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Blame the MessengerIt’s the oldest trick in the world. If it’s bad news, blame the messenger. —Kenneth Davidson, “Howard’s Telstra Trickery,” The Age (2005)
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I particularly love the second paragraph of this ode to the semicolon. It's from the Financial Times (excerpted by Amygdala):
The semicolon “signals that you’re not
expressing a singular thought”, explains the prolific cultural critic,
Chris Lehmann. “It signals that there’s tension, that there is some
contradictory evidence - and you [have to] sort of trust readers to be
able to deal with that, which most editors don’t and many writers
don’t.” Menand locates this fear of complexity in the idea that
language should do no more than hold up a mirror to the world. “If you
subscribe to linguistic transparency, there’s a bias in favour of
simplicity,” he says.
[...]
It may seem bizarre to read so much into a stop on the page, but the
semicolon is a pause for ambiguity, amusement, complexity, doubt, and
nuance. If writing lacks these “genteel” qualities, can we be all that
surprised if it is either as dull as a computer manual, or as demagogic
as a soapbox on Hyde Park Corner?
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| I Found a Penny Today, So Here's a Thought |
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I saw the documentary "Winged Migration" on DVD, and it got me to
thinking a lot about magic and how breathtaking, uplifting miracles can
become so disappointing (and worse than that -- actually negative, or
an experience of spiritual diminishment) when one discovers the secret
of how the trick works. If you've seen the film, you know what
truly magical moments were caught on camera. Most of the scenes
seem "impossible," so extraordinary are they. I wasn't so much
asking "how did they do it?" (because I knew they must have been in
airplanes and holding cameras!), but more "how could they possibly have
captured so many rare, once-in-a-lifetime occurrences?") It was
one of the most striking movie experiences of my life, and I have seen
a lot of films (well-over three thousand films over the last decade
alone). Alas, I began watching the "making of" featurette on the
DVD, and I was totally devastated. The "secret" of the filmmakers
was far more diabolical than I could have possibly imagined. All
of the magic drained away, and I was left feeling tricked (the bad kind
of tricked -- as in swindled by con-men). When a magician does
something miraculous on stage, you've paid to be entertained and you
delight in being fooled. When a documentary filmmaker dupes you,
it's a whole different story. I found myself feeling outraged
over and over again as I learned about the astonishingly elaborate
methods the filmmakers employed to secure their footage (though they
didn't put strings on the birds' claws and fly them like kites, such a
method wasn't beneath them). I actually had to shut off the DVD
player after the worst revelation -- they crated up the pelicans and
flew them in an airplane to Africa so as to record that leg of the
birds' migratory "journey." I would have far more enjoyed
watching a cartoon about birds, or a LucasArts digital rendering of
birds, because neither would have pretended to be a legitimate
documentary. Of course, it all boils down to packaging, doesn't
it? Had the sham-documentary filmmakers stated upfront that this
film was an artistic depiction of how birds fly, and explained that all
the birds in the film were actors (which is actually quite true, as the
birds had been raised and imprinted by the filmmakers from eggs, then
trained to fly on cue alongside the aircraft and to follow the sound of
the squeeze horn), then I probably would have been quite amazed and
delighted by so elaborate an endeavor! As it was, they presented
a fantastic illusion, then turned around and showed how they did it,
leaving the viewer feeling gullible. Had they been real
wonder-workers instead of con-artists, they would have left the viewer
feeling amazed, not duped.
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SONG: Dime at a Time
ARTIST: Norma Jean
ORIGINAL LYRIC:
Two dollars in the jukebox...
And I'll put in the jukebox a dime at a time
ADJUSTED FOR INFLATION:
Two dollars in the jukebox...
With each song on the jukebox I'm a quarter shorter
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SONG: I Love Rock 'N Roll ARTIST: The Arrows (covered by Joan Jett) ORIGINAL LYRIC: I love rock n' roll So put another dime in the jukebox, baby I love rock n' roll So come an' take your time an' dance with me ADJUSTED FOR INFLATION-RESISTANCE: I love rock n' roll So drop another token and let's get smokin' I love rock n' roll The juke's not broken so dance with me (Thanks to Gordon for suggesting this song)
JCE suggests that one day jukeboxes might accept only card-swipes, a la Kinko's self-serve machines. Just in case that happens, he suggests the following adjustment:
I love rock n' roll So swipe your stripe in the jukebox, baby I love rock n' roll The time is ripe to dance with me
On a semi-related note, software engineer Gordon Meyer says:
I recently read that the latest jukes have become Internet-enabled to allow huge catalogs of sounds, streamed on demand. A natural evolution, I suppose. But one idea that surprised me was that at least one model allows you to pay extra and have your selections moved to the front of the playback queue! It also allows you to schedule repeats of the song at regular intervals at a reduced rate.
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I dreamed I was a comma (after having corrective surgery to remove my
period half). At last I indicated a slight pause separating two
related but distinct terms!
Then I dreamed of a small stall advertising "The Wonders of Punctuation
and Spelling," with a sign that said "The Mystery of the Semicolon
Revealed!!!" and "See the Ampersand! (Small Extra Charge)," just as in
THE WEE FREE MEN by Terry Pratchett.
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"Are you looking for trouble?" Yes, because the philosopher Hegel
said that with the end of conflict will come the end of history.
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Gregory proposes the establishment of a semicolon appreciation day. He confesses:
Semicolon and I are best of friends,
but that wasn't always the case. When I was in highschool--and I
shudder to think of this--I actually said "the semicolon is a
superfluous punctuation mark; any old parasitic semicolon can be
replaced with a respectable period," if not in so many words (or
punctuation marks!). Since then, I've come to appreciate the level of
nuance that the semicolon makes possible. Semicolon and I are
inseperable . . .
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There's a very funny piece entitled " The Punctuation Hunter" on the "Unremitting Failure" blog. It concerns some people being cornered by a 48-point semicolon:
Game officials who finally got that
semi-colon said they never saw anything like it. Said it was like
something out of one of those extra-large-print books for old
people. I was like, no shit: I saw
the mother. With punctuation like that out there, you'd be safer
going to Africa to hunt exclamation marks. People see a
semi-colon, they laugh. Because a semi-colon looks
harmless. Well, go ask Charlie how harmless they are. Go
ask Charlie.
In other semicolon news, James J. Kilpatrick recently wrote a funny diatribe against the "obnoxious" semicolon, calling it "sissy" punctuation:
It is not easy to write with dispassion
of the odious semicolon, but let me try: Except for its function in one
copy-editing circumstance, the semicolon is worthless. It is the
most pusillanimous, sissified, utterly useless mark of punctuation ever
invented. Sensitive editors should abolish it forthwith.
Forthwith! [...] The semicolon is a belly-up guppie in a tank of
glorious Siamese fighting fish. It's girly. It is not just
probably the most useless of all forms of punctuation. It is
absolutely, positively the most useless of all such marks ever invented.
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"Do I look like I'm made of money?" Yes. If money can mean
assets, then your organs alone look like tens of thousands of dollars.
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I dreamed I was a "semicolon butterfly" (polygonia
interrogationis). My wings were mottled with various shades of
red and brown, and their tips were violet. I floated off the page
and lighted on an inkwell. I uncurled my tongue and dipped it
into the blue-black nectar.
Later that night, I dreamed I was listening to a financial report on
the radio: "Prices of semicolons, plot devices, prologues and inciting
incidents continued to fall yesterday, lopping twenty-eight points off
the TomJones Index." It was uncannily like something out of THE
WELL OF LOST PLOTS by Jasper Fforde.
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Examples of Automotive Haiku from Car Talk:
flaming wrinkled death
flies down the road in first gear
with her blinker on
--Gregory Engel
Hilltop. Lake below.
My car sinks so slowly. Thank
god it's a rental.
--Carlisle Landel
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SONG: Homeboy
ARTIST: Coolio
ORIGINAL LYRIC:
If I got a quarter then you got a dime
And you can call me up no matter what the time
ADJUSTED FOR INFLATION:
If I got a dollar then you got a quarter
And you can leave a message on my tape recorder
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