From North Central College's 1932 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Milwaukee-Downer College's 1932 yearbook.
|

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"The misfortune of being out-of-date." From The Australian Women's Weekly, 1963.
|

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From Ohio University's 1921 yearbook.
|


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From Tulane University's 1899 yearbook.
|

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"Man evicted, his snakes must go, too." From The Toronto Star, 1993.
|

 |
unearths some literary gems.
From Vanity Fair, November-December 1917:
Notes on attachments: 1.Rhetorical Questions Answered department, Thanking a Hippopotamus division A. Well, it couldn't hurt. 2. Did the "telegram-opening" play type give Wodehouse the idea of using flurries of telegrams in his novels? 3. The series of blank names in the theatrical dressing-room scenario is especially funny because, earlier in the story, the star asks to be notified when a "Mr. Blank" has come offstage. Bonus: The default file name for the images I create in Gimp is "blank.jpg." Normally, after I've pasted in a screen capture, I overwrite that name...but this time I didn't have to!
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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From the Duluth Evening Herald, 1896.
|

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From The Psychiatric Bulletin, 1960.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Grove City College's 1920 yearbook.
|

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From The Glow-Worm by William Manning and illustrated by Westley Horton, 1896.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From North Central College's 1932 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From UFO Newsclipping Service, 1984.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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What's in your pocket? From Purdue University's 1911 yearbook.
|

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"All the flavor is not in the cheese (or the salad or dip or soup, or whatever)." From The Improvement Era, 1960.
|

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From Assumption College's 1981 yearbook.
|

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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals magazine, 1869.
|

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"Dead but not buried." From Utah Agricultural College's 1925 yearbook.
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From the University of Toronto's 1921 yearbook.
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If you have a strange dream to share, send it along! |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the Carnegie Institute of Technology's 1920 yearbook.
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From The Record Changer, 1951.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Armour Institute of Technology's 1930 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Something IS being done about the weather!" From The Improvement Era, 1961.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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11 of the 14 have their eyes closed. Swimmers let water into their eyes, but apparently they fear the sparks of the photographer's explosive powder flash. From Syracuse University's 1926 yearbook.
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"The magpie's nest." From Chatterbox, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Wide-eyed. From Park College's 1911 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tufts University's 1977 yearbook.
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From Lighted Pathway, 1969.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ohio State University's 1959 yearbook.
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"Cloud-cuckoo-land." From Lucian's Wonderland by St. J. Basil Wynne Willson and illustrated by A. Payne Garnett, 1899.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Chicago Normal School's 1918 yearbook.
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"What would you do if you could make yourself invisible?" An ad for the lost 1923 silent film The Unknown Purple. From The Film Daily, 1924.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Cincinnati's 1928 yearbook.
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Arlene Dahl, from Modern Screen, 1953.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Southern Methodist University's 1939 yearbook.
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From The Land of Oz by L. Frank Baum and illustrated by John R. Neill, 1904.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Children's Newspaper, 1956.
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"'Mysterious' recoveries are often triggered by remembered 'lost words.'" From The Aberree, 1963.
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From The Australian Women's Weekly, 1966.
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"Anything goes — everything went!" From Eastern Nazarene College's 1986 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From West Tennessee State Normal School's 1922 yearbook.
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Kit's Cotty House in Kent. From Chatterbox, 1887.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Eastern Nazarene's 1977 yearbook.
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From Tufts University's 1977 yearbook.
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"Let's talk about something pleasant!" (Turns out it's an ad for laxatives.) From Movie Classic, 1934.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Simpson College's 1927 yearbook.
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From Little Snow White (written and illustrated by various), 1906.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Missouri Southern State University's 1973 yearbook.
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From The Improvement Era, 1960.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tulane University's 1899 yearbook.
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unearths some literary gems.
From Vanity Fair, October 1917:
[Note: The Benchley piece was credited to "Brighton Perry," which turns out to be a known RCB pseudonym. I'd say this makes it a little more likely that our recently seen "Brighton Airly" was also Bob B. By the way, earlier in the piece he offers another fictitious show called "Well, I'll Be Darned!"]
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From Pluck and Luck Complete Stories of Adventure, 1900.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Glass cars and boats are here! From The Children's Newspaper, 1952.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Grimm's Fairy Tales, translated by Margaret Hunt and illustrated by John Gruelle, 1914.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Where men dance for gods." From the Bombay Sunday Chronicle, 1941.
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"Do not talk to the bus while the driver is in motion." From The Old Line, 1948.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Syracuse University's 1926 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Concordia Teachers College'a 1928 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Long, long be my heart with such memories fill'd! Like the vase, in which roses have once been distill'd: you may break, you may shatter the vase if you will, but the scent of the roses will hang round it still. —Thomas Moore." From Tri-State College's 1934 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From North Central College's 1932 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From David Lipscomb College's 1976 yearbook.
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"The eternal conquest of death." From When A Man Dies by Carlyle Haynes, 1948.
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"Anywhere, any time, to anybody." From Santa Clara College's 1930 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Human Sacrifice":
"Illumed by Lightning":
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Mother Goose's Nursery Rhymes (Routledge, 1877).
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Mansfield State Teachers College's 1930 yearbook.
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In full disclosure, we're that way around incense, too. From Chatterbox, 1916.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tri-State College's 1934 yearbook.
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An honest headline! From the Duluth Evening Herald, 1908.
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From Wesleyan College's 1926 yearbook.
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From Together magazine, 1967.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Some do and some don't." From The Film Daily, 1924.
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From Marion College's 1927 yearbook.
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From Ozma of Oz by L. Frank Baum and illustrated by John R. Neill, 1907.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From Fashion, by Anna Cora Mowatt:
***"There is a jenny-says-quoi look about this furniture."***"The true test of a poet is the velocity with which he composes."***"Miss Tiffany is not visible this morning." [To mean she's not receiving, i.e., cannot "be seen."]***Bonus funny business with names:1. One character is listed as "T. Tennyson Twinkle, a Modern Poet" ("modern" in this play dating to 1845, mind you!). At one point another character refers to him as a "rhyming dictionary," which of course we can file with walking encyclopedias and such.2. A character calling himself Count Jolimaitre (spoiler--he's a fake!) is at one point referred to as "Count Jolly--what-d'ye-call-it."3. The pseudo-Count, in the course of improvising some name-dropping, invents a "Lord Knowswho."
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From Laughing Horse, 1927.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
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Mixing vampire humor and 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings), the web series Grave Mood Rings pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV.
In this episode, the Viscount fears an uprising of the Village People.
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"The train to nowhere." From The Children's Newspaper, 1937.
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From Pinocchio by C. Collodi and illustrated by Attilio Mussino, 1925.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Butler University's 1926 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Are you a down-beat wonder?" From The Instructor, 1953.
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From Together magazine, 1967.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Dignity and impudence." From Chatterbox, 1897.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From North Central College's 1911 yearbook.
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Strange Prayers for Strange Times |
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From Saint Francis College's 1957 yearbook.
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From The Film Daily, 1924.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A ukulelist about to play at his own funeral. From Iowa State College's 1953 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the University of Cincinnati's 1928 yearbook.
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From UFO Newsclipping Service, 1996.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Utah Agricultural College's 1925 yearbook.
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What they do on Sunday. From Together magazine, 1967.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Our Dumb Animals, 1947.
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From Our Fourfooted Friends and How We Treat Them, 1904.
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"Where are all the books to go?" From The Children's Newspaper, 1928.
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From Syracuse University's 1926 yearbook.
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"Take the kinks out of history." From The Instructor, 1953.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A ghost haunting Duke's 1974 yearbook.
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From DePauw University's 1921 yearbook.
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"Couldn't tie kangaroo down, so sang on TV." From The Australian Women's Weekly, 1964.
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From the University of Arkansas's 1903 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Tulane University's 1906 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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unearths some literary gems.
From Vanity Fair, Sept. 1917:
Notes: 1. What first attracted me to the ad for the pearls was the effect of "To Say the Least!" acting as a caption for the illustration of the woman above it, as though it were a decontextualized critical moment from a short story. Then I read the ad copy, which I thought was amusingly perplexing in its own right. It had me trying to do the math, and saying to myself, "Okay...so where exactly does that leave us?" 2. The rest of the attached snippets are from the Nathan piece whose clever title is shown. I like how beans figure in two independent bits, both of which are funny on their own in different ways. The (partial) list, as you may have guessed, represents a ranking of the supposedly funniest things in vaudeville as of even date. Farther down the list (and not shown here) appears "Imprinting a kiss of goodbye on a dollar bill about to be loaned to someone." Nathan appends a comment that his source proved fallible only in saying "Swiss where it should have been Gorgonzola" [attention: "Which Is Funnier?" desk]. Finally, re. the omnipresent "boob," I note that this article precedes by four years Merriam-Webster's earliest known date for "booboisie," a term which as you probably know was associated with (originated by?) Nathan's editorial partner Mencken.
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From Flying Saucer Digest, no. 128.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Winthrop College's 1930 yearbook.
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From Barnes' Language Lessons or Short Studies in English, 1887.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Armour Institute of Technology's 1913 yearbook.
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From Appleton's Fifth Reader by Harris, Rickoff & Bailey, 1885.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From DePauw University's 1921 yearbook.
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From The Film Daily, 1924.
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Today's horse-headed card player is from the University of Western Ontario's 1940 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Emerson College's 1918 yearbook.
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From Purple Parrot, 1935.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Saint Mary's School's 1941 yearbook.
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At first glance, we thought he was shaking his fist at the map in the sky (as one sometimes does). From Chatterbox, 1923.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the University of Arkansas' 1918 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the University of Toronto's 1921 yearbook.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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"I don't know if anything is all right anymore."
"What do you mean?"
"I don't know exactly."
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From Wheaton College's 1930 yearbook.
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From The Canadian Spelling Program 6 by Thomas and Braun, 1979.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Junior Language Book C by Donalda Dickie, 1945.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"People who cannot be broken." From The Children's Newspaper, 1939.
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From Park College's 1906 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Put out the flame; win a prize." From Ball State University's 1958 yearbook.
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From the Duluth Evening Herald, 1908.
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A prism for an eye. From North Central College's 1911 yearbook.
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From The Improvement Era, 1970.
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From David Lipscomb College's 1976 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Paranoia strikes deep." From Tri-State College's 1973 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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His spirit daughter. From Gallery of Spirit Art, Aug. 1882.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Beloit College's 1892 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Tulane University's 1906 yearbook.
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"When aliens steal your sleep." From Delve Report, 1999.
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From West Texas State College's 1936 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From The Children's Book, 1915.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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"Suicide wants his meals served for six months." From the Duluth Evening Herald, 1906.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Salem College's 1919 yearbook.
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"Men never worry." From The Australian Women's Weekly, 1961.
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From Tulane University's 1930 yearbook.
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Southern Methodist's 1943 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Tulane University's 1899 yearbook.
|

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"The spirit is supported by others" while out of body. From Drawings Descriptive of Spirit Life and Progress, 1874.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From State Normal School's 1912 yearbook.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
 |
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 |
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unearths some literary gems.
From Vanity Fair, July-August 1917:
Some notes on the attachments: 1. I realize we're probably looking edge-on at a hat whose brim encircles the entire head (sombrero-style)...but the impression of antlers is hard for me to avoid, especially if I think of hat antlers as one-upping all those hats with rabbitlike "ears" sticking up. 2. I'm sure she gets this all the time! It turns out the hyphen properly goes between "Evans" and "Burrows," not between "Burrows" and "Fontaine." If it's any consolation to her, though, Wikipedia tells us that her birthplace is, in our time, a ghost town. (RLG?) 3. I'm enclosing the cartoon tableau because (a) I love the stylized "group reaction"; (b) some of the hats seem actually to express the emotions of the astonished group members; and (c) the character in the foreground is apparently so tipsy that his jacket is slipping over the edge of the frame. 4. Needless to say, PGW's words about his theatrical collaborator Bolton have a very familiar ring for us Wodehouse enthusiasts, because Bertie Wooster talks this way about Jeeves. But I find no evidence that the Bertie/Jeeves versions of these assertions occurred prior to a story first published in 1924 (where the phrasing seen here is replicated verbatim)--and so it seems that PGW used these words about his friend *before* repurposing them for Jeeves.
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From All-Sports Library, 1906.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Elson-Gray Basic Readers Book Four, 1931.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Sailors don't care." From The Australian Women's Weekly, 1935.
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Hampden-Sydney College's 1908 yearbook.
|

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From The [New York] Journal, 1896.
|

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"I'd rather be sheeting." From Fort Wayne Bible College's 1978 yearbook.
|

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"Is yours a Good Morning complexion when you're ready to say Good Night?" From Movie Classic, 1932.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Salem College's 1919 yearbook.
|

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"'Ashes, ashes,' twittered the sparrows." From The Orange Fairy Book by Andrew Lang and illustrated by H. J. Ford, 1906.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From DePauw University's 1921 yearbook.
|

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"What's the use of talking?" From The Film Daily, 1924.
|

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From Park College's 1937 yearbook.
|


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From Tufts University's 1943 yearbook.
|


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From Muskingum College's 1937 yearbook.
|


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From Washington University's 1950 yearbook.
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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I Found a Penny Today, So Here's a Thought |
(permalink) |
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|

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From our review of Magnificent Milo, written and illustrated by Joan Balfour Payne (1958).
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Something wrong in Nova Scotia. A flock of seagulls loses its ship." From The Children's Newspaper, 1928.
|


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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Motion Picture Classic, 1928.
|

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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
|

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From Cornell College's 1921 yearbook.
|

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From Ghost Stories, 1931.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Tulane University's 1908 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From North Central College's 1932 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Tulane University's 1930 yearbook.
|

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Prof. Wolf knew the word that would change him back, but his vocal chords couldn't pronounce it. From Unknown, 1942.
|

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unearths some literary gems.
From Tea for Three, by Roi Cooper Megrue:
[When a play opens with the punchline to a joke we'll never hear the rest of.]
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This Terrible Problem That Is the Sea |
(permalink) |
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From Franke Reade Weekly Magazine, 1895.
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,( ,( ,( ,( ,( ,( ,( ,( `-' `-' `-' `-' `-' `-' `-' `-' ` "The sea is a cruel mistress. Yet again the sea has behaved unconscionably. It's time to address this terrible problem that is the sea." —Captain Neddie, from the hilarious BBC series Broken News |
|

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From the University of Illinois Urbana-Champaign's 1913 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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From We Can Read The Toy-box by Gerrard & McInnes and illustrated by Connie Jefferess, undated (c. 1960).
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the Duluth Evening Herald, 1908.
|

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From Salem's 1948 yearbook.
|

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"They stole my memories." From Modern Screen, 1960.
|

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From West Virginia Wesleyan's 1950 yearbook.
|

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"Ample time to hide until the watch had passed." From Chatterbox, 1923.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
|

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From Johns Hopkins' 1896 yearbook.
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*Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out. |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Utah Agricultural College's 1925 yearbook.
|

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"Are the saucers our friends?" From Mystic Magazine, 1954.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Hampden-Sydney College's 1900 yearbook.
|

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From Histoires et Contes Amusants by Joseph Edgar Poirier, 1950.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Goshen College's 1944 yearbook.
|

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"Imaginary voyage of an apple." From The Children's Newspaper, 1931.
|

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"Knights of the Flatiron." From the United States Naval Academy's 1902 yearbook.
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"He hid in the bushes and dropped the fruit down into the water." From Taytay's Tales by Elisabeth Willis De Huff and illustrated by Fred Kabotie and Otis Polelonema, 1922.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
|
 |
 |
This Terrible Problem That Is the Sea |
(permalink) |
 |
 |
 |
 |
,( ,( ,( ,( ,( ,( ,( ,( `-' `-' `-' `-' `-' `-' `-' `-' ` "The sea is a cruel mistress. Yet again the sea has behaved unconscionably. It's time to address this terrible problem that is the sea." —Captain Neddie, from the hilarious BBC series Broken News |
|

 |
I Found a Penny Today, So Here's a Thought |
(permalink) |
 |
 |
 |
Mixing vampire humor and 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings), the web series Grave Mood Rings pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From The Children's Newspaper, 1923.
|

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From Chicago Teacher's College's 1913 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Tulane's 1903 yearbook.
|


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"The Cow with the Crumpled Horn: find the dog that was tossed and the cat that was worried." From Chatterbox, 1921.
|

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"Some questions were never answered. Some answers were never questioned." From Anderson College's 1969 yearbook.
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Children should learn to help pay their way." From The Australian Women's Weekly, 1964.
|

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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals magazine, 1874.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
From Presbyterian College's 1982 yearbook.
|

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From The Moving Picture World, 1907.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
"Cat catches mouse—live happily ever after." A headline paired with a photo from another page within Indiana University's 1961 yearbook.
|

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From Poets' Wit and Humor by W. H. Wills and illustrated by Charles Bennett and George H. Thomas, 1860.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
Snippets from Vanity Fair, March-May 1917:
[The "Mrs. Thomas W. Aurora" bit and the single Dolly Sister business all come from a piece attributed to "Brighton Airly." The voice seems closer to Wodehouse than Benchley, to my ear; but neither PGW nor RCB jumps strongly out at me, and, given the lack of evidence on the internet, I'm assuming it's not known to be either of them, as that tends to be pretty well documented, ime.]
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From Armour Institute of Technology's 1928 yearbook.
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The mummy's nightmare is the disintegration of souls. From The Western Lands by William Burroughs, 1987.
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If you have a strange dream to share, send it along! |
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From Children's Paper, 1925.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Well! Well!! Well!!!" From the Duluth Evening Herald, 1899.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"A dozen Chaplins, and they're all Charlies." From Motion Picture Classic, 1919.
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An owl reads over their shoulders. From Swarthmore's 1897 yearbook.
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From Der Guckkasten, 1918.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tufts' 1955 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"A smoker is two people." From The Improvement Era, 1968.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"When you remember, 'you are there!'" From The Aberree, 1959.
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From Tulane University's 1906 yearbook.
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From Flying Saucer Digest, no. 4.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Toronto's 1921 yearbook.
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"Devil magic of to-day." From the Bombay Sunday Chronicle, 1936.
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From the Carnegie Institute of Technology's 1920 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"If doubledecked beds were used in hospitals." From Watts Hospital School of Nursing's 1938 yearbook.
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"Are you sure you'll do it Sunday night???" From Kansas State Collegian, 1968.
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Here's todays muskrat halo. From The Canadian Spelling Program 3, Teacher's Edition, 1979.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Life times loving someone equals hell." From How to Eliminate My Teacher (2020).
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From Duke University's 1925 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From National-Louis's 1929 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"He wants to make film withing kangaroos." From The Australian Women's Weekly, 1951.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kent State's 1928 yearbook.
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"Ok guys, is this some kind of stupid joke?" From Woroni, 2002.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tulane University's 1906 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hampden-Sydney College's 1911 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Goucher College's 1928 yearbook.
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"World saved from disaster." From The Children's Newspaper, 1922.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Ever let the fancy roam." From The Children's Newspaper, 1939.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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New music by Sigfus is here performed with lyrics and vocals by Neons Gone Mad. Our lyrics found themselves rooted in Edda's epic poem of Odin, " Hávamál." The theme is a quest to decipher mysterious messages, with references to ancient Iceland runes runes as well as modern-day enigmas like Numbers Stations and other weird shortwave coded broadcasts. The speaker's lonely quest for the runes involves meeting a companion; as stanza #47 of the poem says:
Young was I once, I walked alone,
and bewildered seemed in the way;
then I found me another and rich I thought me,
for man is the joy of man.
But we linked that stanza to #49, which says:
My garments once I gave in the field
to two land-marks made as men;
heroes they seemed when once they were clothed;
'tis the naked who suffer shame!
So there is a subtle implication that the friend our speaker meets is actually a monolith.
The rest of the lyrics are inspired by Christine Tindall.
Black smoke signals on moonless nights Unlike Boreal arrayed Northern Lights Arcane Icelandic runes Proffer foresight So
[adapted from Edda's Hávamál, #47] Young was I once Walking alone Bewildered, I Found a fellow Joy of man Sought hidden spells Graven tokens Interpreted Augurs spoken Time began
Morse code flashes Ultravi'let Quite like Numbers stations Inviolate DJs Playing backwards Palindromic LPs
[adapted from Edda's Hávamál, #49] My garments once I gave freely To a menhir Made genteelly Naked shame That landmark seemed A vanquisher Dressed in my clothes A languisher Not my name
[adapted from Edda's Hávamál, #79] All will prove true Asked of the runes High powers wrought Passed down from gods Time outran
[adapted from Edda, #137, 163] Myself to mine Own self given Secrets safest Known to but one Songs are sung
Black smoke signals on moonless nights Unlike Boreal ar- rayed Northern Lights Shortwave Stations broadcast Imagal noise Like
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The Bridge of St. Benezet (Avignon). From Shadowland, 1923.
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Omar Khayyám, from the endpapers of Wesleyan College's 1935 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the College of William and Mary's 1934 yearbook.
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"Alarm rings but no one answers." From The Gateway, 1965.
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Find the tiny men for a sense of scale. From The Century, 1891.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Denison University's 1891 yearbook.
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"Walk with the dead in the moonlight." From The Aberree, 1959.
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The temporal anomaly of course is in the bottom right corner. From Tufts University's 1977 yearbook.
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Goucher College's 1957 yearbook.
|

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"Weak, tired, nervous." From the Duluth Evening Herald, 1896.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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unearths some literary gems.
From Bridges, by Clare Kummer:
***ENID: (A little troubled) My name is Birdsall--Enid Birdsall.PENFIELD: Well--can we do anything about it?***
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From Lindenwood Tales by Marguerite Behman and illustrated by H. C. Meyer, 1921.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We're honored by this review over at Dabodab:
Video Series Review: Grave Mood Rings
by Briyan Frederick
In an unexpected yet delightful twist of nostalgia and absurdity, Jonathan Caws-Elwitt has introduced us to “Grave Mood Rings,” a web series crafted alongside Craig Conley and Michael Warwick (of Captive Audience and Mystery Arts fame). This series is a carriage ride of humor that blends vampire lore with the most iconic clichés of the 1970s.
For a bit of personal context—as someone who was once nicknamed Barnabas Collins by schoolmates due to my hair—this show resonates on a unique level. Watching “Grave Mood Rings” feels like revisiting a beloved, albeit twisted, chapter of television history.
Each “emptive” episode runs just a few minutes but is packed with layered seventies tropes presented through gauze-lensed scenes. You can viscount on each episode to deliver absurd twists and puns forced through plastic teeth. The Viscount playing an invisible organ and singing with said teeth quickly became my favorite recurring element. His character embodies the blend of humor and homage that makes this series so engaging.
The artist or label describes the show as a mix of vampire humor and 1970s elements such as pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and mood rings. (And that’s just the credits preface). “Grave Mood Rings” cleverly parodies slow-moving Gothic soap operas like “Dark Shadows” and the Canadian series “Strange Paradise.” This creative concoction culminates in a series that is both a satire and a love letter to the past.
The setting—a castle—hosts a colorful array of characters, including:
- A Groovy Doctor: A phlebotomist who adds a tongue-in-cheek nod to the show’s vampiric theme.
- A Jolly Housekeeper: Complete with her own laugh track, she brings a meta-comedic touch reminiscent of classic sitcoms.
- A Werewolf Vicar: Infusing the Gothic atmosphere with humorous howls.
- An Arch-Nemesis Riddler: Donning a Sphinx mask, he adds an aura of mystery and mischief.
Corny wordplay, bizarre sing-alongs, and even haunted doughnuts punctuate the proceedings. The humor is in line with sketch comedy classics like MadTV, Kids in the Hall, and SCTV, making “Grave Mood Rings” a refreshing addition to the genre.
Jonathan’s invitation to explore the series led me to the Grave Mood Rings playlist on YouTube. It’s a surreal journey into a world where vampires groove with werewolves and laugh-tracked housekeepers. It’s an experience replete with humor, nostalgia, and a touch of the absurd. Whether you have a penchant for Gothic soap operas or a soft spot for 1970s kitsch, this series offers a uniquely entertaining escape.
So, if you’re intrigued by the idea of witnessing a Viscount sing through plastic teeth or simply crave a good laugh, “Grave Mood Rings” is well worth your time. Dive into this wonderfully off-the-wall sendup and prepare for a nostalgic, yet refreshingly original ride.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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Hailed as "the best series running at this time" (thanks, Billy Brujo Show!), it's Grave Mood Rings.
Mixing vampire humor and 1970s tropes (like pet rocks, lava lamps, disco music, bell-bottom pants, mirror balls, and of course mood rings), the web series Grave Mood Rings pokes fast fun at classic slow-moving Gothic soap operas like Dark Shadows and the Canadian series Strange Paradise. In addition to a vampiric Viscount, a castle is home to a groovy Doctor (a phlebotomist, naturally), a jolly housekeeper with her own laugh track, a werewolf Vicar, and an arch-nemesis riddler wearing a Sphinx mask. Corny wordplay, the occasional bizarre sing-a-long, and haunted doughnuts punctuate the proceedings, in the tradition of the sketch comedy of MadTV, Kids in the Hall, and SCTV. This episode was penned by Jonathan Caws-Elwitt.
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"What are their names?" From The Children's Newspaper, 1961.
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From The Progressive Road to Reading, Book Two, 1912.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Today's cat measuring a bat is from Follow Me by Thorn et al., 1970.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Is your child too clever?" From the Bombay Sunday Chronicle, 1941.
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From Lambuth College's 1950 yearbook.
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From the College of William and Mary's 1902 yearbook.
|

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From The Improvement Era, 1964.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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From Clarion State's 1925 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Denison University's 1891 yearbook.
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"But—why, but how come." The full-page headline from Local 1-S News, 1990.
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From Concordia College's 1915 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Case School of Applied Science's 1947 yearbook.
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From Mother Goose's Nursery Rhymes (Routledge, 1877).
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Purple Parrot, 1931.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Home of dukes and donkeys." From The Children's Newspaper, 1928.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Motion Picture Classic, 1916.
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If you have a strange dream to share, send it along! |
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"A trasformed creature." From Chatterbox, 1916.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Clarion's 1915 yearbook.
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From The Bradley Tech, 1928.
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From Concordia Teachers College's 1925 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tulane University's 1908 yearbook.
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From Emblemland by John Kendrick Bangs and Charles Raymond Macauley, 1902.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tulane University's 1930 yearbook.
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From Denison University's 1891 yearbook.
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"Learning how to 'live' after we 'die.'" From The Aberree, 1960.
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It's unclear whether the elephant is telling hilarious French jokes, whether the people are laughing at his poor French accent, or whether it's something else. From Tufts University's 1947 yearbook.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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unearths some literary gems.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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"Like we said, we'll print anything." From The Omen, 1997.
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From Canadian Children's Own Readers 3 by Pennell, Cusack & Macleod, 1900.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Two stars that will suddenly vanish." From The Children's Newspaper, 1928.
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Orion's dogs and Little Bear. From Star People by Katharine Fay Dewey, 1910.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Colorado College's 1906 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Mars Hill College's 1929 yearbook.
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"The blah must go on." From Motion Picture Classic, 1929.
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From Georgetown University School of Medicine's 1963 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Birmingham-Southern's 1947 yearbook.
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From Screenland Plus TV-Land, 1953.
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From the University of Cincinnati's 1928 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tulane University's 1906 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our very own Grave Mood Rings has been hailed on Reddit as a genuine WTF series and likened to the hilarious cult horror series The Heart, She Holler from Cartoon Network's Adult Swim .
"I feel as though my whole day will be different from here on, just don't know what or how as yet" —BigCrackZ
"Unsettlingly fascinating for sure" —No-Bees
"Bizarre performances" —Percolated_aspie
Reminiscent of the weird VHS tape in The Ring series —alinearis
Catch up with this playlist of all the episodes to date.
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"Is Mars alive or dead? Astronomers giving up hope." From The Children's Newspaper, 1938.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Father Time. From Swarthmore's 1915 yearbook.
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Valhalla built by beams of light. From Shadowland, 1922.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A Page of Swords from a genie lamp. From North Adams State College's 1962 yearbook.
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Today's weasel watching lynx is from How It Came About Stories by Frank Linderman and illustrated by Carle Michel Boog, 1921.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Delta State's 1934 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Unknown magazine, July 1940.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Medical College of Virginia's 1934 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"How they treat the sparrows in Norway and Sweden in winter." From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals magazine, 1899.
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unearths some literary gems.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Man's head is missing." From The Duluth Evening Herald, 1906.
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"Nature might stand up and say: 'This is John.'" From Saint Francis College's 1939 yearbook.
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From Armour Institute of Technology's 1910 yearbook.
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"Why I don't like dangerous dates." From Screenland Plus TV-Land, 1953.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals, 1955.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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"Scared to death by lodge 'goat.'" From the Duluth Evening Herald, 1909.
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From Western Reserve University's 1923 yearbook.
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From Twinkle Toes and His Magic Mittens by Laura Rountree Smith and illustrated by F. R. Morgan, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From State Female Normal School's 1906 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Carthage College's 1927 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The dilapidated house." From Chatterbox, 1887.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Duke's 1996 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Texas Woman's College's 1914 yearbook.
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"People who live in darkness." From The Children's Newspaper, 1928.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I dine quickly, then try to read, but I do not comprehend the words." From Modern Ghosts, 1890.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Wittenberg College's 1929 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Alberta's 1948 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Fort Hays State's 1970 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Saint Mary's 1928 yearbook.
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As we learn in the caption, rumor has it that Black Sheep tends toward the discomfort of overheating. From Mother Goose Secrets as told by the story gnome to Barbara Webb Bourjaily and illustrated by Joe King, 1925.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Earlham College's 1931 yearbook.
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From Human Culture, 1903.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Saint Mary's School's 1920 yearbook.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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From the University of Toronto's 1921 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hampden-Sydney College's 1911 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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If you have a strange dream to share, send it along! |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Children's Newspaper, 1927.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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From Duke University's 1925 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Earth bowling. From Albion College's 1927 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"To be read aloud awkwardly." From The Medium, Poems by Theodore Russell Weiss, 1965.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Otterbein College's 1961 yearbook.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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One of ten crystal ball pictures in Wilson College's 1946 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Mississippi's 1901 yearbook.
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unearths some literary gems.
From Stage-Land, by Jerome K. Jerome:
[The theatrical tropes explored here were probably pretty obvious targets for ridicule even in 1906; but some of JKJ's observations amused me despite that.]***We should not care to be the client of a farcical comedy stage lawyer. Legal transactions are trying to the nerves under the most favorable circumstances; conducted by a farcical stage lawyer, the business would be too exciting for us.***The adventuress is like the proverbial cat as regards the number of lives she is possessed of. You never know when she is really dead. Most people like to die once and have done with it, but the adventuress, after once or twice trying it, seems to get quite to like it, and goes on giving way to it, and then it grows upon her until she can't help herself, and it becomes a sort of craving with her.This habit of hers is, however, a very trying one for her friends and husbands—it makes things so uncertain. Something ought to be done to break her of it. Her husbands, on hearing that she is dead, go into raptures and rush off and marry other people, and then just as they are starting off on their new honeymoon up she crops again, as fresh as paint. It is really most annoying.***Everybody is more or less rude and insulting to every body else on the stage; they call it repartee there! We tried the effect of a little stage "repartee" once upon some people in real life, and we wished we hadn't afterward.***It is very curious, by the bye, how deserted all public places become whenever a stage character is about. It would seem as though ordinary citizens sought to avoid them[....]As for Trafalgar Square, the hero always chooses that spot when he wants to get away from the busy crowd and commune in solitude with his own bitter thoughts; and the good old lawyer leaves his office and goes there to discuss any very delicate business over which he particularly does not wish to be disturbed.And they all make speeches there....But it is all right, because there is nobody near to hear them. As far as the eye can reach, not a living thing is to be seen. Northumberland Avenue, the Strand, and St. Martin's Lane are simply a wilderness. The only sign of life about is a 'bus at the top of Whitehall, and it appears to be blocked.How it has managed to get blocked we cannot say. It has the whole road to itself, and is, in fact, itself the only traffic for miles round. Yet there it sticks for hours. The police make no attempt to move it on and the passengers seem quite contented.***The people on the stage think very highly of the good old man, but they don't encourage him much after the first act. He generally dies in the first act.[...]He is a most unfortunate old gentleman. Anything he is mixed up in seems bound to go wrong. If he is manager or director of a bank, smash it goes before even one act is over. His particular firm is always on the verge of bankruptcy. We have only to be told that he has put all his savings into a company—no matter how sound and promising an affair it may always have been and may still seem—to know that that company is a "goner."No power on earth can save it after once the good old man has become a shareholder.If we lived in stage-land and were asked to join any financial scheme, our first question would be:"Is the good old man in it?" If so, that would decide us.***There is something very wonderful about the disguising power of cloaks and hats upon the stage. This comes from the habit people on the stage have of recognizing their friends, not by their faces and voices, but by their cloaks and hats.A married man on the stage knows his wife, because he knows she wears a blue ulster and a red bonnet. The moment she leaves off that blue ulster and red bonnet he is lost and does not know where she is.She puts on a yellow cloak and a green hat, and coming in at another door says she is a lady from the country, and does he want a housekeeper?[...]There is something about her that strangely reminds him of his darling Nell—maybe her boots and dress, which she has not had time to change.***The thing that the stage sailor most craves in this life is that somebody should shiver his timbers."Shiver my timbers!" is the request he makes to every one he meets. But nobody ever does it.***
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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"Pupils smoke in defiance." From the Duluth Evening Herald, 1908.
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From David Lipscomb College's 1927 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From The Children's Newspaper, 1928.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Peace in heart needed for a better world." From the Bombay Sunday Chronicle, 1957.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"This tough old world. Fate, wishing to be crueler than the grave, chose a weakling for its victim." From Munsey's Magazine, 1926.
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From West Tennessee State Normal School's 1916 yearbook.
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"Take away all but the piano." From The Instructor, 1958.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Greensboro College's 1931 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
|

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Today's skeleton filling his water gun at a drinking fountain is from Emory University's 1987 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Western Ontario's 1944 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the United States Naval Academy's 1917 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Original Content Copyright © 2025 by Craig Conley. All rights reserved.
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