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From Life Magazine, 1921.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"On whom the belles told!" From The Australian Women's Weekly, 1960.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Picture Show Annual, 1929.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Arkansas, Fayetteville's 1927 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From West Virginia Wesleyan College's 1927 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tufts University's 1977 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Birmingham-Southern's 1920 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Brief were my days among you." From Morris Harvey's 1966 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Syracuse University's 1924 yearbook.
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From the University of North Carolina at Chapel Hill's 1917 yearbook.
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From Flying Saucer Digest, no. 25.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It's rarely discussed, but soap bubbles do indeed offer direct access to castles in the air. From Hope College's 1926 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The F-U-N Book for Canadian Boys and Girls by Mabel Guinnip LaRue and illustrated by Maud & Miska Petersham, 1930.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Member of an ancient family. Oyster and snail among his poor relations." From The Children's Newspaper, 1921.
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"Our patron saint." From Ohio State University's 1894 yearbook.
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| Who is your favorite imaginary saint? Do share! |
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From the University of Arkansas, Fayetteville's 1927 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A fly who wishes it were named Vincent Price. From Tufts University's 1977 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Memories of college. From Hampden-Sydney's 1962 yearbook.
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From The Journal of Irish Literature, Vol. III, No. 2.
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From Butler University's 1926 yearbook.
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This author in 1996 addresses her readers in the 22nd century. From the rare Children of the Void by Regina Snow, 1996.
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Exhilaration, from Barnard's 1942 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
Frrom Vanity Fair, October 1916:
A contrived but cute bon mot from Benchley; a prescient bit from Dorothy Parker (debuting in this issue as "Dorothy Rothschild"--little did she know that, a century later, people would be turning the tables on her beau by incorrectly attributing other people's witticisms to *her*); and a list of silly names (with "Archibald Witherspoon Troutt" as a bonus, culled from a separate list that was mostly sub-par).
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"The poetry of food. Food is the world's only common language." From The Improvement Era, 1967.
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From Susquehanna University's 1898 yearbook.
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"The Pie floated away, followed by a chorus of good-byes from the Pantry-people." From Can You Believe Me Stories by Alicia Aspinwall, 1909.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ohio State University's 1894 yearbook.
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"The face that munched a thousand chips." From Saint Francis College's 1939 yearbook.
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From The Duluth Evening Herald, 1892.
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One of ten crystal ball pictures in Wilson College's 1946 yearbook.
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From Syracuse University's 1924 yearbook.
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From West Virginia Wesleyan College's 1927 yearbook.
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From L'Assiette au Beurre, 1907.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tri-State College's 1934 yearbook.
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An eagle with goslings. From Chatterbox, 1884.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Wesleyan College's 1935 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The bird of time has but a little way to flutter and [lo!] the bird is on the wing" (Omar Khayyam). From Oberlin College's 1910 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Case School of Applied Science's 1947 yearbook.
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From Michigan State Normal College's 1925 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Alexandra Readers First Reader by McIntyre & Saul, 1908.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Franke Reade Weekly Magazine, 1894.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Clarion State Normal School's 1916 yearbook.
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A fear of tiny bicyclists. From Chatterbox, 1915.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Alberta's 1948 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lasell Junior College's 1967 yearbook.
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From Oberlin College's 1925 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From St. Andrews Presbyterian College's 1983 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The danger from dirt is everywhere!" From The Bombay Chronicle, 1942.
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Reblog to bring back "everything numbers." From Ohio State University's 1894 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Salem College's 1917 yearbook.
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"The lonely man far away in the mountains." From The Children's Newspaper, 1931.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hampden-Sydney College's 1915 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From St. Andrews Presbyterian College's 1983 yearbook.
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From "The Mad Machine" (1975) by J. T. C.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Trinity Christian's 1982 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Purdue University's 1903 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of North Carolina at Chapel Hill's 1917 yearbook.
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"Too late for good advice." From The Money Bag, 1858.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hampden-Sydney College's 1921 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From American University's 1930 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From Ashland College's 1974 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of California, Berkeley's 1918 yearbook.
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"Three bodies in one coffin." From The Duluth Evening Herald, 1908.
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From Syracuse University's 1924 yearbook.
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"As the twig is bent." From The Instructor, 1968.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"War on sweating." From The Children's Newspaper, 1921.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Sin and sinners not immortal." From When A Man Dies by Carlyle Haynes, 1948.
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From The Golden Legend by Henry Wadsworth Longfellow and illustrated by Sidney H. Meteyard, 1914.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Michigan State Normal College's 1925 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It's simultaneous 9:15 and 9:22 on this clock tower in Eastern Kentucky State College's 1959 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of North Carolina at Chapel Hill's 1917 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
unearths some literary gems.
From The Castlecourt Diamond Case, by Geraldine Bonner:
***I wouldn’t like to say how many times she mentioned the names of earls and lords; one of them, Baron—some name like Fiddlesticks—she said was her cousin.***[Bonuses: a jewel thief known as Laura the Lady (cf. my Laura the Laugher); and a town called Necropolis City, Ohio.]
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Wake Forest College's 1922 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hampden-Sydney College's 1911 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Colorado College's 1942 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Saint Mary's School's 1902 yearbook.
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This precursor to Playboy magazine seems more of a men's adventure theme. From Northland Trails by Syndey Ells, 1900.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ohio State University's 1894 yearbook.
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From King Time by Percy Keese Fitzhugh, 1908.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The endpapers from Greensboro's 1926 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Clarion State Normal School's 1916 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From the University of Arkansas, Fayetteville's 1927 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lenoir's 1920 yearbook.
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Where UFOs come from? Or where they're going? From Official UFO, 1977.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kirksville College of Osteopathy and Surgery's yearbook of 1935.
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"Leave the disappearing act to the magicians." From Improvement Era, 1961.
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Nine scarecrows formed a club at Swarthmore College. From the 1919 yearbook.
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"Urgent need seen for unconfused awareness." From The Aberree, 1961.
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From Southern Methodist University's 1939 yearbook.
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"Drinks own blood and keeps alive." From The Duluth Evening Herald, 1908.
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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals, 1912.
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From Armour Institute of Technology's 1930 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From Syracuse University's 1924 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Clarion State Normal School's 1916 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ashland College's 1974 yearbook.
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Loie Fuller's thousand-yard dress, from Black and White Budget, 1900.
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From Littleton College's 1907 yearbook.
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From Lindenwood Tales by Marguerite Behman and illustrated by H. C. Meyer, 1921.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Syracuse University's 1927 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the 1906 yearbook of UNC Chapel Hill.
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"Breese away to Joyland!" From The Popular Magazine, 1930.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kirksville College of Osteopathy and Surgery's yearbook of 1935.
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From Fliegende Blätter, 1847.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The "Reptile Police Force" club. From the Estherian and Lanier Literary Societies of Anderson College's 1916 yearbook.
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From College of Industrial Arts' 1917 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From David Lipscomb College's 1955 yearbook.
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| Strange Prayers for Strange Times |
(permalink) |
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From Ghost Stories, 1931.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Oregon State College's 1941 yearbook.
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Our own (illusion of) control went years ago. From The Bombay Chronicle, 1948.
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From Syracuse University's 1924 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Saint Francis College's 1948 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The fun begins with the Witches rising out of the lake." From Wesleyan College’s' 1995 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A head on legs, a head on a steak sauce bottle, a head on a rifle. From Oklahoma A & M College's 1928 yearbook. See How to Hoodoo Hack a Yearbook.
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"Man entitled to one drunk, says court." From the Duluth Herald, 1920.
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From Michigan State Normal College's 1925 yearbook.
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"They all started out to see the world." From The Built Upon House by Janet Field Heath and illustrated by Lloyd J. Dotterer, 1929.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Pardon my left hand, old man, but I am holding my shirt front down with my right one." From Kirksville College of Osteopathy and Surgery's 1933 yearbook.
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"He had heard nothing." From Mystic World, 1931.
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unearths some literary gems.
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From The Australian Women's Weekly, 1967.
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From Southern University's 1915 yearbook.
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From Grimm's Fairy Tales, translated by Margaret Hunt and illustrated by John Gruelle, 1914.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals, 1897.
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From The Children's Newspaper, 1921.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Duluth Evening Herald, 1892.
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From Clarion State Normal School's 1928 yearbook.
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From the University of Arkansas, Fayetteville's 1927 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Memories of college. From Montclair's 1974 yearbook.
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From Littleton College's 1907 yearbook.
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From Lindenwood Tales by Marguerite Behman and illustrated by H. C. Meyer, 1921.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Norteastern University's 1967 yearbook.
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"What do you do with your little finger?" From Movie Classic, 1937.
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From the University of Arkansas, Fayetteville's 1923 yearbook.
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From Susquehanna University's 1898 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Littleton College's 1907 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Syracuse University's 1927 yearbook.
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From Saint Francis College's 1948 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Fisher Junior College's 1945 yearbook.
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"Mummy my eyes feel funny!" From The Bombay Chronicle, 1938.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Ashland College's 1974 yearbook.
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From The Story of Mankind by Hendrik Willem Van Loon, 1923. (So many inaccuracies in this book, but then again history books have always offered the most fiction.)
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Wittenberg College's 1949 yearbook.
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From Movie Classic, 1934.
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From East Carolina's 1933 yearbook.
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From Auburn University's 1960 yearbook.
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Find the old woman who lived in a shoe. From Chatterbox, 1909.
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Today's half-lion on a leash is from The Cowardly Lion of Oz by Ruth Plumly Thompson and illustrated by John R. Neill, 1923.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The All Saints club." From the University of Illinois Urbana-Champaign's 1913 yearbook.
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| Who is your favorite imaginary saint? Do share! |
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"From a little puppy who was once very bad and is now very sad." From Year-Round Fun by Gates & Riordan, 1940.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Books as architecture. From Georgetown College's 1920 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"How do you like him, Daddy?" From Birmingham-Southern College's 1965 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This explains the wobble in the earth's rotation. From the Peace Institue's 1905 yearbook.
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"Are men too politie to you at parties? Gray hair sets you apart, brings you respect instead of heart-warming admiration." From Movie Classic, 1933.
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From Indiana University's 1905 yearbook.
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Just in case you could use more piety or youthfulness today. From the Wizardry 2 Handbook.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Auburn University's 1960 yearbook.
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"A trip to the mystic mind." From Beyond Reality, No. 27.
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From the University of Arkansas, Fayetteville's 1923 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Drunk hits inoffensive man." From The Duluth Herald, 1908.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of North Carolina at Chapel Hill's 1917 yearbook.
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From Exhibition of the Kevorkian Collection, 1914.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Rosicrucian Digest, 1958.
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We're honored that our One-Letter Words: A Dictionary is cited in Dr. C. Savithri's " The Language Structure of Sanskrit and Dravidian Languages" (Inam: Multidisciplinary International E-Journal of Tamil Studies).
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Here's a precursor to the Heinlien novel and film Starship Troopers, concerning Earth's war against alien insects. From The Children's Newspaper, 1927.
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From Barnes' Language Lessons or Short Studies in English, 1887.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Junior Language Book C by Donalda Dickie, 1945.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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From Syracuse University's 1927 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From York Junior College's 1947 yearbook.
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Temporal anomaly investigator Tadson Bussey offers no speculation as to why there's a ten minute discrepancy at this clock tower in Hudson, Ohio. But as Grey Wolf has noted, " you’ll be surprised by the variations in Ohio’s timeless countryside."
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From Auburn University's 1960 yearbook.
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From The Film Daily, 1943.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From Michigan State Normal College's 1925 yearbook.
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From Eastern Nazarene College's 1931 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From the University of North Carolina at Chapel Hill's 1917 yearbook.
|
|
unearths some literary gems.
I liked this piece:"Oratorical Platformation"https://archive.org/details/sim_vanity-fair_1916-08_6_6/page/46/mode/2up?view=theaterMore tidbits attached. "Lotta Miles" is, technically, left over from the last issue--but, heck, she'll probably show up again in September, so who's counting? The Judge magazine ad copy was funny to me because, hey, you name your periodical "Judge," then feel obliged to bend over backward explaining how nonjudgmental it is. And here's what I said about the Florence Nash portrait on Facebook:Please know that I'm not mocking anybody's "resting face" when I say that, given the sober, thoughtful expression in this nice portrait photo, the caption writer is inviting wisecracks. I might have revised it to "blessed with a genius for comedy [not shown]"; or maybe "blessed with a genius for very, very dry, deadpan, understated comedy, which, when you build up to it in the right way in a well-engineered context, can be highly amusing indeed." Looking at other photos of Nash from this earlier part of her career, she does generally look pretty deadpan. I can't find relevant film footage (the famous movie that she's in was from much later), but it would be interesting to see if she deadpanned through everything à la Buster Keaton. If she was famous enough as a deadpan comedian at the time this magazine came out (1916) that the audience would already be familiar with that personality, then maybe the caption writer did fine. It's not the caption writer's fault that, 100+ years later, I know who Keaton was but not who Nash was!
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From Hampden-Sydney College's 1911 yearbook.
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"Girl is seized by an octopus." From The Duluth Evening Herald, 1909.
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From College of Industrial Arts' 1917 yearbook.
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"Do your best this year for next year I'll be handicapped." From Otterbein College's 1905 yearbook.
|
* The most profound secrets lie not wholly in knowledge, said the poet. They lurk invisible in that vitalizing spark, intangible, yet as evident as the lightning—the seeker's soul. Solitary digging for facts can reward one with great discoveries, but true secrets are not discovered—they are shared, passed on in confidence from one to another. The genuine seeker listens attentively. No secret can be transcribed, save in code, lest it—by definition—cease to be. This Book of Whispers collects and encodes more than one hundred of humankind's most cherished secrets. To be privy to the topics alone is a supreme achievement, as each contains and nurtures the seed of its hidden truth. As possessor and thereby guardian of this knowledge, may you summon the courage to honor its secrets and to bequeath it to one worthy. |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From We Can Read The Toy-box by Gerrard & McInnes and illustrated by Connie Jefferess, undated (c. 1960).
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Hans Andersen's Fairy Tales, illustrated by Frank C. Papé, 1912.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Starting Points in Reading Revised, B by Patricia Chesterman, 1982.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Octopus at our gate. The old man of the sea. Bathers beware." From The Children's Newspaper, 1921.
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From Tufts University's 1936 yearbook.
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From Puck's Broom by E. Gordon Browne and illustrated by Kathleen I. Nixon, 1923.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"He'd rather die than eat meat." From Movie Classic, 1932.
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The endpapers from Washington State's 1932 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Mysteries of rainbows and sunets." From Saint Joseph's College's 1977 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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From Wheaton College's 1932 yearbook.
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"Threatened by ambrosia." From the Duluth Evening Herald, 1914.
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|
From the University of North Carolina at Chapel Hill's 1917 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From the University of Illinois's 1922 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Don't worry — the swelling will be gone next year." From Slippery Rock State Teachers College's 1921 yearbook.
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"The sun worshippers." From Chatterbox, 1889.
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From Emory University's 1982 yearbook.
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From Preparatory Book To Accompany Jim and Judy by Gates, Huber & Peardon, 1939.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Arkansas University's 1897 yearbook.
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From Motion Picture Classic, 1928.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Butler University's 1926 yearbook.
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From The Glow-Worm by William Manning and illustrated by Westley Horton, 1896.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Eastern Nazarene College's 1930 yearbook.
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|
"Advanced perception: it's dangerous! But you, too, can do it." From The Aberree, 1961.
|
|
"I still say that the only way to judge a woman's age is by the back of her neck." From Kirksville College of Osteopathy and Surgery's 1933 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1932 yearbook.
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"Peeresses' perky pelts." From the Duluth Evening Herald, 1911.
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From Manchester College's 1927 yearbook.
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From Histoires et Contes Amusants by Joseph Edgar Poirier, 1950.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Unsupported, band plays on." From College of the Holy Cross' 1972 yearbook.
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From King Novelties' Curio Catalog, 1936.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Armour Institute of Technology's 1898 yearbook.
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"Can you relax?" From The Instructor, 1956.
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From Greenbrier Military School's 1932 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Catawba's 1934 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Birmingham-Southern College's 1931 yearbook.
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From The Bombay Chronicle, 1946.
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From Syracuse University's 1927 yearbook.
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From The Record Changer, 1951.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1897 yearbook.
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| If you have a strange dream to share, send it along! |
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From Kansas State Agricultural College's 1926 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Michigan State Normal College's 1925 yearbook.
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From the University of North Carolina at Chapel Hill's 1917 yearbook.
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The avenging angel, from Unknown World, 1895.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
unearths some literary gems.
[This was the last Hichens in my queue--yet another study of characters who cultivate silly behavior for its own sake. Where "Berkeley Square" was delightfully lighthearted and "Carnation" was calculatingly cynical, this novelette was ultimately sad and depressing. But snippets, hey, I'll take 'em. (:v>]
***
While Mr. Lane hunted adjectives, and ran sad-sounding and damnatory substantives to earth...
***
“I wonder whether the supremacy of Eustace Lane is moral, or intellectual, or—neither?” said Winifred. “There are so many different supremacies, aren’t there? I suppose a man might be supreme merely as a—as a—well, an absurdity, you know.”
Jenny smiled the watery smile of the sentimentalist; a glass of still lemonade washed with limelight might resemble it.
***
The newspapers occasionally mentioned him as a dandy, a fop, a whimsical, irresponsible creature, yet one whose vagaries were not entirely without interest. He had performed some extravagant antic in a cotillon, or worn some extraordinary coat. He had invented a new way of walking one season....
***
He soon began...to reduce buffoonery to a modern science.
***
In fact, they supposed he must be a genius because he was erratic. Many people are of the same opinion, and declare that a goose standing on its head must be a swan.
***
What is a modern smart wedding but a second-rate pantomime?
***
Kite-flying in London seemed an odd notion. Was it lively and entertaining, or merely silly? Which ought it to be?
***
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Pennsylvania College for Women's 1946 yearbook.
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"What is happening on the moon? Astronomer who says things grow there." From The Children's Newspaper, 1921.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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From Easy Growth In Reading Workbook to Accompany I Know a Secret by Hildreth, Roy, Felton, Henderson & Meighen, 1940.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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|
Nothing is true ...
- in Washington until officially denied
- especially in charcoal
- but that which rings of right
- and everything is permitted
- but the brutal, the vulgar and the vile
- in the false, cruel sea
- and anything is possible
- and nothing is eternal
- until it is discovered for oneself
- or what is true is not evident to us
- but falsehood
- but Heaven; nothing sure excepting sorrow
- is a logically untenable statement (the phrase destroys itself)
[snippets gathered through the course of our research]
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It's an enduring question: "What can the superintendency do abbout 2 1/2-minute talks?" From The Instructor, 1968.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tulane's 1962 yearbook.
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"Destroy the seed of evil, or it will grow up to your ruin." From the Fables of Aesop, told anew by Joseph Jacobs, 1894.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Eastern Nazarene College's 1983 yearbook.
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From Indiana University's 1896 yearbook.
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"I'd been around. I thought I could handle my own emotions, but I was wrong ... so wrong! My first pickup." From Modern Screen, 1960.
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From Ward-Belmont College's 1920 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Ignore inner selves." From Flying Saucer News, 1963.
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From Tufts University's 1958 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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From Peace Institute's 1918 yearbook.
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"No broken sleep." From The Australian Women's Weekly, 1963.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Today's Rempham star if the Kabbalah is discussed in The Bestiary of Christ by Louis Charbonneau-Lassay, 1940.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
"Can larks take a joke? We don't know." From The Children's Newspaper, 1935.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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From Franke Reade Weekly Magazine, 1893.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the Duluth Evening Herald, 1902.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Omaha's 1928 yearbook.
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Bananas and cider. Circa 1910, Michigan, courtesy of Up North Memories.
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From Saint Francis College's 1979 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Eastern Nazarene College's 1983 yearbook.
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From Rhymes of a Child's World by Miriam Clark Potter and illustrated by Ruth Fuller Stevens, 1920.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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From Indiana University's 1896 yearbook.
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The caption says that her pet leopard was indisposed the day this was photographed. From Motion Picture Classic, 1917.
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From Ward-Belmont College's 1920 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Barnard College's 1914 yearbook.
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From The Land of Oz by L. Frank Baum and illustrated by John R. Neill, 1904.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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The timeless elegance of a mop wig and bonnet. From the University of Bridgeport's 1960 yearbook.
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"Why do we want to live?" From The Instructor, 1968.
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You've just been squirted with water. Reblog to keep it going. From Wesleyan College's 1983 yearbook.
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From Life magazine, 1884.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
She's reading Campus Caviar. From the University of Oklahoma's 1943 yearbook.
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From Der Bärenspiegel, 1939.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From York Junior College's 1947 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Illinois Wesleyan University's 1917 yearbook.
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From Motion Picture Classic, 1923.
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From Oberlin College's 1925 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tufts University's 1954 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From the University of North Carolina at Chapel Hill's 1917 yearbook.
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"Medicine is likened to a slow embalming." From The Aberree, 1961.
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From Henderson Colleges 1908 yearbook.
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From Charles Dickens' Pickwick Papers, illustrated by Samuel Weller (Thomas Onwhyn), 1837.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From Nebraska Wesleyan University's 1931 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From "The Moon's Tears" by Laurence Alma Tadema, in The Children's Book, 1915.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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"Man who frightened himself. Terrible power of imagination." From The Children's Newspaper, 1920.
|
|
INSTRUCTIONS: Click to overlay a page from the book.
From Field Book of the Skies by William Tyler Olcott. 
|
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From the rare A Choice of Magic by Ruth Manning-Sanders and illustrated by Robin Jacques.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From Illinois Wesleyan University's 1917 yearbook.
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From Motion Picture Classic, 1919.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Richmond Professional Institute's 1935 yearbook.
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"Little sins have sharp teeth." From the Duluth Herald, 1910.
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|
| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From the University of Chicago's 1898 yearbook.
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"Enough magnificence to spoil plain living. Hardly anyone wanted tea." From The Daily Colonist, 1959.
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From the University of North Carolina at Chapel Hill's 1917 yearbook.
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|
unearths some literary gems.
***
There is one thing in the front room I must get rid of—the rug. It is a nightmare with a crimson ground on which are displayed broken white particles that look like animalcula in a magnified drop of water.
***
["Landlady" as a verb!]
Mrs. Bushey lives next door (she has two houses under her wing) and when not landladying, teaches physical culture.
***
[Who Needs Context? dept.]
My knowledge of nymphs and dryads is small, but I feel confident if one of them had ever sung a modern Italian aria through a modern American register she could not have rendered it with less heart and soul than Miss Harris did.
***
Betty’s summons are not casual outbreaks of hospitality. There is always an underlying purpose in them, what a man I know who writes plays would call “a basic idea”.
***
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From UFO Newsclipping Service, 1986.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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From Hampden-Sydney College's 1911 yearbook.
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From Colored Agricultural and Normal University's 1927 yearbook.
|
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From My Practice Book For Me Level 2 by Thorn, McCreary-Juhasz, Smith, Munroe & Richmond, 1966.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Lenoir Rhyne College's 1969 yearbook.
|
|
From Lindenwood Tales by Marguerite Behman and illustrated by H. C. Meyer, 1921.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
Twenty-three inseparable pairs of manfriends. From Concordia Teachers College'a 1928 yearbook.
|
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From Hollins College's 1920 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Catawba College's 1929 yearbook.
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"Bad dreams to blame [for stories of alien abduction], says expert." From BUFORA Newsfile, 1996.
|
|
From the University of North Carolina at Chapel Hill's 1917 yearbook.
|
|
"Make this goblin your ally!" From The Goblin, 1922.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Illinois Woman's College's 1916 yearbook.
|
|
From Ozma of Oz by L. Frank Baum and illustrated by John R. Neill, 1907.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Park College's 1926 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Goshen College's 1920 yearbook.
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From The Romans by Alfred Duggan and illustrated by Richard Powers, 1964.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From Richer Ways of Living by Wilson, Wilson & Erb, 1937.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Diamonds in the sky, where the earth is invisible." From The Children's Newspaper, 1922.
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From Eastern Nazarene College's 1983 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lindenwood Tales by Marguerite Behman and illustrated by H. C. Meyer, 1921.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Happy now! What about later?" From The Instructor, 1938.
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"The Coney Island of the mind." From Valparaiso University's 1967 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of North Carolina at Chapel Hill's 1917 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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You've heard of a crystal ball, but some pronounce it "crystal bowl." From Ohio State University's 1947 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Northern State Teachers College's 1929 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Bigger feet for Chinese women." From the Duluth Evening Herald, 1911.
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From Kansas State Agricultural College's 1919 yearbook.
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Magnificent Milo is a centaur who lives with wyverns, griffons, fauns, and harpies but accidentally takes a fall into the world of men and circuses. Charmingly illustrated by author Joan Balfour Payne (1958).
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"In the dark with 7 tigers." From the Bombay Sunday Chronicle, 1951.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Grasshopper's Hop by Zitella Cocke and illustrated by Joseph J. Mora, 1901.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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From Lambuth College's 1931 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Tiger versus elephant: which would you wager to win? From Moving Picture World, 1919.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tufts University's 1974 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Valparaiso University's 1967 yearbook.
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From The Improvement Era, 1970.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Amusing Experiments (After Martin Gardner) by M. Stoliar and L. Formin.
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From Kirksville College of Osteopathy and Surgery's 1933 yearbook.
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"New 'pill' is discovered to make patients suffer." From The Aberree, 1954.
|
|
unearths some literary gems.
Highlights from Vanity Fair, July 1916:
1. I thought this "Where is Greenwich Village?" piece was interesting, both in terms of the early(?) demonstration of a "there's no 'there' there" angle, and as an unusual(?) instance of a magazine calling itself out for mythologizing:https://archive.org/details/sim_vanity-fair_1916-07_6_5/page/64/mode/2up?view=theater2. A mildly funny serving of revolving-restaurant shenanigans:https://archive.org/details/sim_vanity-fair_1916-07_6_5/page/68/mode/2up?view=theater3. [Attached] Wodehouse in drag and in duplicate (afaik the third critic is not PGW).4. [Attached] The megaphone just strikes me as comically silly, for some reason.5. [Attached] Nonsense dept.6. [Attached] Remember this drawing from last month, when it illustrated an imaginary invention? Well, apparently it's already in use, by people communicating with their personal shoppers! (:v>
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
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From Fun with Tom and Betty by Ousley & Russell, 1961.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The annual explosion of the braincell of the house of a thousand troubles. From Armour Institute of Technology's 1924 yearbook.
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"God is dead. He has died in our time and we have killed him." From Kansas State Collegian, 1968.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Johns Hopkins University's 1898 yearbook.
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From Moving Picture World, 1919.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Record Changer, 1951.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
Ever-glowing through time -- the mysterious trees that spread through old college yearbooks. From Wabash College's 1922 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
"Truth, tho it crush me." From Concordia Teachers College's 1917 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Relaxing is the first step in speechmaking." From Charleston Southern University's 1973 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Ward-Belmont College's 1920 yearbook.
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|
"Educational Dope: My remedy for your cultural breakdowns and ignoramus complaints." From Earlham College's 1916 yearbook.
|
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From Le Pêle-Mêle, 1896.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
From the United States Naval Academy's 1923 yearbook.
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|
Shoes to go with winter. From the Duluth Evening Herald, 1911.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
Many strive to be a Perfect Ten, but others set their sights lower. "Wanting to be the Perfect One." From Mars Hill College's 1991 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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|
"Thought he was a woman." From the Duluth Evening Herald, 1909.
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|
The stork delivers a Granby phonograph. From The Talking Machine World, 1920.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
"You're the only student I've really changed." From Purple Parrot, 1942.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Montclair State's 1967 yearbook.
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|
From The Story of Mankind by Hendrik Willem Van Loon, 1923. (So many inaccuracies in this book, but then again history books have always offered the most fiction.)
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Washington College's 1977 yearbook.
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|
"Who, me, repent?" From The Instructor, 1965.
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|
From Northeastern University's 1950 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Ward-Belmont College's 1920 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
"Free coffee and gab." From Indiana University's 1976 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
unearths some literary gems.
From someone's Peter Noone writeup (from 2016):
"His show was great. He did a great impression of Mick Jagger and accurately portrayed his dancing. We even had a nice conversation about socks."
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From Golden Links in the Chain That Connects Mother, Home and Heaven by Mrs. J. P. Newman, 1890.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Duke University's 1941 yearbook.
|
* The most profound secrets lie not wholly in knowledge, said the poet. They lurk invisible in that vitalizing spark, intangible, yet as evident as the lightning—the seeker's soul. Solitary digging for facts can reward one with great discoveries, but true secrets are not discovered—they are shared, passed on in confidence from one to another. The genuine seeker listens attentively. No secret can be transcribed, save in code, lest it—by definition—cease to be. This Book of Whispers collects and encodes more than one hundred of humankind's most cherished secrets. To be privy to the topics alone is a supreme achievement, as each contains and nurtures the seed of its hidden truth. As possessor and thereby guardian of this knowledge, may you summon the courage to honor its secrets and to bequeath it to one worthy. |
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From The Moving Picture World, 1920.
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From Georgia Southern College's 1970 yearbook.
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"L'art nouveau bed, showing part of the interior of a modern Viennese bed room." From The Witchery of Sleep by Willard Moyer, 1903.
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From Washington College's 1977 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From West Virginia Wesleyan College's 1929 yearbook.
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From Amazing Stories, 1927.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Lambuth College;s 1950 yearbook.
|
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From the University of Arkansas, Fayetteville's 1910 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From the University of North Carolina at Chapel Hill's 1917 yearbook.
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|
"A doctor talks to tomatoes—and finds that they have their mental problems, too!" A London Daily Mirror headline, reproduced in The Aberree, 1960.
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|
From South Western Normal College of Pennsylvania's 1917 yearbook.
|
| *Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out. |
|
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From the University of Akron's 1921 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Chatham College's 1960 yearbook.
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|
"They would knock the stars about our tumbling chimneys." From Frightful Plays by Charles Brooks, 1922.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From Swarthmore College's 1908 yearbook.
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|
"What's the use." From Movie Classic, 1934.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
Flunkers. From the University of Arkansas' 1920 yearbook.
|
|
"The deficiency of the internal secretions which made Napoleon eligible for glory was also responsible for his downfall. His rise and fall followed the rise and fall of his pituitary gland." From Shadowland, 1922.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
From the University of Arkansas, Fayetteville's 1910 yearbook.
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
A spirit medium's portrait of Jesus. From Gallery of Spirit Art, Aug. 1882.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
"What we do is popular." From Missouri Southern State University's 1992 yearbook.
|
|
From The Girl's Own Paper, 1881
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
unearths some literary gems.
[As you might gather from these snippets (or already know), this book goes to town spoofing Oscar Wilde et al. Taken as a whole, alas, the novel is rather nasty (and probably homophobic), but this is my pick of the more innocently amusing bits.]
***
"I think the art of losing things is a very subtle art. So few people can lose anything really beautifully. Anybody can find a thing. That is so simple."
***
"Men always fall into the absurdity of endeavouring to develop the mind, to push it violently forward in this direction or in that. The mind should be receptive, a harp waiting to catch the winds, a pool ready to be ruffled, not a bustling busybody, forever trotting about on the pavement looking for a new bun shop."
***
"She is a good woman, Reggie, and wears large hats."
***
"I am unchanged. That is really the secret of my pre-eminence. I never develop. I was born epigrammatic, and my dying remark will be a paradox."
***
She rustled away with weary grace, rattling delicately a large bunch of keys that didn't open any thing in particular. They were a part of her get up as a country hostess.
***
"I am perpetually meeting her, and she always asks me to lunch, and says she knows my brother. She seems to connect my poor brother with lunch in some curious way."
***
"Some of them even labour under the wild impression that...Mr. George R. Sims—what would he be without the initial?—is a minor poet."
***
His wittiest jokes, nude, no longer clad in the shadowy garments of more or less conventional propriety, danced like bacchanals through the conversation, and kicked up heels to fire even the weary men of society.
***
"He fascinates by being sedulously unexpected. Listen to his anthem. He is beginning to play it. How unexpected it is. It always does what the ear wants, and all modern music does what the ear does not want. Therefore the ear always expects to be disappointed, and Lord Reggie astonishes it by never disappointing it."
***
He was holding up a table-spoon filled with marmalade to catch the light from a stray sunbeam that filtered in through the drawn blinds, and wore a rapt look, a "caught up" look, as Mrs. Windsor would have expressed it.
"Good morning," he said softly. "Is not this marmalade Godlike? This marvellous, clear, amber glow, amber with a touch of red in it, almost makes me believe in an after life. Surely, surely marmalade can never die!"
"I must have been mistaken," Mrs. Windsor thought, as she expressed her sense of the eternity of jams in general in suitable language.
***
"I suppose it is always difficult not to take oneself seriously."
"I do not find it so. My mental proceedings generally strike me as the best joke I know."
***
"Mr. Amarinth is generally amusing."
"Yes, he has got hold of a good recipe for making the world laugh and think him clever. The only mistake he makes is, that he sometimes serves up only the recipe, and omits the dish that ought to be the result of it altogether. One cannot dine off a recipe, however good and ingenious it may be. It is like reading a guide-book at home instead of travelling."
***
"It is like the garden scene of 'Faust.' Martha ought to come on now with Mephistopheles. Ah! here are Mrs. Windsor and tea. They will have to do instead."
***
She still wore her big and shady hat. She declared it made her feel religious, and nobody was prepared to dispute the assertion.
***
"We are so frightfully punctual that I feel quite like an early Christian. I wonder why the Christians were always so early before we were born? They are generally very late now."
"I suppose they have grown tired," he answered, arranging the carnation in his buttonhole meditatively. "Probably we suffer from the activity of our forefathers. When I feel fatigued I always think that my grandfather must have been what is called an excellent walker."
***
"People who have nothing to say always do preach long sermons, don't they? They keep hoping they will have something to say presently, I suppose."
"And they hope out loud," said Madame Valtesi.
***
"Don't any of you stare at him while he is singing," he said, "or he will get sharp. He always does; I have noticed it."
"What a pity staring does not have that effect upon all of us," said Madame Valtesi. "London would be quite brilliant. I have looked at people for hours, but they have never got sharp."
[later]
The anthem passed off fairly well, although Jimmy Sands went rather flat, perhaps owing to the fact that none of the party from the cottage so much as glanced at him during his performance.
"He evidently made allowance for our staring," Madame Valtesi said afterwards.
[I think that may be my favorite bit in the book!]
***
Ever since he had made a name for himself by declaring that he was pleased with the Equator, and desired its further acquaintance, he had been talked about. Whenever the public interest in him showed signs of flagging he wrote an improper story, or published an epigram in one volume, on hand-made paper, with immense margins, or produced a play full of other people's wit, or said something scandalous about the North Pole. He had ruined the reputation of more than one eminently respectable ocean which had previously been received everywhere, and had covered Nature with confusion by his open attacks upon her.
***
[I know you and stiches in time go back a long way.]
"How can I talk?" she replied. "Don't you see that I am knitting?"
"Are you doing a stitch in time, the sort of stitch that is supposed to rhyme with nine?"
***
"Afterwards in the drawing-room he gave a lecture. I rather forget the subject, but I think it was, 'Eggs I have known.' He knew a great many."
***
"Esmé, you are talking nonsense!" Madame Valtesi said, dropping two more stitches with an air of purpose.
"I hope I am. People who talk sense are like people who break stones in the road: they cover one with dust and splinters."
***
"Really clever men never wear spectacles. Wearing spectacles is the most played-out pose I know."
***
"Is it nearly tea-time, Mrs. Windsor?" he added, as she came up, a little flushed with under exertion. "I only ask because I am not thirsty. Tea is one of those delightful things that one takes because one does not want it."
***
"Are you ever excited?" asked Lady Locke.
"Sometimes, when I have invented a perfect paradox. A perfect paradox is so terribly great. It makes one feel like a trustee. Can you understand the sensation? Have you ever felt like a trustee?"
"I don't think I have," Lady Locke said, laughing.
"Then, dear lady, you have never yet really lived."
***
"The world is even surprised when Mr. Gladstone is found to have been born in several places at the same time—as if he would be born at different times!"
***
[Precursing Fran Lebowitz, as immortalized in one of my Garfield-Lebowitz mashups of yore (see attached).]
"Children are very sticky," she remarked. "I am glad I never had any."
"Yes," said Madame Valtesi; "they are as adhesive as postage-stamps."
***
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From Sing Me a Song by Kirth, McManus & Carmack.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hampden-Sydney College's 1911 yearbook.
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From The Duluth Evening Herald, 1905.
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"Do eagles carry off children? How a parrot saved its life." From The Children's Newspaper, 1919.
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While looking for castles in the air, be sure not to miss the castles in lampposts. From Fairleigh Dickinson University's 1959 yearbook.
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From Southwest Missouri State Teachers College's 1930 yearbook.
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From Snickerty Nick by Julia Ellsworth Ford and illustrated by Arthur Rackham, 1919.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Tulane's 1921 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|
|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Kodak Magazine, 1920.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Flora Stone Mather College's 1928 yearbook.
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From Flying Saucer Digest, no. 115.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hollins College's 1940 yearbook.
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From Illinois Woman's College's 1916 yearbook.
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From Ozma of Oz by L. Frank Baum and illustrated by John R. Neill, 1907.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From University of North Carolina at Chapel Hill's 1930 yearbook.
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From the Duluth Evening Herald, 1908.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Illinois Urbana-Champaign's 1913 yearbook.
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"Nonsense initiators." From Goshen College's 1964 yearbook.
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From the Journal of Borderland Research, Vol XLV.
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We think we discovered where The Prisoner's boatlike artwork ended up — at West Virginia State College (as seen in the 1979 yearbook).
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From Practice For Tip, Tip and Mitten, The Big Show by McKee, Harrison, McCowen & Lehr, 1957.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Children's Newspaper, 1939.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From St. Joseph's College for Women's 1925 yearbook.
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From the University of Toledo's 1950 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"A lion with his paws helped to dig the grave [of Mary of Egypt]." From Chatterbox, 1922.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Swarthmore College's 1925 yearbook.
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You've seen comedians spray atomized perfume into their mouths or take swigs from perfume bottles, but perfume booze is no laughing matter when it comes to liquor licenses. From the Duluth Herald, 1910.
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From West Tennessee State Normal School's 1916 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Loyola University's 1933 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Hiram College's 1896 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From North Central College's 1911 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"In the highest civilizations the book is still the greatest delight" (Emerson). "Books: wealth of the world, fit inheritance of generations and nations" (Thoreau). From Ohio State University's 1960 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Manchester College's 1931 yearbook.
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Thanks to Milo "Ectoplasmicwyrms" Ramone for saying, "Love this guy. Go watch his channel."
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"A grand old mediocrity." From the Duluth Evening Herald, 1911.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Always keep your eyes wide open." From the Bombay Sunday Chronicle, 1950.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Valparaiso University's 1949 yearbook.
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Crib-horses, from the highly cursed Nightmare Land by G. Orr Clark and illustrated by Caroline Love Goodwin, 1901.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Guilford College's 1978 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Alberta's 1948 yearbook.
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From Motion Picture Classic, 1920.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Stairway to the belfry, from Kansas State's 1976 yearbook.
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From Using Our Language, Grade VIII by T. I. Davis, 1961.
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From the University of Chicago's 1907 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
Highlights from Vanity Fair, June 1916:
[Needless to say, I initially interpreted "write for a dog" to mean writing /on behalf of/ a dog, i.e., acting as a dog's ghostwriter or private secretary. And I note that the illustration doesn't exactly discourage that interpretation!]
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We, too, omce started up the chimney ... and come to think of it, we've not yet come down. From Chatterbox, 1909.
|
| [The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the University of Mississippi's 1901 yearbook.
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"(You can look young forever.)" From The Australian Women's Weekly, 1962.
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From I Know a Secret by Hildreth, Felton, Henderson & Meighen, 1940.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the Massachusetts Society for the Prevention of Cruelty to Animals' Our Dumb Animals, 1956.
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Like Christmas, the month of June seems to come earlier every year. "June in January," from The Improvement Era, 1968.
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From the State University of New York Institute of Applied Arts and Sciences at Binghamton's 1949 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This is where Baby New Years are incubated. From Emblemland by John Kendrick Bangs and Charles Raymond Macauley, 1902.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The rats respond to a human infestation. From Winthrop University's 1901 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Duke's 1914 yearbook.
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A diminishing poem from Toike Oike, 1955.
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From Central Missouri State University's 1940 yearbook.
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| I Found a Penny Today, So Here's a Thought |
(permalink) |
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From Martin Methodist College's 1975 yearbook.
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From Franklin College's 1974 yearbook.
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|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"It's june ... in January." From Concordia Seminary's 1945 yearbook.
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From Tanglewood Tales by Nathaniel Hawthorne and illustrated by Virginia Frances Sterrett, 1921.
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Peace Institute's 1919 yearbook.
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|
|
| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Original Content Copyright © 2025 by Craig Conley. All rights reserved.
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