
 |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Apple pie!" From Fisher Junior's 1966 yearbook.
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If we were to quibble about Drunk: The Definitive Drinker's Dictionary (" O ascetic, go, and don’t quibble with those who drink the dregs," Hafez said), it would be over the fact that the book is in fact a glossary and not a dictionary, though author Paul Dickson, as a consulting editor for Merriam-Webster, would already know that. Having compiled glossaries ourselves, we get the predicament: if every entry has the same definition (in this case, "drunk"), the entries might as well stand unadorned. The illustrations by Brian Rea make the impressive glossary even more charming. Can you guess the entry for this illustration?
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kansas State's 1935 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lustige Blätter, 1903.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
*** [He] goes to the opera till he's blue in the face.
*** [The most hyperpolite Brit ever?]
The message on my answering machine to invite me to lunch, went: "Could you bear to give me a ring if the idea of having lunch with me isn't absolute anathema to you?" [...] "Would you mind passing me the menu if it isn't the most frightful bore?" he said to me. Then: "Oh, how splendid!" to the waiter when he brought the sparkling water. "How frightfully kind!"
*** [Imaginary Hats dept.]
On our way out we saw a big man’s black hat lying in the corridor. [….] We both imagined this wretched man going around pompously, imagining he’d got his ludicrous hat on his head, and then going home and looking in the mirror and finding to his horror that he’d been strutting around all day just an ordinary person with a small, bald head.
*** "I know, darling!" The "darling" just slipped out. "I didn't mean 'darling, darling,'" I tried to explain...."It's a kind of...expression, that has come upon me at sixty like a kind of disease. My speech is peppered with darlings. Darlings, not dahlings with an 'h,'" I added. "There's nothing I can do about it." ***
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Though yarn hair, not mop hair, is most appropriate for a Raggedy Ann & Andy look, we're going to let this transgression pass. From Mount Wachusett's 1972 yearbook.
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The Marx Bros. as puppets pulling an ink volcano. From The Film Daily, 1932.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Surprisingly, this page from a religious college's yearbook revises the Bible, changing "through a glass, darkly" (1 Corinthians 13) to "brightly," a revision used by anti-religionists. (There's even a book with this revision as its title: Through a Glass Brightly: Using Science to See Our Species as We Really Are.) Unable to control themselves, the yearbook editors ran with the revisionism and brought coffee into it: "Through a glass warmly." From Mount Olive's 1963 yearbook.
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People turn into numbers in the endpapers of Northeastern's 1984 yearbook.
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From Photoplay Magazine, 1920.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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There are zero Google Books results for "writing with spilled ink." Yet it's how we compose all of our own books. From Purdue's 1907 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This is fighting talk. From Amazing Stories, 1932.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Not every mask is easily shed, and the last masks to come off are the ones that are terror-driven" (Steven Carter). From Susquehanna's 1979 yearbook.
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"Arnott biscuits are holding hands and dancing around a fairy that is playing a violin. A parrot is on a perch watching the proceedings." Courtesy of the State Library of Queensland.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Memories of college. From Brevard's 1980 yearbook.
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From Motion Picture Magazine, 1922.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This ad is factual -- unlike computer keyboards, typewriters gave typists the soaring ability of winged horses. Later generations wouldn't know what they were missing. From Cine-Mundial, 1929.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Mermaids tend to test out of swimming class. From Western State Normal School's 1920 yearbook.
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She asked a bear for a penny. From A Book of Fairy-Tale Bears by Clifton Johnson and illustrated by Frank A. Nankivell, 1913.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lustige Blätter, 1903.
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The most unlikely pairings of photos to college departments that we've encountered to date. Or are they the most perfect pairings? From Missouri Southern's 1971 yearbook.
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"Spires whose 'silent finger points to heaven' —Wordsworth." From Wake Forest's 1953 yearbook.
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"The wild animals had gone except two little jackals." From Myths From Many Lands by Eva March Tappan, 1907.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Today's card tricking oboe who improvises nonsense phrases is from The Martlet, 1974. (Magicians, especially, will have noticed the extra joke embedded in this: how the oboe has cheated in his card trick.) That last panel, with the nonsense phrases, touches upon an occult secret that modern stage magicians have now forgotten, to the detriment of their careers. Nonsense phrases, like the babbled syllables of the Ancient Egyptian wizards, the priestesses of the Delphic oracle, and the stage magicians of old (when "abracadabra" wasn't a cliché) profoundly affect the brain by instilling an altered state of consciousness. Dr. Raymond Moody recently published his findings on the influence of nonsense and further explained why he has clients read a page of a Dr. Seuss book as preparation for a mind-bending experience within a Psychomanteum (Moody's version of the Necromanteion of Acheron). Yes, a magician (whether on stage or in an occult setting) who utters hocus pocus gives those present a more extraordinary experience, from within their own brains. Though the oboe magician in the comic panel cheats at its own card tricks, it knows how to perform genuine magic. See Magic Words: A Dictionary.
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"Not according to Dante." From Unknown, 1941.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lumières Dans la Nuit, 1969.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Science discovers a creator." From Awake magazine, 1958.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Caricatura de Raphael Bordallo Pinheiro (1846-1905)," via Biblioteca de Arte da Fundação Calouste Gulbenkian.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A cleverly-designed hourglass / graduate. From St. Joseph's 1988 yearbook.
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Ann Forrest, in Motion Picture Magazine, 1922.
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It has been foreseen -- "there will be a meeting." From Kansas State's 1948 yearbook.
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This Terrible Problem That Is the Sea |
(permalink) |
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,( ,( ,( ,( ,( ,( ,( ,( `-' `-' `-' `-' `-' `-' `-' `-' ` "The sea is a cruel mistress. Yet again the sea has behaved unconscionably. It's time to address this terrible problem that is the sea." —Captain Neddie, from the hilarious BBC series Broken News |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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From Lustige Blätter, 1916.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Fliegende Blätter, 1932.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"New visions appear, some haunting … into the night." From Palm Beach's 1970 yearbook.
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From Lustige Blätter, 1906.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Temporal anomaly investigator Andrew Gustar spotted this clock tower in Ambleside, England, where it's simultaneously 7:20 and 2:25. Without more context, we can't diagnose the issue, but not everything needs a tidy explanation.
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Is the skull saying that Hamlet should combine being and nothingness? From Wid's Daily, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Voyaging to the moon, from Moon Lore by Timothy Harley, 1885.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Those things surprise me every time, too. From Amazing Stories, 1932.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Got Weed" is actually "Go Tweed," at least officially. From Mary Washington's 1961 yearbook.
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"Portrait of Rhonda Kelly [Miss Australia] by artist Caroline Barker, 1945." Courtesy of the State Library of Queensland.
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From Costumes and Scenery for Amateurs by Constance D'Archy Mackay, 1915.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Boxing wasn't always brutish. From Cine-Mundial, 1926.
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From Lustige Blätter, 1916.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A ray emanates from the third eye chakra. From Evansville's 1983 yearbook (top). Lest one think this was a fluke, we noticed an eerily similar phenomenon in the Francis Marion yearbook of 1979 (bottom).
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unearths some literary gems.
*** "Credit rating not up to snuff, she told me." Mrs. Wasserman looked stricken, as if her own credit rating were snuff-less.
*** Wiggins tilted the book from side to side in a paperback wave.
*** "What you been doing on your holiday?".... "Been to eleven films in the last ten days. I thought I'd get it over with all at once."
*** She sat back, fell back, in her chair, holding the cheese puff aloft and seeming to address it, not Jury. [Gesturing with animated objects, especially comestibles--and related business--is starting to feel like a "theme" in Martha Grimes.]
*** He was absolutely certain by the time he'd reached page fifteen that The Parrot and the Pickle [a nonexistent mystery novel by the previously mentioned nonexistent author Elizabeth Onions] was one of the books the monkeys had cast aside on their way to writing Hamlet. [And I like how the hypothetical monkeys who would recapitulate Shakespeare, given infinite opportunity, have become actual monkeys who did.]
*** Professor Lamb had a short torso, and his red suspenders made it appear even shorter, as if they were yanking his waist up to mid-chest.
*** [A Baltimore cabbie-cum-tour guide objects to the fare's desire to visit the Poe house rather than the aquarium.] "So what's interesting? It ain't like he kept giant sting rays." [Maybe they should take I-95 to Providence and compromise on Lovecraft?]
*** "Except," Jury added, "that there were no such people." [I guess my "no such person" Google Books search missed all the plural nonesuches!]
*** Not setting it in Morocco was as good as not setting it anywhere else.
*** From somewhere came a sudden crash, and Macalvie turned from the phone to yell at someone. Noises off went with Macalvie. ***
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When your vision correction goes beyond trifocals but you still try to keep up with the day's sport. From The Martlet, 1974.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Grave-robbing sheet ghosts haunt Denison's 1963 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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The impact of a perfect table centerpiece can't be overstated. From Elmhurst's 1970 yearbook.
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Are You Enjoying Your Specially-Curated Reality Collapse? (A headline from The Secret Sun.)
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Reblog if you've ever given Petulant a good luck kiss. From Mary Washington's 1961 yearbook.
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"Caricatura de Raphael Bordallo Pinheiro (1846-1905)," via Biblioteca de Arte da Fundação Calouste Gulbenkian.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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As if we weren't already under enough pressure, now we're told to "remember everything." From Pembroke's 1966 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Bring lilies to altar and shrine." From Manual and Diagrams to Accompany Metcalf's Grammars, 1901.
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"Let me refer." An illustration by Kate Bennett for the State Normal School for Women's 1917 yearbook.
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This Terrible Problem That Is the Sea |
(permalink) |
 |
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 |
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,( ,( ,( ,( ,( ,( ,( ,( `-' `-' `-' `-' `-' `-' `-' `-' ` "The sea is a cruel mistress. Yet again the sea has behaved unconscionably. It's time to address this terrible problem that is the sea." —Captain Neddie, from the hilarious BBC series Broken News |
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Some methods of boosting academic achievement are as much a shift in mindset as anything else. The use of concentric circle mandalas came with a significant degree of risk (psychosis) and was out of favor by 1980, or at least so we imagine. From Elmhurst's 1970 yearbook.
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From Lustige Blätter, 1906.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"All hell shall stir for this. —Shakespeare." From Wake Forest's 1953 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a precursor to John Blase's logic that God is blue:
If God is Love (as the Bible says) and Love is Blue (as the song says) then the law of transitivity leads me to at least consider the possibility that God is Blue (as I’ve long hunched). —"In Praise of Blue," 2020
From The Gateway, Feb. 20, 1969.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Any solid leads on where to get that shirt will be rewarded with our best wishes (very powerful!). From Western Mail, Cardiff, June 19, 1996.
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"She gets what she wants with ... hex appeal." From an ad for I Married a Witch, in The Film Daily, 1942.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Though there are easier ways to get tuna out of a can, one must find the way that offers the most satisfaction. From Monmouth's 1917 yearbook.
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"Angel of heaven!" From The Strand, 1891.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Lustige Blätter, 1907.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The 'Phantom Nude' may still be here!" We analyzed this photo with our custom Uncanny Detector app, and sure enough, one of these mannequins is, indeed, a phantom. Can you sense which one? It's the headless, dancing one in the back. From Palm Beach's 1970 yearbook.
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"Moments alone ... when we experienced a spectrum of emotions."
From Concordia's 1976 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Reblog if you've had months that could have used an extra row of days. From Kansas State's 1920 yearbook.
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The three possibilities. From Cine-Mundial, 1931.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It's as true today as it was back then -- be wary, if blindfolded, of allowing the grim reaper to lead your goat into a dark cave. From the State Normal School for Women's 1917 yearbook.
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Reblog if you've ever prepared haunted food. From Der Guckkasten, 1918.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This phrase is a Googlewhack to this day: "A distant, public voice speaking of false store fronts and tissue paper." From The Martlet, 1972.
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How to decline if offered Hitler in a champagne glass, even if all your friends are taking freebies: Keep it clear and simple (just say "no"); don't offer an explanation (you don't owe them one).
Headline from The Martlet, 1972.
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From the University of the South's 1932 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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An illustration by J. M. W. Turner. From Fairy Tales, Narratives and Poems, 1906.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This is a drastically underreported cause of accidents. From Kladderadatsch, 1923.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's to everyday objects, objects we take for granted. From American University's 1994 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lasell's 1927 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From the State Normal School for Women's 1917 yearbook.
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From Fantastic Adventures British Ed. #10 (1952).
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From East Carolina's 1934 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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This Terrible Problem That Is the Sea |
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From Lustige Blätter, 1900.
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,( ,( ,( ,( ,( ,( ,( ,( `-' `-' `-' `-' `-' `-' `-' `-' ` "The sea is a cruel mistress. Yet again the sea has behaved unconscionably. It's time to address this terrible problem that is the sea." —Captain Neddie, from the hilarious BBC series Broken News |
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At first glance, we thought an expectant mother was standing behind a transparent Date Due slip, perhaps to find out her due date. From Eastern Kentucky's 1973 yearbook.
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From St. Nicholas magazine, 1917.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It's only funny if the bunny thinks so. From Lakeview's 1921 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It's actually an easy mistake to make. "Small pig or is it an apple tree." Via UFO Newsclipping Service, 1994.
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Forty Canadian dollars in 1972 would be over $243 today. From The Martlet, 1972. But in 1979, Philip K. Dick predicted a $1000 hamburger: "From [the robot's] slot came a hamburger, french fries, and a strawberry shake. 'That'll be one thousand dollars in cash'" ("The Exit Door Leads In").
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An old postcard gifted to me by friends in Wales. Undated.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's an ex libris with kindest thoughts. From Salem's 1925 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The triangle of terror." From Weird Tales volume 42 number 4 (May 1950).
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Le Journal Amusant, 1893.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Courtesy of La Biblioteca Universitaria de Sevilla's Goya collection.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kladderadatsch, 1939.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The size of your pen and the length of wands are important" (however, this quotation refers to llama raising; from Llamas Magazine, 1992). (We took the instrument for an ink pen, but perhaps it's a paint brush.)
Our illustration appears in St. Joseph's 1992 yearbook.
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From Lustige Blätter, 1899.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Old man coincidence." From Photoplay Magazine, 1920.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This news couldn't be timelier. "Just a few more months and we'll reach the top." Whew! From Charleston Southern's 1972 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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It's been said that a good portrait photographer brings out the inner person. From Millikin's 1954 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
*** Lightly clad tourists sauntered through, scattering truncated phrases, like confetti, in half the tongues of the world.
*** Sir Hubert whoever mounted the steps with an athletic spring to his gait. ***
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
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“Leave the door open for the unknown, the door into the dark. That’s where the most important things come from, where you yourself came from, and where you will go.” —Rebecca Solnit, A Field Guide To Getting Lost
Our illustration is from Dark Shadows episode 857. "Anything is possible beyond the I-Ching door."
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We're sometimes asked what we mean when we identify an image as "our restoration." As an example, here's the "After" followed by the "Before," from The Martlet, 1972. The original scan was practically a silhouette, with most detail lost. This is our tribute to a moose caught in his own suspenders, originally illustrated by Gord Moore.
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Troubling news -- "Hustle, alone, won't do it." From the University of Arkansas, Fayetteville's 1957 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From UFO Newsclipping Service, 1986.
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From Susquehanna's 1920 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I want war. Do you?" From the University of Illinois at Urbana-Champaign's 1991 yearbook.
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From Wesleyan College (Macon)'s 1986 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Given how a booklover's shelves tend to sag, making the world one's bookshelf might be a practical solution. From Moline Community College's 1961 yearbook.
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From Fantastic Adventures British Ed. #10 (1952).
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Volshebnyi Fonar', 1905.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The nearly forgotten combo of mop hair, a mannequin leg, and a zebra-striped dress. From Millikin's 1954 yearbook.
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You'll have noticed that the professor is weilding a pistol and has already made a decision. From Millikin's 1954 yearbook.
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Reblog if you're holding on tightly to the edge of darkness. From The Film Daily, 1943.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a precursor to the jealous girlfriend meme. From Millikin's 1954 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"It looks like our world, only smaller." From Amazing Stories, 1932.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Concordia's 1974 yearbook.
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"The friends change into frogs." From Wide Awake, 1884.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Lustige Blätter, 1904.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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You can still walk your cupid in public, though community standards now dictate that you pick up after it. From Elizabeth College's 1901 yearbook.
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From Le Courrier Français, 1892.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Duke's 1981 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Indiana University's 1915 yearbook.
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The owl of strange vengeance. From Spellbound, 1977. (Courtesy of Archive.org.)
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Washington & Lee's 1950 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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That's exactly the same hat we wear while finding your favorite posts on the internet. From Lees-McRae's 1974 yearbook.
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50 Yearbook Motifs Bingo
Invite partygoers to bring an old yearbook. Participants trade yearbooks. Call out a motif, a point going to the first person to find and display a matching photo. Game ends with the first paper cut. The 50 motifs listed here are the very most common running themes in yearbooks, so this is a game more about speed than luck.
- skull (human or animal)
- same photo duplicated within yearbook
- person studying at the end of library shelves corridor
- human pyramid
- woman hugging a tree
- man sunbathing
- mop or yarn wig
- person in a trash can or dumpster
- Groucho glasses with mustache
- man being thrown into a body of water
- toilet or urinal, unoccupied
- person sitting on toilet
- parking ticket on automobile
- fraternity brother being paddled
- “artistic” double-exposure photo
- person donating blood
- men in comedy drag
- burning building
- kitten or cat
- racial stereotype costume
- man asleep on a park bench or common room sofa
- picket/protest sign
- group of men wearing ties but no pants
- face and/or body covered in shaving cream
- car bashed with sledgehammer
- man holding snake
- sign on a door
- mud-covered buddies embracing
- adult wearing a diaper
- pie in the face
- man on the phone
- person behind bars or otherwise caged
- candle- or torch-wielding hooded figure
- thespian man applying makeup in a mirror
- reading an upside down book
- man wearing only a towel
- clock tower
- student holding vinyl record
- two or more men in bed together
- effigy
- camera-shy person holding hand or book to face
- man shaving
- face painted as skull
- single face or scene reduplicated by kaleidoscopic lens
- silhouette
- man sticking hotdog or banana into his mouth while staring at the camera
- streakers
- athlete’s wounded foot being bandaged
- men kissing
- person posing next to a tombstone
- skeleton with a cigarette in its mouth
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Great news -- if the panel says no to UFOs and mermaids, that leaves more UFOs and mermaids for the rest of us. You can use the techniques in this for UFOs and mermaids, too: How to Spot the Loch Ness Monster Every Time. Headline via UFO Newsclipping Service, 2000.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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In fairness, Buddhism has always said it's all an illusion. From Spook Crooks by Julien J. Proskauer, 1932.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"The tin-foil hat is the newest development in the military craze." From Millinery Trade Review, 1916.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Kladderadatsch, 1922.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Chicken Little graduated from North Adams in 1987.
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From Le Journal Amusant, 1910.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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You've seen some really screwed up architecture, and here's why -- buildings can be on drugs, too. From Woroni, 1980.
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|

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unearths some literary gems.
"Greg, your example would corrupt an archangel." "Which, as you are emphatically no angel, arch or otherwise, is irrelevant."
*** "Hargest had a special 'thing' about Eurovision."
*** He wore a fine snow-white dragoon's moustache, and his eyebrows twisted upwards as though in sympathy.
*** He would arrange a debate on The Housewife and her Hat between the editor of a woman's magazine and the most recently wedded viscountess.
*** [Water Metaphorically Flowing under Specific Bridges dept.]
Since those days a lot of water had flowed under the bridges of Seine and Thames.
*** "Grown men really shouldn't be able to quarrel over dancing-girl troupes, or even over serious subjects like Greek Drama or Quiz Games."
*** Kate received him with enthusiasm tempered only by the requirements of make-up removal. "I'm glad you're back," she said through a flurry of Kleenex.
*** "If Jane Hargest isn't as two-faced as they come, I'll eat the sort of hat Humphrey can't afford to buy me."
[I just checked the archives, and, indeed, the two previous twists on hat-eating also came from Val Gielgud.] ***
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We spotted a temporal anomaly at Harrisonburg's James Madison University. But we couldn't get anywhere near the clock in question to diagnose the cause of the time slip. Have you ever tried to park at a university? Because we couldn't investigate further, we made this collage; it's meaningless, but the anomaly seemed to warrant us dedicating some of our time to it, one way or another.
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It's commonly said that musical instruments will improve one's mental focus. Apparently, actual playing isn't even required. From Westminster Choir College's 1967 yearbook.
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From Hal Roach's "Thundering Fleas." From The Film Daily, 1926.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"A time for peace." From Sacred Heart's 1973 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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From American University's 1980 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Gustave Doré by Gill, for L'Eclipse, 1868.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Reading just the corners of a book is a great way to gain a deeper appreciation of page numbers. From Montclair's 1970 yearbook.
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The mysterious scroll. From The Strand, 1891.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Following the printing press boat on a book-eating sea monster. From Fliegende Blätter, 1847.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Severely disappointed. From The Oredigger, 1971.
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From Lustige Blätter, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Vocalist Libby Buisson is portrayed as two-headed and four-armed in Covenant's 1991 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Even better than the un-party is the un-after-party. From George Fox's 1972 yearbook.
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They all said, "Never let a hobo be your stylist." As if they knew me. As if they knew anything at all. From Mars Hill's 1958 yearbook.
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"I don't believe in radioactive giant rabbits." Via UFO Newsclipping Service, 1986.
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The 1920s slang "it's the berries" (meaning that something is impressive, desirable, fancy) was not, according to Steven D. Price, connected to the expression "the bee's knees." That means that these "berries" were pollinated in an untraditional manner! The speech bubble reads, "I guess I'm not the 'berries'?" From Middle Tennesee's 1927 yearbook.
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"Oh, the devil take Switzerland!" —Dostoevsky, The Idiot
From Der Bärenspiegel, 1931.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"An unexpected apparition." From Twice a Week, 1862.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Weaver College's 1932 yearbook.
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Eve tempts the serpent. From Gilhooleyisms by Frederick Henri Seymour, 1904.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Memories of the first day at college. From Concordia's 1976 yearbook.
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A cubist portrait of Chaplain, from Photoplay Magazine, 1920.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kansas State's 1920 yearbook.
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We would wear at least three of these hats. From Nebelspalter, 1898.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Be of good cheer!" From The Strand, 1891.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kansas State's 1935 yearbook.
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The King of Cups passes out. From Lustige Blätter, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The gap closers." From The Distrubutor, 1928.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From UFO Newsclipping Service, 1984.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kansas State's 1952 yearbook.
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From Blue Beard, illustrated by Richard Heighway, 1895.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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In literature, poetry, and old yearbooks, a shade is the spirit or ghost of a dead person. From National-Louis' 1970 yearbook.
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From Photo-Play Journal, May 1920.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Davenport College's 1909 yearbook.
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If you have a strange dream to share, send it along! |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Montclair's 1970 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Central Carolina's 1977 yearbook.
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A safecracker by Trier. From Lustige Blätter, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kladderadatsch, 1941.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Bowman Gray's 1963 yearbook (our restoration, as per usual).
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It's only funny if the whole thing is funny. "Suddenly, the whole thing wasn't funny." From UFO Newsclipping Service, 1998.
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Must be a Life Science course that "deals with death and taxes." From The Gateway, 1974.
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"Where are the dead?" From Awake magazine, 1958.
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From Amazing Stories, 1932.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"We have never had a Society for the Protection of Flies" ( In Defence of Pink by Robert Lynd, 1937). Our illustration, captioned "Swat 'im," is from Plain Talk, June 7, 1913.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The purpose of the Eleven O'Clock Carousers is "to eat and drink everything eatable and drinkable." From Wesleyan College's 1913 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a precursor to bars hanging televisions near the ceiling. From Nebelspalter, 1958.
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"Reached the end of the beginning." From Charleston Southern's 1972 yearbook.
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"Anima goes down the hole." From Europa's Fairy Tales by Joseph Jacobs and illustrated by John Batten, 1916.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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From The Film Daily, 1944.
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Not only is there a cat person (he looks nice, too), but you'll have alreary noticed the bonus temporal anomaly. (Glad our guidance is making a difference in your temporal anomaly investigatory skills!) From Western Carolina's 1957 yearbook.
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From Ontario College of Art's Sketch magazine, 1950.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From Measure for Murder, by Clifford Witting:
***Nothing disorganises a concern so much--except, of course, the introduction of System--as the boss's son beginning in a junior position.***He had...scrabbled about taking measurements and jotting them down on the back of an envelope, which he afterwards lost.***Our producer was...a soft-spoken giant of a fellow, who...never got nearer to losing his temper than whistling "Good King Wenceslas" (whatever the season of the year) through clenched teeth.[Sure enough, as the story progresses and things become tense, there are a couple of allusions to the producer's GKW whistling.]***It was his normal habit to say everything twice in quick succession, but his orders to the company were given three times just as rapidly, as if with the foreknowledge that nobody would heed a thing said ony twice.***Phil Pearson's encomiums whipped up his flagging interest and transformed him into the keenest amateur that ever missed a cue.***Massive, hearty of manner, he had a deep, resonant, voice and, when amused (which was often), sounded like an amiable ogre laughing in a cave.***"Those are the opinions of Coleridge. When we remember that he wrote 'The Rime of the Ancient Mariner,' we can safely accept his judgment."[...]"That has nothing to do with our present discussion"...."Neither does the Ancient Mariner....Or the albatross."***[This may be my favorite passage of all. The French turn of phrase really puts it over the top, imo!]And there was--how can I put it?--a certain awareness about her. I once made the acquaintance of an old green parrot. Its conversational range was limited, yet when it tilted its head and cocked a wicked beady eye at you, you got the feeling that, if only it chose, it could tell you a thing or two; that, as the French put it, il connut le dessous des cartes. Miss Lark in no way resembled a parrot, but sometimes there was the same tilt of the head and the same cock of the eye.***We had the place to ourselves, except for a solitary man at the other end of the room, with a newspaper propped against the water-jug, who chewed his food with the stolid concentration of a ruminating cow, and held his knife and fork as if he was riding a bicycle.[Bicycles, of course, are funny--especially out-of-context bicycles.]***"Not a square peg in a round hole, but a round peg not quite big enough to stop falling right through."***Although close on sixty, she darted around the house with the nimbleness of a schoolgirl, so that she frequently gave the impression of being in two places at once. For instance, after assuring her I had everything I required, I would leave her at one end of a passage--and, on reaching the other end, would find her waiting round the corner with the remark: "Because you've only got to ask, Mr. Tudor."[By the way, Tudor's nickname is "Turtle," which makes me think of Tooter Turtle of the cartoons.]***He...went down the hill in zig-zag fashion, jamming on his brakes at the end, as it were, of each zig. Our own descent...was much less like a music-hall turn.***Many times I tried to screw my courage to the sticking-place and make love to her, but my courage seemed to have no sticking-place.***She was what young women, older women, young men and older men all describe as a "nice girl"--for four different reasons.[But he doesn't specify what the four different reasons are.]***Mrs. Cheesewright went "tck-tck" more than once, but she would have gone "tck-tck" at anything.***It is always pleasant to make complete strangers laugh at one's remarks to one's friends.***"You won't be cross," I asked, "if on some appropriate occasion in the future--when you're in the middle of a game of tennis or having your hair done--I ask you to marry me?"***Then suddenly, with an almost audible click, the tone of the conversation changed.***It is the custom among solicitors, symptomatic, perhaps, of their elusive craft, to do business under any names but their own.***It was a pity that Mrs. Doubleday was just going by, for I collided with her and spoilt what would otherwise have been a most artistic exit.[Earlier on, he walked into the same lamppost twice in one evening.]***"I think not, halthough I saw him at about twenty-past eleven."[This instance of the reverse-dropped haitches that characterize Mrs. Doubleday's conversation was interesting because the glitchy type in this copy of the book had the unintended effect of making it look like the surplus h in "halthough" was stricken through for removal.]***"As you couldn't see your 'and in front of your face, I might 'ave been right on the 'eels of the Archbishop of Canterbury and not known it."[I don't think I've mentioned it before, but the Archbishop of Canterbury appears not infrequently in the books I read in this sort of far-fetched hypothetical role. I guess he's a little bit like a personified Timbuktu.]***[Turning a Cliche on Its Head dept. The character is saying that he prefers brunettes.]"When it comes to blondes, I'm no gentleman."***"She 'ad a sharp attack of la-di-da."***"You'd never find so much as a postcard from me in Mr. Ridpath's fan-mail."[I like the implication that a lukewarm fan would send a *postcard*.]***Nonsense as Fashion Statement dept."All rigged out in a red velvet dress and a bit of nonsense fixed round 'er head."***"I think she must have discovered the secret of perpetual emotion."***"What a snorter! 'A something or other beyond the reach of art.'"***"Besides Gough, whom I've called No. 3, two other people, Nos. 1 and 2, are involved.""You know I'm no good at figures," grumbled the Super. "Couldn't you have made them A, B and C?""It would have been too complicated," Charlton explained.***"You arranged for a representative of Messrs. Golightly & Farthingale to call on Miss Jones?""You got on to that, did you?" grinned Duzest. "A pretty piece of impromptu nomenclature, don't you think?""A Frogbaskett in the middle would have lent it distinction," replied Charlon judicially.***[Then there was this, as I discussed on Facebook.]In case anyone's keeping score, the vintage mystery novel that I'm currently reading has included, as of page 41, two metaphorical and mutually unrelated references to seals (the animal, not the emblem). First we are told that a troupe of seals, given the power of speech, could have recited some theatrical dialogue as well as the humans actually reciting it. Then, twenty pages later, we're told that a newly introduced character physically resembles a seal. I must say the necessity for a "given the power of speech" proviso seems rather to defeat the purpose of the former comparison; but I'm not here to quibble, I'm here to count metaphorical seals (counting the troupe as one).
Page 74, metaphorical seal #3: "It was a technically faultless performance, but with the perfection of a circus dog jumping through a hoop or a seal balancing a ball on its nose."
BUT WAIT! As the jokelore engineer said, "Our initial count was off." A mystery-fiction expert has drawn my attention to the earliest (documented) seal reference in this book—back in the prologue, before I began noticing or keeping track. In this passage, a different character apparently resembles "‘a breathless seal" when climbing stairs. So our REVISED METAPHORICAL-SEAL COUNT now stands at 4.
No seal references since page 74, and now, in the second half of the book, we have a different narrator. Perhaps the seal obsession was the NARRATOR's tic, rather than the author's! This would tie in with what the mystery expert told me, to wit, that she did not notice metaphorical seals in the other books she's read from this series (though she wasn't looking out for them, as far as I know).
However, if it's any consolation, I've just encountered a passage in which a character compares someone else to an "obstinate jellyfish." He is speaking to the detective, and we're informed by narrator #2 that "the simile appealed to [the detective]."
I've now finished the book, and the metaphorical-seal count stands at 4, unchanged since page 74. Thank you for joining me on this adventure! Facebook doesn't seem to offer a seal emoji, so I'll use a dophin and a dog, since a seal is sort of the "average" of those two animals. ***
[Bonuses: A character says "shenanachida" for "shenanigans"; this variant has no trace in Google. The same character uses "belladonna" to mean "prima donna."]
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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[Tidbits gathered through the course of our research. See the remarkable collection, entitled Bullet Lists.]
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We're delighted that our One-Letter Words: A Dictionary features prominently in The Irish Times. Columnist Frank McNally wondered whether our chapter on the letter R included the "great R of our times, the coronavirus reproduction rate":
The viral R is conspicuously absent from one of the more eccentric lexicons on my bookshelf, A Dictionary of One-Letter Words by Craig Conley, published back in 2005, when Sars was the worst health crisis facing the world.
Conley’s entries for the letter instead include the fact that it is a movie rating guide, that it was the old Roman numeral for 80, and that in algebra, it represents “a square upper triangular invertible matrix with positive entries on its diagonal”. Phew. It was also one of several letters with which, in the past, criminals were branded. To be R-rated in that context meant you were a “rogue”.
Under the subheading of “literature”, meanwhile, the dictionary includes a quotation from Daphne du Maurier’s Rebecca, wherein the unnamed narrator finds a book dedicated by her husband to his previous love, the Rebecca of the title and, tearing the page out, throws it into the fire, watching it disappear: “The letter R was the last to go, it twisted in the flame, it curled outwards for a moment, becoming larger than ever. Then it crumpled too; the flame destroyed it. It was not ashes even, it was feathery dust.”
Read in the context of the pandemic, that passage carries an optimistic message. As we look forward to a curve-flattening summer and autumn, we all hope to see the R crumple and disappear.
Less happily, in the book, the memory of Rebecca haunts the narrator throughout. But on the plus side, I find on looking up the rest of that passage in the original text, that it continues, aptly: “I went and washed my hands in the basin. I felt better, much better.”
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From Rinkitink in Oz by L. Frank Baum and illustrated by John R. Neill, 1916.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Earthrise, from the moon. From Drowsy by John Ames Mitchell, 1917.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I see you, you, you, ayy."
Note that the Big U may have misheard the lyrics as four one-letter words: "I, C, U, U, U, A."
The Big U is from Wid's Daily, 1919.
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From The Film Daily, 1926.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Asking for "coabberation" on whether or not he's dead. From Swarthmore's 1956 yearbook.
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From Puss in Boots, illustrated by Richard Heighway, 1895.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"I am rays caught from shooting stars. Catch me if you can!" From The Magic Sea Shell and Other Plays by John Farrar, 1923.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Wild kittens." From Kansas State's 1920 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Money dines out. From Lustige Blätter, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Here's a trick invitation to avoid as if your life depends upon it. "Come to the fields with me, just this once more;". It's an invitation from the grim reaper. Note the semicolon at the end -- that's a trick, to make you assume there's more to the statement, that it's not a death sentence. From North Adams' 1987 yearbook.
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From Le Journal Amusant, 1901.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Akron's 1917 yearbook.
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"You sir have awoken something in me that has been collecting dust for quite some time now. In a sense, an encounter with bad luck had me concluding that life was too busy for art. Thank you for shining a light far enough for me to find a source of my own. I shall repay the favor and pass it on with each chance that presents itself." --Joshua Batie
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"An enormous white wolfhound bounded out upon the path." From The Crystal Ball by Mary Daniel Gordon, 1920.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Fish are being poured into a cat's head through a funnel. From Western Carolina Teachers College's 1951 yearbook.
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The king of the land of lost kites. From The Wonderful Land of Up by Olive Roberts Barton and illustrated by Neely McCoy, 1918.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Memories of college. From Millikin's 1981 yearbook.
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"They do believe in us. Don't you? Don't you?" From "God Pan Forgotten," in The Magic Sea Shell and Other Plays by John Farrar, 1923.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Prof. Oddfellow's sketchbook:
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From Fliegende Blätter, 1923.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This bird may seem to have a sunny disposition, but in truth darkness falls from its wings of night (as we learn in the caption). From Armstrong's 1984 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Death by final exam. From Akron's 1917 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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That's exactly our own tactic when we encounter a moose or other mascot -- act casual and make no sudden movements. From Pfeiffer's 1973 yearbook.
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"One woman's answer." From The Film Daily, 1938.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"You know it's only a plastic moon." We checked, and the moon is acually several other things, enumerated here.
From The Gateway, 1976.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|



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Though at times it seems as if the world is hopelessly divided, at least everyone agree that Bigfoot really lives! From UFO Newsclipping Service, 1983.
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From Der Bärenspiegel, 1941.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Flying saucers are nothing but ants ... but they could also be nothing but wasps or bees.
From Interplanetary News Digest, 1966.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Le Chariviari, 1884.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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A donut really can be divine, and here's their secret: "doughnut haloes." From The Link, 1966.
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No status symbol in the late 1920s could beat a giant candlestick lighter. From Cine-Mundial, 1929.
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From Otterbein's 1908 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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She thinks it's the cat. From Lustige Blätter, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
*** There was an aggressively striped tie knotted at his thick throat, which shrieked Old St. Somebody's Rugby Football Club.
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We encountered a great many temporal anomalies in Martinsburg, West Virginia. This one, at a school, warmed our heart on a very cold day, because both clocks showing different (and wrong) times meant that school was probably out early. (Classroom education, obviously, is one of society's very most dunderheaded notions.)
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We tend to think of Little Red Riding Hood as a story at least as old as the Brothers Grimm, but the story merely depicts archetypes that have carried on through the ages. A big bad wolf and a red riding hood graduated from Santa Clara in 1992.
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If you don't have easy access to a banana costume (as per this important life hack we featured previously), you can compliment random strangers while wearing a giant carboard box. Photo from Summit Christian's 1989 yearbook.
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"A human form with an invisible face." From Wid's Daily, 1919.
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A smoke ring halo. From La Colotte, 1906.
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Who is your favorite imaginary saint? Do share! |
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Walking the hippo. From Nebelspalter, 1933.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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An old postcard gifted to me by friends in Wales. Undated.
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From Le Chariviari, 1884.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From a mermaid's library, in Millikin's 1928 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Link, 1947. What's it like to be trapped inside a shattered hall of mirrors? Here's our video of the experience.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The air is teeming with newborns. From Lustige Blätter, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Le Journal Amusant, 1905.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Der Guckkasten, 1918.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This reminds us of the last time we were saddled with attending a sporting event. From Santa Clara's 1992 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Baylor's 1917 yearbook.
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The endpapers from Yeshiva's 1956 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Kladderadatsch, 1923.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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You've heard of trying to get a square peg in a round hole, and here's an achievement of the opposite challenge. From the Locust Valley Friends Academy yearbook of 1968.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Get away from me, boys. I'm bad—get me—bad!" From Akron's 1917 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Lustige Blätter, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Tap tap tap. From Full Moon by P. G. Wodehouse, 1947.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Memories of college. From Kansas State's 1988 yearbook.
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"One world leads to another." From The Link, 1947.
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From Anderson's 1929 yearbook.
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Boastful spider and the clock. From Sandman Twilight Stories by Abbie Phillips Walker and illustrated by Rhoda C. Chase, 1918.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|



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"Cammodudes" [usually spelled as two words] refers to camouflaged security teams protecting Area 51. From UFO Newsclipping Service, 1994.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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The obelisk isn't pictured, but that's its mascot. From Washington University's 1909 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We concur: the most direct way to see the wizard is to mount a carousel horse. Our own favorite antique carousel is on the Santa Monica pier.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Students are puppets because they want to be puppets--they don't have the guts to be anything else" (From The Stoutonia, May 17, 1968). Photo from Park College's 1952 yearbook.
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After a particular experience, we have vowed never again to light a candle bigger than we are. From Plain Talk, Jan. 4, 1913.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Pitching at a ghost." From The Link, 1955.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"The hands of the snow queen were like ice." From The House of the Red Fox by Miriam Byrne and illustrated by Anna Milo Upjohn, 1907.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Memories of college. From Centenary's 1963 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Questionable faculties. From Lenoir's 1913 yearbook.
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This is probably still the best way to call for silence. From Vera the Medium by Richard Harding Davis, 1908.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"And we wave goodbye to the stately red solid and growing green and smile hello to the breeze." From the Locust Valley Friends Academy yearbook of 1968.
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From Le Journal Amusant, 1920.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Her official yearbook portrait is with a giant spider web. Reblog if you wove a giant web for your own portrait (or wish you had). From St. Andrews' 1979 yearbook.
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From Der Guckkasten, 1918.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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"Time cannot be bound by any means and remains unchanged as it is" ( Oneness of the Being). Photo courtesy of Anthony Jauneaud.
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From The Film Daily, 1934.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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|

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unearths some literary gems.
*** The audience rustled and coughed, and looked about to see which of its members was the most anxious to ask Sir Arthur a question. But...the embarrassing fact became evident that no one had anything at all to say. The Friends of Health looked at one another during a silence that developed through suspense into a kind of terror.
*** The young man in the book seemed to have no pursuit in life but that of his own soul, and as this was obviously a very small and anaemic thing, it was not surprising that it constantly eluded him.
*** An idea that had just come to him began to unfold and expand itself like a large glittering balloon. It billowed and sank, rose again and tightened, until, reaching its full magnificence, it took to the air and sailed up and away, with David hanging on to it, breathless but triumphant.
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"What's all this, then?" A headline from Medium II newspaper (Mississauga), 1978.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Eastern Kentucky's 1932 yearbook.
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From Fliegende Blätter, 1924.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Salem College's 1979 yearbook.
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From Kladderadatsch, 1926.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Somewhere in the darkest night." From Olivet Nazarene's 1974 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"How to keep sane when carrying a suitcase." From The Link, 1970.
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From Anderson's 1929 yearbook.
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Robin Redbreast's cherry pie. From Sandman Twilight Stories by Abbie Phillips Walker and illustrated by Rhoda C. Chase, 1918.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Memories of college. From Presbyterian College's 1998 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|



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On the likelihood of cats signalling and directing alien craft. Via UFO Newsclipping Service, 1990.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Prof. Oddfellow's sketchbook. [Thanks to Jonathan Caws-Elwitt for inspiring this one. The hyphenated luminaries are, of course, in his honor.]
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From Lustige Blätter, 1907.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"Put some SOUL into it girls!!!!! Goodness gracious!!!" From Salem's 1918 yearbook.
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From The Beacon Third Reader by James Hiram Fassett and illustrated by Charles Copeland, 1914.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Two pronunciations of "row." From Kansas State's 1907 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the University of Omaha's 1919 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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This is the cheapest table centerpiece we've ever seen. From Tulane's 1961 yearbook.
|

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From Sochineniia N.G. Shebueva, 1906.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Show us a yearbook without a skeleton smoking a cigarette, and we'll tell you that's a rare one. But it's never funny. What would be better is a skeleton wearing Groucho glasses, holding a permanent marker like a cigar. (Groucho glasses are not inherently funny -- they require a fake cigar.) From Lees-McRae's 1969 yearbook.
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It's rare to see the grim reaper bowling. From Woroni, 1987.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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This could be us. From Peace College's 1976 yearbook.
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Charles Fort established that astronomers get paid to hallucinate. This article, about a non-existent comet that got named anyway, is further proof. From UFO Newsclipping Service, 1983.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Don't be jealous!" From The Film Daily, 1926.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Flora Macdonald's 1923 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Le Journal Amusant, 1907.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"Man or beast?" From Eastern Nazarene's 1956 yearbook.
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From Strange Stories, 1940.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Memories of college. Our custom Uncanny Detector app verified that the figure in the foreground is a ghost. From Ole Miss's 1971 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Reblog if you go to lengths to be left alone. From Brevard's 1940 yearbook.
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From Lustige Blätter, 1915.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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INSTRUCTIONS: Click to remove the sunglasses. From Duke's 1984 yearbook. 
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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I like birds just fine, but I do not need them to lecture me about my attitude on life. From Swarthmore's 1974 yearbook.
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"In the map your heart is taking the curves. Sometimes you miss one in the borderlands. Sometimes you get there with the help of the saints." From Mothers News, 2013.
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True story, though seemingly unbelievable: we were regularly served deities at a local restaurant, until something ruined it. The manager moonlit as an erotica author, but that's neither here nor there. We developed a good business relationship with her, always asking for a table in her section (she occasionally served tables in addition to her managerial duties) and tipping generously. One day, instead of ordering any particular dishes, we asked her to surprise us. She brought us an amazing platter that wasn't on the menu. Though quite exotic, we recognized at once what was being served to us: deities. Our marvel and delight couldn't be disguised, and the manager knew she had us hooked. Though the price of the special platter was as high as the most premium dishes the restaurant served, we paid it unblinkingly and, in fact, redoubled our visitations. One fateful day, however, the restaurant owner saw her preparing our special platter and asked what she was doing. He asked why she was serving us deities when other patrons were limited by the menu. He was appalled that she gave special treatment, that she didn't serve all patrons equally. Ashen-faced, she approached our table to reveal that she could no longer serve us deities. We were mortally offended by the owner's attitude and by the manager's handling of the situation. We'd never asked to be served off the menu, much less to be served deities. But once that pattern had been established, we obviously couldn't go back. We made clear our attitude toward the owner's philosophy, we mentioned how much we'd in fact been paying for the "special treatment" (petty, but one slips sometimes), and we stormed out, never to return. The thing is: once one has partaken of the heavenly gift, once one has tasted the powers of the age to come, one realizes that we are all unworthy to wolf down the most holy and efficacious of sacraments.
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It's been said that college is about meeting people you will befriend for life. From Park College's 1970 yearbook. See How to Hoodoo Hack a Yearbook.
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The Dogs and the Fleas was written by a dog named Frederic Scrimshaw in 1893.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Though the clown of hearts likes it, the jester seems unsure that the spelling of "jokes" is funny. "Joshes, joaks, & jyngles." From Kansas State's 1907 yearbook.
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"Miss Wiseguy." From The Link, 1949.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We were initially puzzled as to why these photos were chosen to represent a particular student. A supremacist cat, an undead or ghost bride, and an ocean scene. Do you see the connection? A bit of context helps (or does it?) -- this is a medical college's yearbook, and the student is a doctor. The cat has a white coat, the bride has a white dress, the ocean has whitecaps. Lest we offend the nobility of medical science with a bit of psychology, there's a fetishization of the clinical white coat at play here. But no picture of a white duck? Of course not -- that might suggest a "quack."
From Bowman Gray's 1996 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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The text here says that majoring in philosophy creates mystic thinkers but seldom leads to employment. From the University of North Carolina at Asheville's 1977 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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When a lens flare is the best part of your photo, you're doing well. From Swarthmore's 1974 yearbook.
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Not merely green cheese -- the moon is also made of baloney. Via UFO Newsclipping Service, 1996.
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"Disturbing yet fascinating." From Unknown, 1940.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Reblog to bring back the see-thru hoop skirt. (Though, frankly, I don't think "raising awareness" on this issue is going to make any difference.) From Peace College's 1976 yearbook.
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We encountered a temporal anomaly in Jenkintown, Pennsylvania. At 4 p.m., it was simulaneously 1:25 and 10:31. We passed this anomaly on our way to visit a family member at a neurological rehabilitation clinic, and in the hallway outside his room was a framed painting (eerie! bizarre!) featuring an obscured element. Could the obscured element be a gold pocket watch, in the tradition of Salvador Dalí's famous melting timepiece hanging off a branch in "Persistence of Memory"? If so, we'll credit this painting for triggering temporal anomalies in the area. By the way, we overheard a physical therapist saying that she had to time a patient's treatment according to her stopwatch because none of the clocks on the floor were in agreement.
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unearths some literary gems.
*** The man allowed his monocle to fall, more or less of its own accord, to the full extent of its ribbon, where it swung, pendulum-wise, at the end of its moiré ribbon, till the law of Newton and gravity took over.
*** "What I possess...is the characteristic of the Complete Artist: I will do anything for money."
*** [This pedestrian passage presented my mind's eye with a fanciful--and much improved, imho--image, until I realized that "rowing" here meant quarreling, and not oaring. I'd been imagining one of those romantic boating picnics taken to the next level!]
Sanson and his wife were still rowing, as they had been continually since halfway through the expensive dinner that had been her birthday treat.
*** "With that kind of dough, he can pull up the drawbridge, lower the portcullis, shut himself in his ivory tower and cock a snook at the world. Or...he could buy himself a paradise island in the South Seas and cock his snook from there." ***
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The tree in the background appears to have a spirit double to its right, and because of that weirdness only epopts should consider using this photograph to initiate astral or time travel. From Colorado State's 1969 yearbook.
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If you already suspected this, you were right: "Weirdness is not conserved, in fact there is an infinite amount of weirdness in the universe. Without careful attention, most electronic circuits will amplify, or even create weirdness." From Toike Oike, Dec. 1990.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Dark Shadows makes no mention of unicorns between episodes 1 and 798.
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The caption to this photo said, "A rainbow is something that happens between sunrise and sunset." That is incorrect. They forgot to remember the night rainbow. From Clarion's 1974 yearbook.
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Few ever bother to ask how anyone knew for certain that the mouse ran up the clock in the old nursery rhyme. It turns out that there were three witnesses. From Mother Goose Secrets by Barbara Webb Bourjaily, 1925.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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At first glance, we thought this was one of the flower people. Now we're not sure.
"Just a gentle reminder." From The Gateway, 1974.
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"I can resist everything but Temptation." From The Film Daily, 1946.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Colorado State's 1969 yearbook.
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This seems to be saying that if one is made invisible by light rays bent around oneself, one will not be able to see anything beyond oneself. From Wonder Stories Quarterly, Sept. 1930.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Computers have changed so much since the 70s. This modern dance performance of "Computers in Love" requires imagination to be understood, according to the caption in Lambuth 's 1971 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Memories of college. From Washburn's 1916 yearbook.
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From Le Journal Amusant, 1893.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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This immaterial tower (from Wake Forest's 1984 yearbook) reminded us of a castle in the air we encountered via Google Maps' street views of Warwick, England.
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Only if you can decode the name of this (defunct?) New Zealand band, check out their amazing shoegaze track " Burn One" [link goes to Bandcamp].
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It's a simple practice -- if the outside windows don't offer a distorting mirror, do not enter. From Swarthmore's 1974 yearbook.
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"When the going gets tough, people tend to go strange." Via UFO Newsclipping Service, 1991.
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From Lustige Blätter, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Two jesters aren't necessarily twice as funny, but it's a trend in old yearbooks. From Washington State's 1906 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Is this some sort of Before & After pairing of photos? Is the piano teacher searching for his pupil when in fact she's sitting right there in the grass, covering her ears in anticipation of her own sour notes? And does she finally give in and attend her lesson with a dimly lit room?
From Rockford's 1971 yearbook.
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From Puss in Boots, illustrated by Richard Heighway, 1895.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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God is bread. From The Link, 1967.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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We actually tried this, holding a little dinosaur while not looking at upside down art, and it enriched the experience considerably. From Millikin's 1959 yearbook.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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"To know the Moon as few men may, one must be just a little fey; and for our friendship's sake I'm glad that I am just a trifle mad." From The Complete Poems of Robert Service, 1945.
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There is a forest of glowing trees that can be navigated only via old yearbooks. From Colorado State's 1969 yearbook.
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Our custom widget that checks for duplicated images suggested this unlikely pairing. Click each image for its source.
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Though perhaps not as popular as phonebooth stuffing, hollow tree stuffing offered a deeper sense of communion. From Swarthmore's 1974 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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At first glance, we thought he was holding an antlered barrette. From Lenoir's 1913 yearbook.
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Claude Fayette Bragdon, "The Decadent Muse," in The Chap-Book (1896). (Via TheFugitiveSaint.)
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From UFO Newsclipping Service, 1986.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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From The Film Daily, 1926.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"But wait, this can't be possible." From UFO Newsclipping Service, 1980.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

 |
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Dentists want to be feared. From Baltimore College of Dentistry's 1967 yearbook.
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From The Gopher Purge Fanzine #3, KMUW After Midnight, 1987.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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A tin-foil hat worn proudly, from the University of the South's 2002 yearbook.
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"The north wind doth blow, and we shall have snow." From Nursery Rhymes, illustrated by Claud Lovat Fraser, 1922.
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*Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out. |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Duelling marottes are too, too rarely depicted. From Rose Polytechnic's 1922 yearbook.
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"The moon's veil is both her luster and her shade." From Manual and Diagrams to Accompany Metcalf's Grammars, 1901.
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The blow dryer demon warns of life. From Kansas State's 1981 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|


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Athanasius Kircher, 1653.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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His name "Overmoen" means "over the moor," but at first glance we thought he was "over the moon." From the University of Nevada, Reno yearbook of 1985.
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From Kladderadatsch, 1926.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Taylor's 1929 yearbook.
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I Found a Penny Today, So Here's a Thought |
(permalink) |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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The Great Wazoo. From the University of Nevada, Reno yearbook of 1985.
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From Judge's Library, 1908.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From Lustige Blätter, 1899.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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"The Journalists." From Le Charivari, 1880.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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A single stroke of the pen. From Washington State's 1906 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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From the University of North Carolina at Chapel Hill's 1920 yearbook.
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From Kladderadatsch, 1939.
 |
[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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unearths some literary gems.
*** Sir Giles found the greatest difficulty in believing his eyes. This was true to the extent that one of his contact-lenses burst from its socket and skittered by way of the opened Book on to the carpet.
[I see this passage as a sort of update of monocles and pincenez that jump out of place with astonishment; the book is from 1967. Interestingly, though, there is a different character in the story (see below) who actually wears a monocle.]
*** "I didn't say a thing," complained Humphrey. "Your face shouted, dear boy."
*** Marmaduke Greville-Smith, the only actor in the Club...was popularly supposed to have been elected by mistake for someone else of the same name.
*** The drawling voice which, together with his eyeglass, had earned him a quite false reputation for sophisticated mannery-of-the-world. ***
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Reblog if you, too, are beguiled by formal portraits of rabbits. From Chicago State's 1983 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
|

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Memories -- the thrill of making your first clay homunculus, and then the anxiety of examination day, when the teacher handed out the pins and expected a miracle. From Swarthmore's 1974 yearbook. See How to Hoodoo Hack a Yearbook.
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I Found a Penny Today, So Here's a Thought |
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We trust you never flattered yourself that fairy tales were for you. They're by fairies, for fairies. (Granted, you may actually be a fairy. In which case, never mind.) From Little Nobody, 1875
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Photo from Swarthmore's 1974 yearbook.
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In the 1970s, street artists wore high heels. From The Martlet, 1972.
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Wikipedia claims that the fad of phonebooth stuffing was passé by the end of 1959, but here it is in 1989. WTF, Wikipedia? From Eastern Kentucky's 1989 yearbook.
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I Found a Penny Today, So Here's a Thought |
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The setting mapped on the endpapers is even divided into acres, as in "the Hundred Acre Wood," in this rather blatant "tribute" to Winnie the Pooh, two decades later. We decoded the young reader's squiggle. It says, "Christopher Robin did it first." From Poo and the Baby Bunny Rabbit by Edwin Megargee, 1947.
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"Tomorrow may be cancelled." From The Martlet, 1972.
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From The Film Daily, 1942.
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"Wake up!" From Wid's Daily, 1919.
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If you have a strange dream to share, send it along! |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The fairy stood on the leaf of a lily and every crawfish was silent."
Reblog if the crawfish are silent where you are right now.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Santa Clara's 1967 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Eastern Kentucky's 1961 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Lustige Blätter, 1919.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Le Journal Amusant, 1905.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Even considering all we've seen, it's still disconcerting when the illustrations are aware of us. From Plain Talk, Feb. 1, 1913.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Der Guckkasten, 1909.
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*Inspired by the world's only accurate meteorological report, "Yesterday's Weather," as seen on Check It Out. |
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This is what can happen if your dinner party does not feature an eye-catching centerpiece. From Making Up with Mr. Dog by Albert Bigelow Paine and illustrated by J. M. Paine, 1901.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Though Wikipedia dates the oath "Sakes alive" from the 1930s to the 1950s, here it is in 1918. Sakes alive, Wikipedia! From Doctor Rabbit and Ki-yi Coyote by Thomas Hinkle, 1918.
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Due to smoking ordinances and fire codes, now only street magicians have smoke up their sleeves. From Siren, 1930.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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Did You Hear the One I Just Made Up? |
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You already know that French poets are all orchardists; yeah, in France the pommes grow on trees.
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Gary Barwin notes: "The pun doesn’t fall very far from the tree in this one. Or the pomme. And gives new meaning to poemtaster."
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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You've heard that cats are aware of God's existence and know that humans are middlemen between them and the divine realm. This kitten, even through closed eyes and the mists of time, is aware of you as an intermediary. From Northeastern Illinois' 1974 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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This cursed image appears in Gaston's 1975 yearbook.
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From Le Journal Amusant, 1912.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"The cult of the talking cross." From Cavalcade, 1955.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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He's using his marotte as a sort of dowsing rod to find beer. From Salem's 1929 yearbook.
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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[Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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You have to be very exhausted to pass out in a fish tank, but it can happen (er, so we've heard). From Guilford's 1966 yearbook.
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I'm not sure that calling otherworldly beings "macrobes" (opposite of "microbes") ever caught on. From Tico Times (San Jose), via UFO Newsclipping Service, 1994.
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Original Content Copyright © 2025 by Craig Conley. All rights reserved.
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